Sophocles Oedipus at Colonus 33

Lewis Campbell (Translator)

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OED
He shall gain mightily by granting little.

Oedipus at Colonus. Sophocles. Lewis Campbell (Translator). London, New York and Toronto. 1906.

Current edition Experimental

English (Lewis Campbell, 1906) (OCR draft) (English) (English (Lewis Campbell, 1906))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 33 focus
ὦ ξεῖνʼ, ἀκούων τῆσδε τῆς ὑπὲρ τʼ ἐμοῦ
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-116 focus
Translations (4)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 33 focus
Ich höre, Freund, von dieser, die für mich zugleich
Und sich umherschaut, daß du ganz gelegen kommst,
Bericht von dem zu geben, was uns dunkel blieb
35
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 33 focus
Chorus
Scene IV. 117
Where is he? Look, examine, search around
For this abandoned exile, of mankind
The most profane ; doubtless some wretched stranger.
Who else had dared on this forbidden soil
To tread, where dwell the dreadful deities
We tremble e'en to name, and as we pass
Dare not behold, but silently revere,
Or soft with words of fairest omen greet?
Of these regardless, here we come to find
An impious wretch. I look around the grove,
But still he lurks unseen.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 33 focus
Stranger
What gain
From one of sight bereav'd?
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-115 focus

Commentary

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1-116. mvp-comment-1-1 The scene of the πρόλογος, ll. 1-116, is probably on the north side of Colonus, with Athens in the distance. See Introduction, p. 282. The spot so familiar to the audience (οὐ λόγοις τιμώμεν' ἀλλὰ τῇ συνουσίᾳ, infr. 63-64) would probably be recalled by the representation on the stage of some striking objects, especially those which marked the religio loci. Oedipus enters (right?), led by Antigone, and sits down in the middle of the proscenium, where he remains until Antigone descries the approach of the chorus.

72. mvp-comment-51-1 ὡς ἂν.. κερδάνῃ Oedipus, in expressing his own purpose, returns to the more direct form of expression.