ἔχεις γὰρ οὐχὶ βαιὰ τἀνθυμήματα,
Oedipus at Colonus. Sophocles. ed. Lewis Campbell. Oxford. 1879.
Table of Contents
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Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1211-1248 focus
Χορός
ὅστις τοῦ πλέονος μέρους χρῄζει τοῦ μετρίου παρεὶς
ζώειν, σκαιοσύναν φυλάσσων
ἐν ἐμοὶ κατάδηλος ἔσται.
ἐπεὶ πολλὰ μὲν αἱ μακραὶ ἁμέραι κατέθεντο δὴ
1215
λύπας ἐγγυτέρω, τὰ τέρποντα δʼ οὐκ ἂν ἴδοις ὅπου,
ὅταν τις ἐς πλέον πέσῃ
τοῦ δέοντος· ὁ δʼ ἐπίκουρος ἰσοτέλεστος,
1220
Ἄϊδος ὅτε μοῖρʼ ἀνυμέναιος
ἄλυρος ἄχορος ἀναπέφηνε,
θάνατος ἐς τελευτάν.
ὅστις τοῦ πλέονος μέρους χρῄζει τοῦ μετρίου παρεὶς
ζώειν, σκαιοσύναν φυλάσσων
ἐν ἐμοὶ κατάδηλος ἔσται.
ἐπεὶ πολλὰ μὲν αἱ μακραὶ ἁμέραι κατέθεντο δὴ
1215
λύπας ἐγγυτέρω, τὰ τέρποντα δʼ οὐκ ἂν ἴδοις ὅπου,
ὅταν τις ἐς πλέον πέσῃ
τοῦ δέοντος· ὁ δʼ ἐπίκουρος ἰσοτέλεστος,
1220
Ἄϊδος ὅτε μοῖρʼ ἀνυμέναιος
ἄλυρος ἄχορος ἀναπέφηνε,
θάνατος ἐς τελευτάν.
Χορός
μὴ φῦναι τὸν ἅπαντα νικᾷ λόγον· τὸ δʼ, ἐπεὶ φανῇ,
1225
βῆναι κεῖθεν ὅθεν περ ἥκει,
πολὺ δεύτερον, ὡς τάχιστα.
ὡς εὖτʼ ἂν τὸ νέον παρῇ κούφας ἀφροσύνας φέρον,
1230
τίς πλαγὰ πολύμοχθος ἔξω; τίς οὐ καμάτων ἔνι;
φθόνος, στάσεις, ἔρις, μάχαι
καὶ φόνοι· τό τε κατάμεμπτον ἐπιλέλογχε
1235
πύματον ἀκρατὲς ἀπροσόμιλον
γῆρας ἄφιλον, ἵνα πρόπαντα
κακὰ κακῶν ξυνοικεῖ.
μὴ φῦναι τὸν ἅπαντα νικᾷ λόγον· τὸ δʼ, ἐπεὶ φανῇ,
1225
βῆναι κεῖθεν ὅθεν περ ἥκει,
πολὺ δεύτερον, ὡς τάχιστα.
ὡς εὖτʼ ἂν τὸ νέον παρῇ κούφας ἀφροσύνας φέρον,
1230
τίς πλαγὰ πολύμοχθος ἔξω; τίς οὐ καμάτων ἔνι;
φθόνος, στάσεις, ἔρις, μάχαι
καὶ φόνοι· τό τε κατάμεμπτον ἐπιλέλογχε
1235
πύματον ἀκρατὲς ἀπροσόμιλον
γῆρας ἄφιλον, ἵνα πρόπαντα
κακὰ κακῶν ξυνοικεῖ.
Χορός
ἐν ᾧ τλάμων ὅδʼ, οὐκ ἐγὼ μόνος,
πάντοθεν βόρειος ὥς τις
1240
ἀκτὰ κυματοπλὴξ χειμερία κλονεῖται,
ὣς καὶ τόνδε κατʼ ἄκρας
δειναὶ κυματοαγεῖς
ἆται κλονέουσιν ἀεὶ ξυνοῦσαι,
αἱ μὲν ἀπʼ ἀελίου δυσμᾶν,
1245
αἱ δʼ ἀνατέλλοντος·
αἱ δʼ ἀνὰ μέσσαν ἀκτῖνʼ,
αἱ δʼ ἐννυχιᾶν ἀπὸ Ῥιπᾶν.
ἐν ᾧ τλάμων ὅδʼ, οὐκ ἐγὼ μόνος,
πάντοθεν βόρειος ὥς τις
1240
ἀκτὰ κυματοπλὴξ χειμερία κλονεῖται,
ὣς καὶ τόνδε κατʼ ἄκρας
δειναὶ κυματοαγεῖς
ἆται κλονέουσιν ἀεὶ ξυνοῦσαι,
αἱ μὲν ἀπʼ ἀελίου δυσμᾶν,
1245
αἱ δʼ ἀνατέλλοντος·
αἱ δʼ ἀνὰ μέσσαν ἀκτῖνʼ,
αἱ δʼ ἐννυχιᾶν ἀπὸ Ῥιπᾶν.
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 1211 focus
Wer das längere Lebenstheil
Wünscht, nicht achtend des kürzeren,
Den hält thörichter Unverstand
Ewig gebunden nach meinem Urtheil.
