οὐδὲ γέρων ἀφίλητος ἐμοί ποτε
Oedipus at Colonus. Sophocles. ed. Lewis Campbell. Oxford. 1879.
Table of Contents
Search the Perseus Catalog for:
Search the Perseus Catalog for:
Current edition Experimental
Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1670-1750 focus
Ἀντιγόνη
αἰαῖ, φεῦ, ἔστιν ἔστι νῷν δὴ
1670
οὐ τὸ μέν, ἄλλο δὲ μή, πατρὸς ἔμφυτον
ἄλαστον αἷμα δυσμόροιν στενάζειν,
ᾧτινι τὸν πολὺν
ἄλλοτε μὲν πόνον ἔμπεδον εἴχομεν,
ἐν πυμάτῳ δʼ ἀλόγιστα παροίσομεν
1675
ἰδόντε καὶ παθόντε.
αἰαῖ, φεῦ, ἔστιν ἔστι νῷν δὴ
1670
οὐ τὸ μέν, ἄλλο δὲ μή, πατρὸς ἔμφυτον
ἄλαστον αἷμα δυσμόροιν στενάζειν,
ᾧτινι τὸν πολὺν
ἄλλοτε μὲν πόνον ἔμπεδον εἴχομεν,
ἐν πυμάτῳ δʼ ἀλόγιστα παροίσομεν
1675
ἰδόντε καὶ παθόντε.
Χορός
τί δʼ ἔστιν;
τί δʼ ἔστιν;
Ἀντιγόνη
ἔστιν μὲν εἰκάσαι, φίλοι.
ἔστιν μὲν εἰκάσαι, φίλοι.
Χορός
βέβηκεν;
βέβηκεν;
Ἀντιγόνη
ὡς μάλιστʼ ἂν ἐν πόθῳ λάβοις.
τί γάρ, ὅτῳ μήτʼ Ἄρης
μήτε πόντος ἀντέκυρσεν,
1680
ἄσκοποι δὲ πλάκες ἔμαρψαν
ἐν ἀφανεῖ τινι μόρῳ φερόμενον.
τάλαινα· νῶν δʼ ὀλεθρία
νὺξ ἐπʼ ὄμμασιν βέβακε.
πῶς γὰρ ἤ τινʼ ἀπίαν
1685
γᾶν ἢ πόντιον κλύδωνʼ ἀλώμεναι, βίου δύσοιστον ἕξομεν τροφάν;
ὡς μάλιστʼ ἂν ἐν πόθῳ λάβοις.
τί γάρ, ὅτῳ μήτʼ Ἄρης
μήτε πόντος ἀντέκυρσεν,
1680
ἄσκοποι δὲ πλάκες ἔμαρψαν
ἐν ἀφανεῖ τινι μόρῳ φερόμενον.
τάλαινα· νῶν δʼ ὀλεθρία
νὺξ ἐπʼ ὄμμασιν βέβακε.
πῶς γὰρ ἤ τινʼ ἀπίαν
1685
γᾶν ἢ πόντιον κλύδωνʼ ἀλώμεναι, βίου δύσοιστον ἕξομεν τροφάν;
Ἰσμήνη
οὐ κάτοιδα. κατά με φόνιος
Ἀΐδας ἕλοι πατρὶ ξυνθανεῖν γεραιῷ
τάλαιναν, ὡς ἔμοιγʼ ὁ μέλλων βίος οὐ βιωτός.
1690
οὐ κάτοιδα. κατά με φόνιος
Ἀΐδας ἕλοι πατρὶ ξυνθανεῖν γεραιῷ
τάλαιναν, ὡς ἔμοιγʼ ὁ μέλλων βίος οὐ βιωτός.
1690
Χορός
ὦ διδύμα τέκνων ἀρίστα,
τὸ φέρον ἐκ θεοῦ φέρειν,
μηδὲν ἄγαν φλέγεσθον· οὔ τοι κατάμεμπτʼ ἔβητον.
1695
ὦ διδύμα τέκνων ἀρίστα,
τὸ φέρον ἐκ θεοῦ φέρειν,
μηδὲν ἄγαν φλέγεσθον· οὔ τοι κατάμεμπτʼ ἔβητον.
1695
Ἀντιγόνη
πόθος τοὶ καὶ κακῶν ἄρʼ ἦν τις.
