Sophocles Philoctetes 200

ed. Lewis Campbell

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 219-390 focus
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 200 focus
CHORUS
CHORUS 827
Lord of the happiest life,
Sleep, thou that know’st not strife,
That know’st not grief,
Still wafting sure relief,
Come, saviour now!
830
Thy healing balm is spread
Over this pain worn head,
Quench not the beam that gives calm to his brow.
Look, O my lord, to thy path,
Either to go or to stay
How is my thought to proceed?
835
What is our cause for delay?
835
Look! Opportunity’s power,
Fitting the task to the hour,
Giveth the race to the swift.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 201 focus
Schweige still, mein Sohn!
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 200 focus
Philoctetes
Not for this ;
For what thou meanst to do thou mayst deserve it.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 200 focus
Neoptolemus
With joy I see thee thus beyond my hope
Viewing the light, and breathing vital air,
Free from thy pains; for, added to those ills,
Thou hadst the semblance of a man that breathes
885
No more. Now rise; or these (if such thy will)
: Shall bear thee, not repining at the toil,
Since they perceive it is thy will and mine.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 219-390 focus

Commentary

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

135-218. mvp-comment-91-1 We have here a commatic parados (cp. El., O. C.), in which Neoptolemus responds in anapaests to lyric measures chanted apparently by single members of the Chorus, as they take their places in the orchestra. Their entrance must be subsequent to l. 134, for the conversation in ll. 50 foll. would lose its effect if Odysseus and Philoctetes were not alone. The anapaests of Neoptolemus and l. 161, chanted by the coryphaeus, accompany movements of the Chorus, who at l. 169 have already taken up their position. The metres of the lyric part are as follows:- α΄. Glyc. β'. Glyc. γ. Glyc. It is evident that the lyric strains were accompanied with gesticulation, especially in στρ. and ἀντ. γ'. The fact that the Chorus at entering have some knowledge of that which has just been made known upon the stage, is not a sufficient reason for supposing them to have been present during any part of the previous scene. Similarly, in the O. T. the Chorus have been gathered by the news of the arrival of Creon from Delphi, which happens in the midst of the prologos, l. 87; and in the Ajax, the mariners speak of the slanders of Ulysses, which could only be disseminated after his exit. It is best, therefore, to suppose, as above, that the Chorus enter as usual after the prologos, and that the first strophe is begun as soon as they are well within hearing of the stage. The whole passage is meant to interest the spectator in Philoctetes, and to prepare for the effect to be produced by his entrance, infr. 219. Cp. Aj. 201-332.

197-200. mvp-comment-136-1 Ср. О. C. 1405 foll., and for ὅδε.., supr. 87.

198. mvp-comment-137-1 τὰ θεῶν] “The divine.' Cp. Ant. 607, θεῶν μῆνες, and note. The bow of Heracles, now himself a god, was an instrument of the divine purposes.