Sophocles Electra 154

Robert Potter (Translator)

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Yet not by thee alone of all that breathe
Is sorrow felt. What share is thine, beyond
Those in this house by blood to thee allied?
Such is the life Chrysothemis endures;
Such Iphianassa's sufferings; such the Youth's,
Who in concealment and in silence mourns.

Electra. Sophocles. Robert Potter (Translator). London. 1820.

Current edition Experimental

English (Robert Potter, 1788) (OCR draft) (English) (English (Robert Potter, 1788))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 154 focus
ἄχος ἐφάνη βροτῶν,
πρὸς †ὅ τι σὺ τῶν ἔνδον εἶ περισσά,
155
οἷς ὁμόθεν εἶ καὶ γονᾷ ξύναιμος,
οἷα Χρυσόθεμις ζώει καὶ ᾿Ιφιάνασσα,
κρυπτᾷ τ᾿ ἀχέων ἐν ἥβᾳ
ὄλβιος, ὃν ὁ κλεινὰ à in litura of 2 or 3 letters, L. ἀκλεινά A.
γᾶ (α)γαῖ L. ποτὲ Μυκηναίων
160
δέξεται εὐπατρίδαν, Διὸς εὔφρονι
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 121-250 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 154 focus
Say, is Aegisthus near while thus you speak?
Or hath he left the palace? We would know.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 154 focus
Nicht dir, o Tochter, allein ward
150
Auf Erden Leid verhängt,
Um das du mehr klagst als jene drinnen,
Die dir verwandt sind durch Blut und Ursprung,
Wie Chrysothemis hier, wie hier lebt Iphianassa,
Und trauernd in stiller Jugend,
155
Doch glücklich, wann einst ihn
Das stolze Land Argos
Feiernd empfängt und mit Huld der Olympier
Zurück in diese Gauen führt, - Orestes.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 154 focus
Sad news indepd the hapless messenger
To Argos brought, that\spoke the wished return
Of thy loved father to his native soil ;
Fatal the night when Agamemnon fell
155
Or by a mortal or immortal hand ;
The w^ork of fraud and lust, a horrid deed !
Whoe'er performed it.
Eleo. O detested feast !
0,jCfe;y, the bitt'rest sure; that ever rose !
With him I perished then. . But may the gods
Repay the murderers ; never may they hear
160
The voice of joy, or taste of comfort more !
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 121-250 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-12-1 ἡμὶν 1

mvp-comment-12-2 ἑῷα 2

mvp-comment-12-3 κινεῖ … σαφῆ 3

mvp-comment-13-1 ἄστρων εὐφρόνη 4

mvp-comment-13-2 ἐκλέλοιπεν 5

mvp-comment-14-1 ἐξοδοιπορεῖν 6

mvp-comment-15-1 ξυνάπτετον 7 λόγοισιν 8

mvp-comment-15-2 ὡς ἐνταῦθ’ 9

mvp-comment-15-3 (1) ἐμὲν 10

mvp-comment-15-4 (2) Is, then, ἐνταῦθ’ 11

mvp-comment-15-5 (3) Supposing that

ἐνταῦθ’
is genuine —as seems most likely—no account of the passage is more probable than that the poet wrote
ὡς ἐνταῦθ’ ἵνα
|
οὐκ ἔστ’ ἔτ’ ὀκνεῖν καιρός
, and that
ἔστ’
dropped out before
ἔτ’
precisely as in Ph. 23 the words
τόνδ’ ἔτ’, εἴτ’
have shrunk to
τόνδ’ ἤτ’
in L. Then, Ph. v. 22 being defective,
ἵνα
was shifted to it from the end of v. 21 (cp. O. T. 1264 f., cr. n.); and the gap after
ἐνταῦθ’
was filled with
ἐμέν
,—a form which the later grammarians, at least, accepted, as will be seen in the Appendix.