καὶ γὰρ ὃ μηδαμὰ δὴ φίλον ἦν φίλον,
1700
ὁπότε γε καὶ τὸν ἐν χεροῖν κατεῖχον.
ὦ πάτερ, ὦ φίλος,
ὦ τὸν ἀεὶ κατὰ γᾶς σκότον εἱμένος·
οὐδέ γʼ ἔνερθʼ ἀφίλητος ἐμοί ποτε
καὶ τᾷδε μὴ κυρήσῃς.
1705
πόθος τοὶ καὶ κακῶν ἄρʼ ἦν τις.
καὶ γὰρ ὃ μηδαμὰ δὴ φίλον ἦν φίλον,
1700
ὁπότε γε καὶ τὸν ἐν χεροῖν κατεῖχον.
ὦ πάτερ, ὦ φίλος,
ὦ τὸν ἀεὶ κατὰ γᾶς σκότον εἱμένος·
οὐδέ γʼ ἔνερθʼ ἀφίλητος ἐμοί ποτε
καὶ τᾷδε μὴ κυρήσῃς.
1705
Χορός
ἔπραξεν;
ἔπραξεν;
Ἀντιγόνη
ἔπραξεν οἷον ἤθελεν.
ἔπραξεν οἷον ἤθελεν.
Χορός
τὸ ποῖον;
τὸ ποῖον;
Ἀντιγόνη
ἇς ἔχρῃζε γᾶς ἐπὶ ξένας
ἔθανε· κοίταν δʼ ἔχει
νέρθεν εὐσκίαστον αἰέν,
οὐδὲ πένθος ἔλιπʼ ἄκλαυτον.
ἀνὰ γὰρ ὄμμα σε τόδʼ, ὦ πάτερ, ἐμὸν
στένει δακρῦον, οὐδʼ ἔχω
1710
πῶς με χρὴ τὸ σὸν τάλαιναν
ἀφανίσαι τοσόνδʼ ἄχος.
ὤμοι, γᾶς ἐπὶ ξένας θανεῖν ἔχρῃζες ἀλλʼ
ἔρημος ἔθανες ὧδέ μοι.
ἇς ἔχρῃζε γᾶς ἐπὶ ξένας
ἔθανε· κοίταν δʼ ἔχει
νέρθεν εὐσκίαστον αἰέν,
οὐδὲ πένθος ἔλιπʼ ἄκλαυτον.
ἀνὰ γὰρ ὄμμα σε τόδʼ, ὦ πάτερ, ἐμὸν
στένει δακρῦον, οὐδʼ ἔχω
1710
πῶς με χρὴ τὸ σὸν τάλαιναν
ἀφανίσαι τοσόνδʼ ἄχος.
ὤμοι, γᾶς ἐπὶ ξένας θανεῖν ἔχρῃζες ἀλλʼ
ἔρημος ἔθανες ὧδέ μοι.
Ἰσμήνη
ὦ τάλαινα, τίς ἄρα με πότμος αὖθις ὧδʼ
1715
ἐπαμμένει σέ τʼ, ὦ φίλα, τὰς πατρὸς ὧδʼ ἐρήμας;
ὦ τάλαινα, τίς ἄρα με πότμος αὖθις ὧδʼ
1715
ἐπαμμένει σέ τʼ, ὦ φίλα, τὰς πατρὸς ὧδʼ ἐρήμας;
Χορός
ἀλλʼ ἐπεὶ ὀλβίως γʼ ἔλυσεν
1720
τὸ τέλος, ὦ φίλαι, βίου,
λήγετε τοῦδʼ ἄχους· κακῶν γὰρ δυσάλωτος οὐδείς.
ἀλλʼ ἐπεὶ ὀλβίως γʼ ἔλυσεν
1720
τὸ τέλος, ὦ φίλαι, βίου,
λήγετε τοῦδʼ ἄχους· κακῶν γὰρ δυσάλωτος οὐδείς.
Ἀντιγόνη
πάλιν, φίλα, συθῶμεν.
πάλιν, φίλα, συθῶμεν.
Ἰσμήνη
ὡς τί ῥέξομεν;
ὡς τί ῥέξομεν;
Ἀντιγόνη
ἵμερος ἔχει με.
ἵμερος ἔχει με.
