Sophocles Philoctetes 217

ed. Lewis Campbell

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 219-390 focus
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 217 focus
NEO
My baseness will appear. That wrings my soul.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 219 focus
Weh, Fremdlinge!
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 217 focus
Neoptolemus
Alas !
What shall I do? Would I were still at Scyros !
For I am most unhappy.
970
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 217 focus
Philoctetes
What is thy purpose? Tell me, ease my doubts.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 219-390 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-128-1 ναὸς ἄξενον … ὅρμον 1

mvp-comment-128-2 προβοᾷ τι γἀρ δεινόν 2 δεινόν 3 θροεῖ 4

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

135-218. mvp-comment-91-1 We have here a commatic parados (cp. El., O. C.), in which Neoptolemus responds in anapaests to lyric measures chanted apparently by single members of the Chorus, as they take their places in the orchestra. Their entrance must be subsequent to l. 134, for the conversation in ll. 50 foll. would lose its effect if Odysseus and Philoctetes were not alone. The anapaests of Neoptolemus and l. 161, chanted by the coryphaeus, accompany movements of the Chorus, who at l. 169 have already taken up their position. The metres of the lyric part are as follows:- α΄. Glyc. β'. Glyc. γ. Glyc. It is evident that the lyric strains were accompanied with gesticulation, especially in στρ. and ἀντ. γ'. The fact that the Chorus at entering have some knowledge of that which has just been made known upon the stage, is not a sufficient reason for supposing them to have been present during any part of the previous scene. Similarly, in the O. T. the Chorus have been gathered by the news of the arrival of Creon from Delphi, which happens in the midst of the prologos, l. 87; and in the Ajax, the mariners speak of the slanders of Ulysses, which could only be disseminated after his exit. It is best, therefore, to suppose, as above, that the Chorus enter as usual after the prologos, and that the first strophe is begun as soon as they are well within hearing of the stage. The whole passage is meant to interest the spectator in Philoctetes, and to prepare for the effect to be produced by his entrance, infr. 219. Cp. Aj. 201-332.

216. mvp-comment-148-1 ἰωάν] Cp. infr. 219, ἰώ, ξένοι.

217-218. mvp-comment-149-1 ἢ . . αὐγάζων] 'Or eyeing the inhospitable moorage of our ship,' i.e. seeing a vessel moored on so inhospitable a coast. The moorage was only possible because of the S. W. wind, infr. 639, 1450, 1. The transposition of ὅρμον αὐγάζων is a slight change, and secures an exact correspondence of rhythm.

218. mvp-comment-150-1 προβοᾷ] 'Shouts forth' = Sends a shout before him. His cry rings terribly forth. After all this preparation the entrance of Philoctetes has a thrilling effect.