mvp-comment-15-6 ἔργων ἀκμή 12

mvp-comment-16-1 ὦ φίλτατ’ ἀνδρῶν 13

mvp-comment-16-2 σημεῖα φαίνεις 14 γεγώς 15

mvp-comment-17-1 ὥσπερ γὰρ ἵππος εὐγενὴς 16

mvp-comment-18-1 ἐν τοῖσι δεινοῖς 17

mvp-comment-18-2 ἀπώλεσεν 18 ἵστησιν 19

mvp-comment-18-3 ὡσαύτως δὲ 20

mvp-comment-19-1 ἐν πρώτοις ἕπει 21

mvp-comment-20-1 εἰ μή τι 22

mvp-comment-20-2 καιροῦ τυγχάνω 23

mvp-comment-20-3 μεθάρμοσον 24

mvp-comment-21-1 γὰρ 25

mvp-comment-21-2 ἱκόμην 26

mvp-comment-21-3 μάθοιμ’ 27

mvp-comment-21-4 ἀροίμην 28

mvp-comment-22-1 χρῇ 29 τοιαῦθ’ 30 ὧν 31

mvp-comment-22-2 ὁ Φοῖβος 32

mvp-comment-22-3 πεύσει 33

mvp-comment-22-4 This verse might seem the preface to some longer recital (cp. Ph. 1418 n.). But in fact it is merely an emphatic prelude to the oracle: τάχα 34

mvp-comment-23-1 αὐτὸν 35 ἀσπίδων 36

mvp-comment-23-2 ἀσπίδων τε καὶ στρατοῦ 37 δόλοισι 38

mvp-comment-23-3 χειρὸς 39 σφαγάς 40

mvp-comment-23-4 κλέψαι 41

mvp-comment-24-1 ὅτε 42

mvp-comment-24-2 σὺ μὲν μολὼν 43

mvp-comment-24-3 καιρὸς 44

mvp-comment-24-4 ἴσθι 45

mvp-comment-25-1 γήρᾳ 46 χρόνῳ μακρῷ 47

mvp-comment-25-2 οὐδ’ ὑποπτεύσουσιν 48 οὐ μὴ γνῶσι 49

mvp-comment-25-3 ὧδ’ ἠνθισμένον 50

mvp-comment-26-1 Φωκεύς 51

mvp-comment-26-2

ἀνδρὸς Φανοτέως. ἀνήρ
, thus prefixed to a proper name, serves either: ( a) to introduce a person not previously men tioned,—being more respectful than
τις
, as Il. 11. 92
ἄνδρα Βιήνορα
, Her. 8. 82
ἀνὴρ Παναίτιος
: or ( b) adds something of solemnity or pathos to the mention of a familiar name, as Soph. O. C. 109
ἀνδρὸς Οἰδίπου
, Soph. Ai. 817
ἀνδρὸς Ἕκτορος
.

mvp-comment-26-3 Phanoteus was the eponymous hero of the town Phanoteus ( Thuc. 4. 89 ), or Panopeus ( Il. 2. 520 etc., Paus. , Strabo), in Phocis, close to the Boeotian frontier, —about three miles west of Chaeroneia, and as many east of Daulis. He was the brother of Crisus, from whom the town of Crisa in Phocis (about two miles w. s. w. of Delphi) took its name. Between these brothers, said the legend, there was a deadly feud; before birth they had struggled in the womb (Tzetzes, Lycophr. 939: cp. Preller, Griechische Mythologie, 2. p. 54 n. 5). Now Crisus was the father of Strophius, that king of Crisa who was the ally of Agamemnon, and with whom the young Orestes found a home. Hence Phanoteus, the foe of Crisus, is represented as the friend of Aegisthus and Clytaemnestra. He is the first to send them the glad tidings that Orestes is dead. On the other hand it is Strophius who is described as paying the last honours to the corpse, and sending the ashes to Mycenae (1111).