Ἰσμήνη
τίς;
τίς;
Ἀντιγόνη
τὰν χθόνιον ἑστίαν ἰδεῖν
1725
τὰν χθόνιον ἑστίαν ἰδεῖν
1725
Ἰσμήνη
τίνος;
τίνος;
Ἀντιγόνη
πατρός, τάλαινʼ ἐγώ.
πατρός, τάλαινʼ ἐγώ.
Ἰσμήνη
θέμις δὲ πῶς τάδʼ ἐστί; μῶν
οὐχ ὁρᾷς;
θέμις δὲ πῶς τάδʼ ἐστί; μῶν
οὐχ ὁρᾷς;
Ἀντιγόνη
τί τόδε ἐπέπληξας;
1730
τί τόδε ἐπέπληξας;
1730
Ἰσμήνη
καὶ τόδʼ, ὡς
καὶ τόδʼ, ὡς
Ἀντιγόνη
τί τόδε μάλʼ αὖθις;
τί τόδε μάλʼ αὖθις;
Ἰσμήνη
ἄταφος ἔπιτνε δίχα τε παντός.
ἄταφος ἔπιτνε δίχα τε παντός.
Ἀντιγόνη
ἄγε με, καὶ τότʼ ἐπενάριξον.
ἄγε με, καὶ τότʼ ἐπενάριξον.
Ἰσμήνη
αἰαῖ, δυστάλαινα, ποῦ δῆτʼ
αὖθις ὧδʼ ἔρημος ἄπορος
1735
αἰῶνα τλάμονʼ ἕξω;
αἰαῖ, δυστάλαινα, ποῦ δῆτʼ
αὖθις ὧδʼ ἔρημος ἄπορος
1735
αἰῶνα τλάμονʼ ἕξω;
Χορός
φίλαι, τρέσητε μηδέν.
φίλαι, τρέσητε μηδέν.
Ἀντιγόνη
ἀλλὰ ποῖ φύγω;
ἀλλὰ ποῖ φύγω;
Χορός
καὶ πάρος ἀπέφυγε
καὶ πάρος ἀπέφυγε
Ἀντιγόνη
τί;
τί;
Χορός
τὰ σφῷν τὸ μὴ πίτνειν κακῶς.
1740
τὰ σφῷν τὸ μὴ πίτνειν κακῶς.
1740
Ἀντιγόνη
φρονῶ.
φρονῶ.
Χορός
τί δῆθʼ ὅπερ νοεῖς;
τί δῆθʼ ὅπερ νοεῖς;
Ἀντιγόνη
ὅπως μολούμεθʼ ἐς δόμους,
οὐκ ἔχω.
ὅπως μολούμεθʼ ἐς δόμους,
οὐκ ἔχω.
Χορός
μηδέ γε μάτευε.
μηδέ γε μάτευε.
Ἀντιγόνη
μόγος ἔχει.
μόγος ἔχει.
Χορός
καὶ πάρος ἐπεῖχε.
καὶ πάρος ἐπεῖχε.
Ἀντιγόνη
τοτὲ μὲν ἄπορα, τοτὲ δʼ ὕπερθεν.
1745
τοτὲ μὲν ἄπορα, τοτὲ δʼ ὕπερθεν.
1745
Χορός
μέγʼ ἄρα πέλαγος ἐλάχετόν τι.
μέγʼ ἄρα πέλαγος ἐλάχετόν τι.
Ἀντιγόνη
ναὶ ναί.
ναὶ ναί.
Χορός
ξύμφημι καὐτός.
ξύμφημι καὐτός.
Ἀντιγόνη
αἰαῖ, ποῖ μόλωμεν, ὦ Ζεῦ;
ἐλπίδων γὰρ ἐς τίνʼ ἔτι με
δαίμων τανῦν γʼ ἐλαύνει;
1750
αἰαῖ, ποῖ μόλωμεν, ὦ Ζεῦ;
ἐλπίδων γὰρ ἐς τίνʼ ἔτι με
δαίμων τανῦν γʼ ἐλαύνει;
1750
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 1696 focus
So war denn Wonne selbst im Leide;
Freundlich erschien mir ja selbst Unfreundliches,
Solang ich ihn nur hielt in meinen Armen.
Vater, in's ewige
Dunkel der Erde gehüllt, o Geliebtester!
1680
Ewig ja bleiben wir, ich und die Schwester, dir
Mit unsrer Liebe nahe!
Ihm wurde
So war denn Wonne selbst im Leide;
Freundlich erschien mir ja selbst Unfreundliches,
Solang ich ihn nur hielt in meinen Armen.
