Sophocles Oedipus at Colonus 450

Lewis Campbell (Translator)

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CHORUS
CHORUS . 1477
Great Heaven, how above me, beside me, around,
Peals redoubled the soul-thrilling sound!
O our God, to this land, to our mother, if aught
Thou wouldst send with some darkness of destiny fraught,
1480
Smile gently once more! With the good let me bear
What of fortune soe’er,—
Taste no cup, touch no food, the doomed sinner may share.
Zeus, to thee, Lord, I cry!
1485

Oedipus at Colonus. Sophocles. Lewis Campbell (Translator). London, New York and Toronto. 1906.

Current edition Experimental

English (Lewis Campbell, 1906) (OCR draft) (English) (English (Lewis Campbell, 1906))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 450 focus
ἀλλʼ οὔ τι μὴ λάχωσι τοῦδε συμμάχου,
450
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 510-548 focus
Translations (3)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 461 focus
Wohl werth des Mitleids, Dedipus, erscheinst du selbst
Und deine Töchter! Aber da du meinem Land
Dich jezt zum Helfer selbst erbeutst mit diesem Wort:
So will ich treulich rathen, was dir frommen kann.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 450 focus
Antigone
Whither, O Jove, can we direct our steps?
Is there an hope to which the god now leads ?
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 510-546c focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-1020-1 ἔα 1

mvp-comment-1020-2 μάλ’ αὖθις 2

mvp-comment-1020-3 ἀμφίσταται 3

mvp-comment-1020-4 διαπρύσιος 4

mvp-comment-1021-1 For ὦ δαίμων 5

mvp-comment-1021-2 ἵλα^ος 6

mvp-comment-1022-1 γᾷ ματέρι 7

mvp-comment-1022-2 ἀφεγγὲς 8

mvp-comment-1023-1 σοῦ τύχοιμι 9

mvp-comment-1023-2 ἄλαστον ἄνδρ’ 10

mvp-comment-1023-3 ἰδὼν 11

mvp-comment-1024-1 ἀκερδῆ χάριν μετάσχ. 12

mvp-comment-1024-2 In the verb, μετά here=

"along with Oedipus,"
"as my share in his curse"
: χάριν is acc., not gen., because it denotes the share, not the thing shared.

mvp-comment-1024-3 μετέχω 13

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1478. mvp-comment-787-1 ἰδού Cp. Αj. 870, ἰδού, δοῦπον αὖ κλύω τινά.

1478. mvp-comment-787-2 ἀμφίσταται Envelopes me. Cp. Hom. Od. 17. 261, περὶ δέ σφεας ἤλυθ᾽ ἰωὴ | φόρμιγγος: 19.444, περὶ δὲ κτύπος ἦλθε ποδοῖῖν: 1. 352, ἥτις ἀκουόντεσσι νεωτάτη ἀμφιπέληται: Phil. 1263, τίς αὖ παρ᾿ ἄντροις θόρυβος ἵσταται βοῆς; Eur. Her. 73, τίς ἡ βοὴ βωμοῦ πέλας ἕστηκεν ;

1479. mvp-comment-788-1 διαπρύσιος ότοβος The deafening, booming sound. Sophocles and Euripides revived this adjective, of which (except in Hymn to Aphrodite, 1. 19) only the neuter in an adverbial sense is found in Homer.

1480. mvp-comment-789-1 ἵλεως Sc. γενοῦ. Cр. О. Т. 696. In favour of the form ἵλεως it may be observed (1) that the quantity of ἵλᾶος is improbable: (2) that Ionic forms are elsewhere retained in dochmiacs. Cp. supr. 884, λέως.

1481. mvp-comment-790-1 ἀφεγγές Gloomy, i. e. Of dark significance. The epithet is perhaps suggested by the lowering sky. (Schneidewin.) Cp. Shakespeare, Macbeth, 2. 4, Thou seest the heavens, as troubled with man's act, | Threaten his bloody stage: by the clock 'tis day. | And yet dark night strangles the travelling lamp: Is it night's predominance, or the day's shame, | That darkness doth the face of earth entomb, | When living light should kiss it?' 1482. (1) Reading ἐναισίου (see v. rr.), sc. ἀνδρός, translate: May I meet with a righteous man, and not from having seen an accursed man, partake in some way of his unenvied recompence. The construction of συντύχοιμι with the genitive follows the analogy of ἀντάω, οι ἐπαυρεῖν. (2) Reading ἐναισίῳ: May I share the fortune of the righteous. For ἄλαστος, abominable, cp. II. 22.261. The Scholiast on l. 1447 understands this also (as well as supr. 1447 ff.) of Polynices. But although suggested by recent impressions this reflection of the chorus is probably quite general. Such a reference to Oedipus at this point is certainly out of the question.