Sophocles Oedipus at Colonus 57

ed. Lewis Campbell

χθονὸς καλεῖται τῆσδε χαλκόπους ὀδός,

Oedipus at Colonus. Sophocles. ed. Lewis Campbell. Oxford. 1879.

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-116 focus
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 57 focus
OED
Yet more?
180
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 75 focus
Um nicht zu irren, höre noch: (denn edel scheinst
75
Du mir von Anseh'n, außer daß dies Loos dich traf;)
Bleib' hier, o Fremdling, wo du mir zuerst erschienst,
Bis ich Kolonos' Bürgern, nicht dem Volk der Stadt, 1
Den Fall zu melden gehe; die entscheiden dann,
Ob hier du bleiben, ob du wieder ziehen sollst.
80
Oedipus. Antigone.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 57 focus
Chorus
Wherefore ?
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 57 focus
Oedipus
192
But may I sit?
195
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-115 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-51-1 ὀδός 1

mvp-comment-51-2 χαλκόπους 2

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1-116. mvp-comment-1-1 The scene of the πρόλογος, ll. 1-116, is probably on the north side of Colonus, with Athens in the distance. See Introduction, p. 282. The spot so familiar to the audience (οὐ λόγοις τιμώμεν' ἀλλὰ τῇ συνουσίᾳ, infr. 63-64) would probably be recalled by the representation on the stage of some striking objects, especially those which marked the religio loci. Oedipus enters (right?), led by Antigone, and sits down in the middle of the proscenium, where he remains until Antigone descries the approach of the chorus.

57. mvp-comment-42-1 χαλκόπους Lit. Having a foundation of brass. A compound adjective, in which, as in πυκνόπτεροι supr. 17, ὑψίποδες, Ο. Τ. 866, the force of the termination is partially lost. The meaning is nearly the same as in 1591, χαλκοῖς βάθροισι γῆθεν ἐρριζωμένον. χάλκεος = indissoluble, as in Pind. Pyth. 10. 27, ὁ χάλκεος οὐρανός. On the question of reconciling this passage with 1590, where Oedipus is described as halting when he reached the καταρράκτης ὀδός, out of sight of the spectators, see the Introduction to this play, p. 282.