mvp-comment-26-4 ὁ γὰρ 52

mvp-comment-27-1 μέγιστος 53

mvp-comment-27-2 τυγχάνει 54

mvp-comment-27-3 δορυξένων 55

mvp-comment-28-1 ὅρκον 56 ὅρκῳ 57

mvp-comment-28-2 On the other hand, the phrase

προστιθέναι ὅρκον
has the authority of Sophocles himself: fr. 431
ὅρκου δὲ προστεθέντος ἐπιμελεστέρα
|
ψυχὴ κατέστη
. Cp. too Tr. 255
ὅρκον αὑτῷ προσβαλών
.

mvp-comment-28-3 The false oath would be regarded as excused by the

δόλοι
which Apollo had prescribed (v. 37); but in fact the Paedagogus takes no such oath.

mvp-comment-29-1 ἀναγκαίας τύχης 58

mvp-comment-29-2 ἄθλοισι 59 Πυθικοῖσιν 60

mvp-comment-29-3 τροχηλάτων 61

mvp-comment-29-4 ἑστάτω 62

mvp-comment-30-1 ἐφίετο 63

mvp-comment-30-2 λοιβαῖσι 64

mvp-comment-30-3 καρατόμοις χλιδαῖς 65

mvp-comment-30-4 στέψαντες 66

mvp-comment-30-5 ἄψορρον … πάλιν 67

mvp-comment-31-1 τύπωμα 68 χαλκόπλευρον 69

mvp-comment-31-2 ἠρμένοι 70

mvp-comment-31-3 Others take

ἠρμένοι
as middle. This use of
ἦρμαι
is not unknown to later Greek; e.g. Strabo 3. p. 150 has
νίκην ἠρμένοι
=
ἀράμενοι
. But there is no example of it in the classical period.

mvp-comment-32-1 Join που 71 καὶ σὺ 72

mvp-comment-32-2 The v.l. μοι 73

mvp-comment-33-1 λόγῳ κλέπτοντες 74

mvp-comment-33-2 φέρωμεν 75

mvp-comment-33-3 ἔρρει 76

mvp-comment-33-4 δέμας 77

mvp-comment-34-1 τί γάρ με λυπεῖ 78

mvp-comment-34-2 ἔργοισι 79

mvp-comment-34-3 κἀξενέγκωμαι 80

mvp-comment-35-1 δοκῶ μέν 81 σὺν κέρδει 82

mvp-comment-35-2 κακόν 83

mvp-comment-36-1 πολλάκις 84

mvp-comment-36-2 λόγῳ μάτην θνῄσκοντας 85

mvp-comment-36-3 ἐκτετίμηνται 86

mvp-comment-37-1 ὡς 87

mvp-comment-37-2 κἄμ’ ἐπαυχῶ 88

mvp-comment-37-3 ἄπο 89

mvp-comment-37-4 δεδορκότ’ 90

mvp-comment-37-5 ἐχθροῖς 91 λάμψειν 92

mvp-comment-37-6 ἄστρον 93

mvp-comment-37-7 ἔτι 94

mvp-comment-38-1 πατρῴα γῆ 95

mvp-comment-38-2 εὐτυχοῦντα 96

mvp-comment-38-3 ὁδοῖς 97

mvp-comment-39-1 καθαρτής 98

mvp-comment-39-2 πρὸς θεῶν ὡρμημένος 99

mvp-comment-40-1 ἀλλ’ ἀρχέπλουτον 100

mvp-comment-40-2 ἀρχέπλουτον 101

mvp-comment-40-3 καταστάτην 102

mvp-comment-41-1 εἴρηκα μέν νυν ταῦτα 103

mvp-comment-41-2 μελέσθω 104

mvp-comment-42-1 ἐπιστάτης 105

mvp-comment-43-1 ἰώ μοί μοι δύστηνος 106

mvp-comment-44-1 καὶ μὴν 107

mvp-comment-44-2 θυρῶν 108

mvp-comment-44-3 I should agree with the schol. in governing

θυρῶν
by ἔνδον 109

mvp-comment-44-4 προσπόλων τινὸς 110

mvp-comment-45-1 θέλεις | μείνωμεν … ; 111

mvp-comment-45-2 The reading of the MSS., κἀνακούσωμεν 112

mvp-comment-45-3 On the other hand Sophocles has

ἐπακούω
, ‘to listen,’ in O. T. 708 , O. T. 794 : O. C. 694 : Ph. 1417. Nauck's correction, κἀπακούσωμεν 113

