Sophocles Oedipus at Colonus 29

ed. Lewis Campbell

οὐδέν· πέλας γὰρ ἄνδρα τόνδε νῷν ὁρῶ.

Oedipus at Colonus. Sophocles. ed. Lewis Campbell. Oxford. 1879.

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-116 focus
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 29 focus
OED
Have they a lord, or sways the people’s voice?
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 33 focus
Ich höre, Freund, von dieser, die für mich zugleich
Und sich umherschaut, daß du ganz gelegen kommst,
Bericht von dem zu geben, was uns dunkel blieb
35
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 29 focus
Stranger
75
Then mark me,, that thou err not ; for to me
75
Thy fortunes seem ill-suited to thy nature,
Which is most noble ; therefore stay thou here
Till I return ; I will not go to Athens,
But ask these villagers, who sojourn here,
J f thou mayst stay. \^Exit Athenian.
80
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 29 focus
Stranger
The noble Theseus, son
Of Ægeus late our king.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-115 focus

Commentary

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1-116. mvp-comment-1-1 The scene of the πρόλογος, ll. 1-116, is probably on the north side of Colonus, with Athens in the distance. See Introduction, p. 282. The spot so familiar to the audience (οὐ λόγοις τιμώμεν' ἀλλὰ τῇ συνουσίᾳ, infr. 63-64) would probably be recalled by the representation on the stage of some striking objects, especially those which marked the religio loci. Oedipus enters (right?), led by Antigone, and sits down in the middle of the proscenium, where he remains until Antigone descries the approach of the chorus.