Vater, in's ewige
Dunkel der Erde gehüllt, o Geliebtester!
1680
Ewig ja bleiben wir, ich und die Schwester, dir
Mit unsrer Liebe nahe!
Ihm wurde
Antigone.
Ihm wurde, was sein Herz ersehnt.
Ihm wurde, was sein Herz ersehnt.
Der Chor.
Was ward ihm?
1685
Was ward ihm?
1685
Antigone.
Wie er sich's gewünscht, im fremden Land
1685
Schied er, hat ewig sein
Wohlbeschattet Lager drunten,
Ließ zurück des Kummers Thränen.
Denn es klagt, ach! um dich, Vater, dies
Mein Auge weinend, und ich weiß
1690
Nicht, ich Arme, wie ich solchen
Schmerz um dich bezwingen soll. Weh!
Nicht sterben solltest du den Tod in fremdem Land
Und starbst mir so verlassen hier!
Wie er sich's gewünscht, im fremden Land
1685
Schied er, hat ewig sein
Wohlbeschattet Lager drunten,
Ließ zurück des Kummers Thränen.
Denn es klagt, ach! um dich, Vater, dies
Mein Auge weinend, und ich weiß
1690
Nicht, ich Arme, wie ich solchen
Schmerz um dich bezwingen soll. Weh!
Nicht sterben solltest du den Tod in fremdem Land
Und starbst mir so verlassen hier!
Ismene.
Weh mir Armen! Welches Schicksal,
1695
Geliebte, wartet mein und dein, die so verwaist allein steh'n?
Weh mir Armen! Welches Schicksal,
1695
Geliebte, wartet mein und dein, die so verwaist allein steh'n?
Der Chor.
Aber, ihr Theuren, weil das Leben
Sich für ihn so selig schloß,
Hemmet die Klage: wer entfloh je dem verhängten Unheil?
Aber, ihr Theuren, weil das Leben
Sich für ihn so selig schloß,
Hemmet die Klage: wer entfloh je dem verhängten Unheil?
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1670-1750 focus
Antigone
Ah, me, ah, me! Now, indeed, is it for us to bewail in full the curse on our blood—ill-fated sisters as we are—deriving from our father! In former time we bore the long toil without pause,
1670
and now at the last we bring to tell a sight and experience that baffle reason.
1675
Ah, me, ah, me! Now, indeed, is it for us to bewail in full the curse on our blood—ill-fated sisters as we are—deriving from our father! In former time we bore the long toil without pause,
1670
and now at the last we bring to tell a sight and experience that baffle reason.
1675
Chorus
What is it?
What is it?
Antigone
It is possible to conjecture, friends.
It is possible to conjecture, friends.
Chorus
He is gone?
He is gone?
Antigone
Precisely in the way you could most wish for: indeed, in a way in which neither Ares took him, nor the sea,
but instead he was snatched away to the fields which no one may see, by some swift, strange doom. Wretched me! For us a night like death has descended on our eyes;
1680
how shall we find our hard livelihood, roaming to some far land, or on the waves of the sea?
1685
Precisely in the way you could most wish for: indeed, in a way in which neither Ares took him, nor the sea,
but instead he was snatched away to the fields which no one may see, by some swift, strange doom. Wretched me! For us a night like death has descended on our eyes;
1680
how shall we find our hard livelihood, roaming to some far land, or on the waves of the sea?
1685
Ismene
I do not know. If only murderous Hades would join me in death to my aged father!
Wretched me! I cannot live the life that must be mine.
1690
I do not know. If only murderous Hades would join me in death to my aged father!
Wretched me! I cannot live the life that must be mine.
1690
Chorus
Best of daughters, you both must bear the will of the gods. Do not be inflamed with too much grief;
what you have encountered is not to be blamed.
1695
Best of daughters, you both must bear the will of the gods. Do not be inflamed with too much grief;
what you have encountered is not to be blamed.
1695
Antigone
There is longing even for woes. What was in no way dear was dear, so long as I held him in my embrace.
Father, Dear, clothed in the darkness of the underworld forever! Never in your absence will you not be dear to me and to my sister here.
1700
There is longing even for woes. What was in no way dear was dear, so long as I held him in my embrace.
Father, Dear, clothed in the darkness of the underworld forever! Never in your absence will you not be dear to me and to my sister here.
