Oedipus at Colonus. Sophocles. ed. Lewis Campbell. Oxford. 1879.
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Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 510-548 focus
Χορός
δεινὸν μὲν τὸ πάλαι κείμενον ἤδη κακόν, ὦ ξεῖνʼ, ἐπεγείρειν·
510
ὅμως δʼ ἔραμαι πυθέσθαι
Οἰδίπους
τί τοῦτο;
Χορός
τᾶς δειλαίας ἀπόρου φανείσας
ἀλγηδόνος, ᾇ ξυνέστας.
Οἰδίπους
μὴ πρὸς ξενίας ἀνοίξῃς
515
τᾶς σᾶς ἃ πέπονθʼ ἀναιδῆ.
Χορός
τό τοι πολὺ καὶ μηδαμὰ λῆγον
χρῄζω, ξεῖνʼ, ὀρθὸν ἄκουσμʼ ἀκοῦσαι.
Οἰδίπους
ὤμοι.
Χορός
στέρξον, ἱκετεύω.
Οἰδίπους
φεῦ φεῦ.
Χορός
πείθου· κἀγὼ γὰρ ὅσον σὺ προσχρῄζεις.
520
Οἰδίπους
ἤνεγκʼ οὖν κακότατʼ, ὦ ξένοι, ἤνεγκʼ ἀέκων μέν,
θεὸς ἴστω,
τούτων δʼ αὐθαίρετον οὐδέν.
Χορός
ἀλλʼ ἐς τί;
Οἰδίπους
κακᾷ μʼ εὐνᾷ πόλις οὐδὲν ἴδριν
525
γάμων ἐνέδησεν ἄτᾳ.
Χορός
ἦ ματρόθεν, ὡς ἀκούω,
δυσώνυμα λέκτρʼ ἐπλήσω;
Οἰδίπους
ὤμοι θάνατος μὲν τάδʼ ἀκούειν,
ὦ ξεῖνʼ· αὗται δὲ δύʼ ἐξ ἐμοῦ μὲν
530
Χορός
πῶς φῄς;
Οἰδίπους
παῖδε, δύο δʼ ἄτα
Χορός
ὦ Ζεῦ.
Οἰδίπους
ματρὸς κοινᾶς ἀπέβλαστον ὠδῖνος.
Χορός
σαί τʼ εἴσʼ ἄρʼ ἀπόγονοί τε καὶ
535
Οἰδίπους
κοιναί γε πατρὸς ἀδελφεαί.
Χορός
ἰώ.
Οἰδίπους
ἰὼ δῆτα μυρίων γʼ ἐπιστροφαὶ κακῶν.
Χορός
ἔπαθες
Οἰδίπους
ἔπαθον ἄλαστʼ ἔχειν.
Χορός
ἔρεξας
Οἰδίπους
οὐκ ἔρεξα.
Χορός
τί γάρ;
Οἰδίπους
ἐδεξάμην
δῶρον, ὃ μήποτʼ ἐγὼ ταλακάρδιος
540
ἐπωφέλησας πόλεος ἐξελέσθαι.
Χορός
δύστανε, τί γάρ; ἔθου φόνον
Οἰδίπους
τί τοῦτο; τί δʼ ἐθέλεις μαθεῖν;
Χορός
πατρός;
Οἰδίπους
παπαῖ. δευτέραν ἔπαισας, ἐπὶ νόσῳ νόσον,
Χορός
ἔκανες
545
Οἰδίπους
ἔκανον. ἔχει δέ μοι
Χορός
τί τοῦτο;
Οἰδίπους
πρὸς δίκας τι.
Χορός
τί γάρ;
Οἰδίπους
ἐγὼ φράσω.
καὶ γὰρ ἄν, οὓς ἐφόνευσʼ, ἔμʼ ἀπώλεσαν·
νόμῳ δὲ καθαρός, ἄϊδρις εἰς τόδʼ ἦλθον.
