Sophocles Oedipus at Colonus 1044

mvp-comment-764-1 εἴην ὅθι ¹

1026-1077. mvp-comment-551-1 In catching, you are caught; and fortune has taken you as you were pursuing after your prey.' The substitution of δίκη for τύχη is unnecessary and wrong. Fortune is continually regarded as the instrument of the Divine will. Cp. Phil. 1317, τὰς μὲν ἐκ θεῶν | τύχας δοθείσας: Shak. Hamlet, Act 3, Sc. 4. 'Take thy fortune; Thou find'st to be too busy is some danger.'

1044. mvp-comment-562-1 While Oedipus remains alone upon the rock, an object of profound pity, the chorus burst into an exulting strain, anticipating the victory of Theseus and the restoration of Antigone and Ismene. The fray will soon begin. Would I were there to see! Where will the foemen turn to bay? At the pass of Mount Aegaleon, or by the Eleusinian shore? There will Theseus rouse the combat, and the maidens shall be present at the achievement of their deliverance. Or descend they now from Phyle, westward of the rock, the chariots with the pursuing cavalry? The enemy shall be overpowered. Mighty are the men of Theseus: valiant are the horsemen of our deme. They all are wor- α. shippers of Athene Hippia and of Poseidon. Are they engaged? or is the action still to be? My prophetic spirit pleads for the restitution of the muchenduring, much-wronged, maiden. O had my vision wings, that, lifted on some airy cloud, I might look upon the victory which I foretell! 'Zeus, grant our people the attainment of the fair prize and Pallas, his dread child, and ye, Apollo and Artemis, who love the chase, come jointly to our country's aid.' The metre of this chorus, at first glyconic, passes more and more into slow trochaic and iambic movements, with frequent long syllables. The whole is marked by great solemnity, with an occasional note of triumph. ―下​CCICI IFCCICI ICCICI CICIト​CCIILCI ーーーー トレーートレー トリートー 10= 10- ?? トトートー ICCI- LLACI 1, 2, 3, Glyconic with monosyllabic base, 5, 12, Pherecratean, 14, Adoniad, 6, 11, logaoedic, 4, 7, iambic dimeter with long syllables in the alternate feet, 8, 9, 13, trochaic, with long syllables in the alternate feet. The interweaving of the logaoedic with the iambic and trochaic rhythms is marked by the interposition of the iambics in 4 between the glyconic and Pherecratean, and the trochees in 13 between the Pherecratean and Adoniad. The epitritic movement, - - - - - - -, prevails throughout. Line ro of the strophe, if the text is right, may be compared with Phil. 1082, 1103, 1123, 1146, 1147, where the same form ㄥ​ㄧ​ㄥ​に​ト​し​て​! is combined with glyconic and Pherecratean measures. In Phil. 1147 it answers to a glyconic - - トー in 1124. But this does not remove the difficulty of finding a probable emendation of 1069, which may secure a tolerable correspondence between strophe and antistrophe. See note on 1069. β΄. D レレトート​(I LLCI ートレビー alcllcC1I !!ト​C!!!いー Lullトーー LU ICICII LUIIト​CIK CLLCICIU

1044. mvp-comment-562-2 The slow (epitritic) movement with frequent long syllables is continued in the second strophe and antistrophe, and only in lines 5 and 8 is quickened by the introduction of the dactyl. The opening syllables of 1 and 2 may have been exceptionally prolonged. Line 3 is probably to be scanned as an iambic dimeter with syncope of 3rd and 4th thesis. Syncope of thesis occurs also in 11. 5 and 10. Cp. O. T. 190, 193, 200, Christ's Metrik. § 393.

1044. mvp-comment-562-3 Might I be where soon the foemen shall wheel round and begin the fray with clanging arms.' The imagination of the chorus is excited by what Theseus has said, supr. 1022, 1029 ff.

1044. mvp-comment-562-4 δαΐων ἀνδρῶν ἐπιστροφαί i. e. δάϊοι ἄνδρες ἐπιστρεφθέντες: cp. Eur. Alc. 606, ἀνδρῶν Φεραίων εὐμενὴς παρουσία.