Sophocles Oedipus at Colonus 51

ed. Lewis Campbell

σήμαινε, κοὐκ ἄτιμος ἐκ γʼ ἐμοῦ φανεῖ.

Oedipus at Colonus. Sophocles. ed. Lewis Campbell. Oxford. 1879.

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-116 focus
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 51 focus
OED
Give me thy hand.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 33 focus
Ich höre, Freund, von dieser, die für mich zugleich
Und sich umherschaut, daß du ganz gelegen kommst,
Bericht von dem zu geben, was uns dunkel blieb
35
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 51 focus
Antigone
[takioig hold of hwi]. Alas ! *tis my sad office —
Let me perform it — to direct thy steps ;
To this loved hand commit thy aged limbs ;
200
T will be careful. [She seats him on the stone.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 51 focus
Chorus
176
From wrong thou art secure: nor from that seat..
Shalt thou, old man, against thy will be led.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-115 focus

Commentary

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1-116. mvp-comment-1-1 The scene of the πρόλογος, ll. 1-116, is probably on the north side of Colonus, with Athens in the distance. See Introduction, p. 282. The spot so familiar to the audience (οὐ λόγοις τιμώμεν' ἀλλὰ τῇ συνουσίᾳ, infr. 63-64) would probably be recalled by the representation on the stage of some striking objects, especially those which marked the religio loci. Oedipus enters (right?), led by Antigone, and sits down in the middle of the proscenium, where he remains until Antigone descries the approach of the chorus.