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 420 focus
CH
1397
’Tis pity for thee, prince, to have come at all;
And now we bid thee go the way thou camest.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 421 focus
So mag den Zwiespalt, über sie vom Loos verhängt,
Niemals die Gottheit löschen, und bei mir allein
Das Ende ruh'n des Kampfes, der die Brüder theilt,
Die nun mit aufgehob'nem Speer einander droh'n,
Daß weder er, den heute Thron und Scepter schmückt,
420
Fest stehe, noch der Ausgetrieb'ne je zurück
Zur Stadt gelange! Haben sie den Vater doch,
Der aus dem Land so schmählich ausgestoßen ward,
Nicht aufgehalten, nicht geschirmt; ich ward verjagt,
Verbannt mit Heroldsrufen, und sie duldeten's.
425
Man könnte sagen, daß die Stadt in jener Zeit
Mir das mit Recht gewährte, was ich selbst erbat.
In keiner Weise: denn an jenem Tage gleich,
1
Da noch der Unmuth glühte, ja das Liebste mir
Gewesen wäre jäher Tod und Steinigung,
430
Erschien mir Niemand diesen Liebesdienst zu thun.
Doch als die Zeit schon allen Harm besänftiget,
Und ich erkannte, daß der Zorn mir ausgeschweift
Zu Züchtigungen, schwerer noch denn meine Schuld :
Da trieb gewaltsam aus dem Lande mich die Stadt
435
Nach langer Zeit erst, und des Vaters Söhne, die
Dem Vater helfen konnten, sie verweigerten
Die Hülfe, ließen, statt mit kurzem Worte mich
Zu schirmen, mich als Bettler flieh'n in fremdes Land.
Von diesen schwachen Mädchen hier wird Iegliches,
440
Wie's ihr Geschlecht verstattet, Lebensunterhalt,
Ein sichrer Siz und Kindeshülfe mir gewährt.
Die Söhne zogen Thron und Stab dem Vater vor,
Und schalten lieber als die Herrn im Lande dort.
Doch meine Hülfe leih' ich ihnen nimmermehr;
445
Nie soll die Herrschaft über Kadmos' Land für sie
Ein Segen sein: das weiß ich, wenn ich diesen Spruch,
Den du verkündest, Tochter, und das alte Wort
Erwäge, das mir Phöbos einst verkündet hat.
2
Drum mögen sie den Kreon, und wenn Einer sonst
450
Im Land Gewalt hat, senden, um nach mir zu späh'n.
Denn wollet ihr nur, Freunde, samt den Göttinnen,
Den Hehren, die in diesem Lande, walten, mir
Beistand gewähren, dann gewinnt ihr eurer Stadt
Den starken Helfer, meinen Feinden Schmach und Noth.
455
Der Chor.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 420 focus
Oedipus
Now, son of Ægeus, I will show thee thing's
Glorious to thee and to thy state, which time, I
Shall never darken. To the fated place
Where I'must die I now will leads the way I
1520
Not led, nor guided: but to mortal maneit
Never disclose the secret spot, non where ros
It lies, it shall be then thy strong defenced
For ever, more than close-compacted shields(0)
And spears of neighbouring states to thee allied.
But things mysterious, not as yet by words
1525
Unfolded, thou shalt learn when thither come
Alone: to none of all thy citizens, das mode
Nor to my daughters to my soul though dear,
Would I reveal them: lock them in thy breast:
But when thy life approaches to its end,
Declare them only to the Chief that stands
1530
In highest honour; to his successor
1530
Let him disclose them. Thus thy royal seat
Shall in this city stand impregnable
To all the inroads of the dragon-race.:
For oft we see that states, though founded well!
On righteous laws, are prone t' abuse their force
To insolent oppression: but the gods
1535
Exact, though late, observe when one disdains
Their holy mandates, and to madness turns.
That, son of Ægeus, that be far from thee.
But I instruct a mind in all the parts
Of virtue skill'd. Now go we to the place
(For the strong impulse of the god I feel
1540
Urging me on) nor fear lest we profane
The sanctity we reverence. Follow me
This way, my daughters; I am now become
A guide to you, as to your father long,
You have been guides. Go then, but touch me not;
Let me unguided find the sacred tomb,
1545
Where these old limbs are destined to repose
Beneath the earth. Go this way, this way go;
For this way Hermes, who conducts the dead,
Leads me, and she o'er the dark realms who reigns.