1205
Denn viel herbe Bekümmerniß
Führt langdauerndes Alter dir
Näher; doch es gewahrt dein Blick
Nirgends lautere Freude, wenn
Du mehr verlangst, als dein Geschick
1210
Willig beut, und nie genug hast,
Bis sich am Ziele,
Ohne Brautlied, ohne Reigen,
Ohne Lauten, Tod vom Hades,
Allen gemeinsam, einstellt.
1215
Gegenstrophe.
Wer das längere Lebenstheil
Wünscht, nicht achtend des kürzeren,
Den hält thörichter Unverstand
Ewig gebunden nach meinem Urtheil.
1205
Denn viel herbe Bekümmerniß
Führt langdauerndes Alter dir
Näher; doch es gewahrt dein Blick
Nirgends lautere Freude, wenn
Du mehr verlangst, als dein Geschick
1210
Willig beut, und nie genug hast,
Bis sich am Ziele,
Ohne Brautlied, ohne Reigen,
Ohne Lauten, Tod vom Hades,
Allen gemeinsam, einstellt.
1215
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1211-1245 focus
Chorus
Whoever craves the longer length of life, not content to desire a moderate span, him I will judge with no uncertainty: he clings to folly.
For the long years lay in deposit many things nearer to pain than joy; but as for your delights, you will find them nowhere, when someone’s life has fallen beyond the fitting period.
1215
The Helper comes at last to all alike, when the fate of Hades is suddenly revealed, without marriage-song, or lyre, or dance: Death at the end.
1220
Whoever craves the longer length of life, not content to desire a moderate span, him I will judge with no uncertainty: he clings to folly.
For the long years lay in deposit many things nearer to pain than joy; but as for your delights, you will find them nowhere, when someone’s life has fallen beyond the fitting period.
1215
The Helper comes at last to all alike, when the fate of Hades is suddenly revealed, without marriage-song, or lyre, or dance: Death at the end.
1220
Chorus
Not to be born is, beyond all estimation, best; but when a man has seen the light of day, this is next best by far, that with utmost speed he should go back from where he came.
For when he has seen youth go by, with its easy merry-making,
1225
what hard affliction is foreign to him, what suffering does he not know? Envy, factions, strife, battles,
1230
and murders. Last of all falls to his lot old age, blamed, weak, unsociable, friendless, wherein dwells every misery among miseries.
1235
Not to be born is, beyond all estimation, best; but when a man has seen the light of day, this is next best by far, that with utmost speed he should go back from where he came.
For when he has seen youth go by, with its easy merry-making,
1225
For when he has seen youth go by, with its easy merry-making,
what hard affliction is foreign to him, what suffering does he not know? Envy, factions, strife, battles,
1230
and murders. Last of all falls to his lot old age, blamed, weak, unsociable, friendless, wherein dwells every misery among miseries.
1235
Chorus
In such years is this poor man here, not I alone.
Like some cape that fronts the north which is lashed on every side by the waves of winter, so he also is fiercely lashed evermore by the dread disasters that break on him like the surf, some from the region of the setting sun,
1240
some from that of its rising, some in the realm of its noon-time rays, some from the gloom-wrapped hills of the North.
1245
In such years is this poor man here, not I alone.
Like some cape that fronts the north which is lashed on every side by the waves of winter, so he also is fiercely lashed evermore by the dread disasters that break on him like the surf, some from the region of the setting sun,
1240
some from that of its rising, some in the realm of its noon-time rays, some from the gloom-wrapped hills of the North.
1245
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
mvp-comment-860-1 τἀνθυμήματα 1
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
1199-1200. mvp-comment-644-1 For you have reasons enough to move you, when you think of your own sightless eyes, to which light returns not.' οὐχὶ βαιά] Hesych. Σοφοκλῆς δὲ Οἰδίποδι ἐν Κολωνῷ· οὐ βαιά, ἀντὶ τοῦ ἄφθονα καὶ πολλά. 1201-1202. λιπαρεῖν γὰρ οὐ καλὸν | δίκαια προσχρήζουσιν] (1) ‘It is not well that those whose request is just should make long supplication; i.e. They should be at once gratified. This involves a change of subject (Essay on Language p. 65), and requires that the acc.
1199-1200. mvp-comment-644-2 προσχρήζοντας should have been attracted into the dat. in construction with καλών (ib. § 35 pp. 59, 60). Both difficulties may be avoided by taking λιπαρεῖν in the general sense of ' obstinate continuance,' as in Hdt. 1. 94, etc., and προσχρήζουσιν as = πρὸς προσχρήζοντας, or as if λιπαρεῖν were λιπαρή φαίνεσθαι: (2) It is not well to be obdurate to a just request. Cp. supr. 1119, τὸ λιπαρές. For this meaning, cp. Fr. 76, τοῖς γὰρ δικαίοις ἀντέχειν οὐ ῥάδιον. And for the dative, cp. O. T. 1373, οἷν ἐμοὶ δυοῖν, κ.τ.λ., and see Essay on Language § 12. p. 18. β 1. But the constant use of λιπαρεῖν in Attic, in the sense of ' to press with requests,' renders this interpretation improbable, and the former (1) is to be preferred. The use of οὐκ (rather than μή) in 1203 is accounted for by the attraction of the previous οὐ, and by reference to the actual circumstances. Essay on Language § 29. p. 49.