1700
Chorus
He fared—
He fared—
Antigone
He fared as he desired.
He fared as he desired.
Chorus
In what way?
1705
In what way?
1705
Antigone
He died on the foreign ground that he desired; he has his well-shaded bed beneath the ground for ever; and he did not leave behind unwept sorrow. With these weeping eyes, father, I lament you;
nor do I know how in my wretchedness I must still my grief for you that is so immense. Alas! You wanted to die in a foreign land, but you died without me near.
1710
He died on the foreign ground that he desired; he has his well-shaded bed beneath the ground for ever; and he did not leave behind unwept sorrow. With these weeping eyes, father, I lament you;
nor do I know how in my wretchedness I must still my grief for you that is so immense. Alas! You wanted to die in a foreign land, but you died without me near.
1710
Ismene
Wretched me! What fate
awaits you and me, dear, orphaned as we are of our father?
1715
Wretched me! What fate
awaits you and me, dear, orphaned as we are of our father?
1715
Chorus
Cease from your grief, dear girls, since his end is blessed. No one is beyond the reach of evil.
1720
Cease from your grief, dear girls, since his end is blessed. No one is beyond the reach of evil.
1720
Antigone
Dear, let us hasten back.
Dear, let us hasten back.
Ismene.
To do what deed?
To do what deed?
Antigone
A longing fills my soul—
1725
A longing fills my soul—
1725
Ismene.
For what?
For what?
Antigone
To see the netherworld home.
To see the netherworld home.
Ismene.
Of whom?
Of whom?
Antigone
Wretched me! Of our father.
Wretched me! Of our father.
Ismene.
And how can this be right?
Surely you understand?
1730
And how can this be right?
Surely you understand?
1730
Antigone
Why this rebuke?
Why this rebuke?
Ismene.
And surely you know this, too—
And surely you know this, too—
Antigone
What more would you tell me?
What more would you tell me?
Ismene
That he perished without a tomb, apart from everyone.
That he perished without a tomb, apart from everyone.
Antigone
Lead me there, and then kill me, too.
Lead me there, and then kill me, too.
Ismene
Unhappy me! Abandoned and helpless,
where am I now to live my wretched life?
1735
Unhappy me! Abandoned and helpless,
where am I now to live my wretched life?
1735
Chorus
Dear girls, do not be afraid.
Dear girls, do not be afraid.
Antigone
But where shall I flee?
But where shall I flee?
Chorus
Already a refuge has been found—
Already a refuge has been found—
Oedipus
What do you mean?
What do you mean?
Chorus
—That no harm befall you.
1740
—That no harm befall you.
1740
Antigone
I feel—
I feel—
Chorus
What do you think?
What do you think?
Antigone
How we are to go home, I cannot tell.
How we are to go home, I cannot tell.
Chorus
Do not seek to go.
Do not seek to go.
Antigone
Trouble surrounds us.
Trouble surrounds us.
Chorus
And previously it bore heavily.
And previously it bore heavily.
Antigone
Then it was desperate, but now even crueler.
1745
Then it was desperate, but now even crueler.
1745
Chorus
Vast, then, is the sea of your troubles.
Vast, then, is the sea of your troubles.
Antigone
Alas, alas! Zeus, where shall we turn?
To what last hope does the divinity now drive us?
1750
Alas, alas! Zeus, where shall we turn?
To what last hope does the divinity now drive us?
1750
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
1702.
mvp-comment-910-1
οὐδὲ γέρων, κ.τ.λ.
Even old as thou wert (or art) thou shalt never be forgotten by our love. Cp. supra 1600, πατρὶ συνθανεῖν γεραίῳ. It has been observed (on l. 1371 of the O. T.) that the soul in Hades was imagined as having all the characteristics of the person at the time of death and nothing can be more natural than that Antigone in the first moment of her sorrow should speak of her father as if he still needed tendance and care. This touch of nature extends to modern life and poetry. Shak. King John, 3.4,
Const. But now shall canker sorrow eat my bud | And chase the native beauty from his cheek, | And he will look as hollow as a ghost, As dim and meagre as an ague's fit, | And so he'll die; and, rising so again | When I shall meet him in the court of heaven | I shall not know him: therefore never, never | Shall I behold my pretty Arthur more. His age did not lessen their affection in life, nor should it diminish their mourning for him in death. For the omission of the participle, see Essay on Language § 39. p. 72.