O light, thy beams though I no more behold,
(Once I beheld them) now these aged limbs
1550
Feel thy last touch; with feeble steps I go
To close my last of life in death's dark shades.
But be thou blest, my noble, honour'd friend,
Thou, and thy country, and thy faithful train:
Yet 'midst success, 'midst glories always yours,
Think on the dead, remember Edipus.;!
1555
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 510-546c focus
Chorus
Terrible it is, stranger, to arouse the old woe that has for so long been laid to rest: and yet I yearn to hear—
510
Oedipus
What now?
Chorus
—Of that grief-filled anguish, cureless, with which you have wrestled.
Oedipus
By your hospitality, do not uncover the shame that I have suffered!
515
Chorus
Seeing that the tale is wide-spread and in no way weakens, I wish, friend, to hear it straight.
Oedipus
Ah me!
Chorus
Grant the favor, I beg!
Oedipus
Alas, alas!
Chorus
Grant my wish, as I have granted yours to the full.
520
Oedipus
I have suffered the greatest misery, strangers—suffered it through unintended deeds—may the god know it! No part was of my own choice.
Chorus
But in what way?
Oedipus
In an evil marriage, the city bound me, unknowing, to ruin.
525
Chorus
Is it true, as I hear, that you made your mother the partner of your bed, to its infamy?
Oedipus
Ah, me! These words, strangers, are like death to my ears. And those two maidens of mine—
Chorus
What will you say?
530
Oedipus
—Two daughters—two curses—
Chorus
O Zeus!
Oedipus
—of mine, sprung from the travail of the womb that bore me too.
Chorus
These, then, are at once your daughters, and—
Oedipus
—Sisters, indeed, of their father.
535
Chorus
Oh!
Oedipus
Indeed, woes untold sweep back upon my soul!
Chorus
You have suffered—
Oedipus
I have suffered woes grievous to bear.
Chorus
You have performed—
Oedipus
I have not performed!
Chorus
How?
Oedipus
A gift was given to me—O, wretched that I am, if only I had never won from the city that gift for my services!
Chorus
Cursed man! What of this? Did you commit the murder—
Oedipus
What now? What would you learn?
Chorus
—Of your father?
Oedipus
Oh! oh! a second stab—wound on wound!
Chorus
You killed—
545
Oedipus
I killed—yet I have a plea—
Chorus
What can you plead?
Oedipus
—A plea of justice.
Chorus
What?
Oedipus
I will tell you: I killed in ignorance and perished utterly. Pure before the law, without knowledge of my act, I have come to this!
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
mvp-comment-312-1 φέρω δ’ ὅμως 1
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
419-420. mvp-comment-227-1 It may seem unreasonable in Oedipus to expect his sons to disregard the interest and the law of Thebes. But he is absorbed in his own destiny, and is full of indignation at the thought of being taken to the borders of his country without being restored to it. This he thinks that his sons ought to have interfered to prevent. He regards the oracle as expressing the intention of Phoebus to glorify him at the expense of his countrymen if they persist in rejecting him. See Introduction, p. 281, note 2.
420. mvp-comment-228-1 φέρω δ᾽ ὅμως But still, such are the news I bring. Cp. Aesch. Pers. 248, φέρει σαφές τι πρᾶγος κλύειν : Ag. 639, ὅταν . . πήματ᾿ ἄγγελος.. φέρῃ. 421 ff. The correspondence of clauses is not perfect, a new train of thought being introduced with δέ in 422. The broken thread is resumed in 425-426. Oedipus is saying, Let their quarrel go on to the end, and may the end be the worst for both. His passion interrupts him with the further thought, Let me only have the ending of it, and then-. For the expression, cp. Pind. Nem. 10. 29, 30, πᾶν δὲ τέλος ἐν τὶν ἔργων.