Sophocles Oedipus at Colonus 46

ed. Lewis Campbell

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-116 focus
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 46 focus
CH
Defend us, Zeus! Who is that aged wight?
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 33 focus
Ich höre, Freund, von dieser, die für mich zugleich
Und sich umherschaut, daß du ganz gelegen kommst,
Bericht von dem zu geben, was uns dunkel blieb
35
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 46 focus
Antigone
Thou must follow me, my father,
Weak as thou art ; we are unhappy strangers,
And must submit ; whate'er the city hates
Content to hate, and what she loves to love.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 46 focus
Oedipus
One, whom his former fortune hath not led
To happiness, ye rulers of this land;
145
In proof, I had not by another's eyes
Else crawl'd along, nor had this heavy frame
By a weak virgin been conducted thus.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-115 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-43-1 τί δ’ ἐστὶ τοῦτο; 1

mvp-comment-43-2 ξυμφορᾶς ξύνθημ’ ἐμῆς 2

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1-116. mvp-comment-1-1 The scene of the πρόλογος, ll. 1-116, is probably on the north side of Colonus, with Athens in the distance. See Introduction, p. 282. The spot so familiar to the audience (οὐ λόγοις τιμώμεν' ἀλλὰ τῇ συνουσίᾳ, infr. 63-64) would probably be recalled by the representation on the stage of some striking objects, especially those which marked the religio loci. Oedipus enters (right?), led by Antigone, and sits down in the middle of the proscenium, where he remains until Antigone descries the approach of the chorus.

46. mvp-comment-35-1 τί δ᾽ ἔστι τοῦτο What does this mean? The Stranger is awestruck by the unexpected firmness of Oedipus.

46. mvp-comment-35-2 ξυμφορᾶς ξύνθημ᾿ ἐμῆς The word that sums my destiny. For ξυμφορά, of the position in which one is placed by destiny, cp. Τr. 1145,

φρονῶ δὴ ξυμφορᾶς ἵν᾽ ἔσταμεν.
ξύνθημα (from συντιθέσθαι) is an appointed sign, generally in speech or writing, and especially one giving direction at a critical moment. Oedipus is thinking of the language of the oracles which he remembers. Cp. Trach. 157, δέλτον ἐγγεγραμμένην | ξυνθήματ'. Whether the notion of comprising much in little belongs to the word accidentally, or is assisted by some association from συντιθέναι (Εl. 673, ἐν βραχεῖ συνθεὶς λέγω), is not easy to determine. Cp. inf. 586, ἀλλ' ἐν βραχεῖ δὴ τήνδε μ' ἐξαιτεῖ χάριν. Oedipus means that in praying the dread goddesses to receive him to rest finally in Attica, he is uttering the word which expresses his condition and destiny. The broken line has here the effect, not of hurried excitement, but of intense solemnity.