mvp-comment-46-1 μηδὲν πρόσθεν 114

mvp-comment-46-2 τὰ Λοξίου 115

mvp-comment-46-3 ἀρχηγετεῖν 116

mvp-comment-47-1 πατρὸς 117

mvp-comment-47-2 λουτρά 118

mvp-comment-47-3 φέρει … ἐφ’ ἡμῖν 119

mvp-comment-47-4 νίκην 120 κράτος τῶν δρωμένων 121

mvp-comment-47-5 All three actors now leave the scene. Orestes and Pylades go to Agamemnon's grave,—departing, probably, by the entrance on the spectators' right. The Paedagogus leaves by the entrance on the left,—to await the moment for seeking admission to the house (v. 660).—It might, indeed, be inferred from

πειρώμεθ’
(83) that the old man goes with the youths to their task; but the word need not imply more than his participation in the plan. while verses 73—75 seem clearly to indicate that he separates from his companions. When they have gone, Electra enters from the house.

mvp-comment-48-1 A

θρῆνος ἀπὸ σκηνῆς
, or lyric lament delivered by an actor alone. as dist. from the joint
κομμός
of actor and Chorus (121 n.).

mvp-comment-48-2 Verses 86—102 form a

σύστημα
,=vv. 103—120 (
ἀντισύστημα
). If the text is sound, the correspondence is not exact, since the dimeter in v. 99 answers to a monometer in v. 116. These anapaests are, however, of the type usually known as ‘free’ or ‘melic,’ as having more of a lyric character than the regular anapaests of the marching-songs (like those of the Parodos in the Ajax): see W. Christ, Metrik, 2nd ed., § 288. And in such anapaests the symmetry of ‘systems’ is often not strict (cp. O. C. 117 n.).

mvp-comment-48-3 ὦ φάος ἁγνὸν 122

mvp-comment-48-4 γῆς ἰσόμοιρ’ ἀήρ 123

mvp-comment-48-5 ἰσόμοιῤ 124 ἰσόμοιρος 125

mvp-comment-49-1 πολλὰς μὲν … ᾔσθου 126

mvp-comment-49-2 ἀντήρεις 127

mvp-comment-50-1 πληγὰς 128 πλαγὰς 129

mvp-comment-51-1 ὑπολειφθῇ 130 ᾔσθου 131

mvp-comment-52-1 τὰ … παννυχίδων 132 ξυνίσας’ 133 ὅσα … θρηνῶ 134

mvp-comment-52-2 ἤδη 135

mvp-comment-52-3 The MS. οἴκων 136 λέκτρων 137 μογερῶν 138

mvp-comment-53-1 ὅσα τὸν δύστηνον 139

mvp-comment-54-1 κατὰ μὲν βάρβαρον αἶαν 140 ἐξένισεν 141

mvp-comment-55-1 Ἄρης 142

mvp-comment-55-2 ἐξένισεν 143

mvp-comment-56-1 κοινολεχὴς 144

mvp-comment-57-1 ὅπως δρῦν ὑλοτόμοι 145

mvp-comment-57-2 σχίζουσι 146

mvp-comment-57-3 κάρα 147

mvp-comment-57-4 πέλεκει 148

mvp-comment-58-1 ἄλλης 149

mvp-comment-58-2 φέρεται 150

mvp-comment-58-3 The deletion of the words ἀπ’ ἄλλης 151 ἢ )μοῦ 152

mvp-comment-59-1 ἀλλ’ οὐ μὲν δὴ 153

mvp-comment-60-1 ἄστρων 154

mvp-comment-60-2 Others read,

ἔστ’ ἂν λεύσσω παμφεγγεῖς
|
ῥιπάς, λεύσσω δὲ τόδ’ ἦμαρ
, omitting
ἄστρων
. But
παμφεγγεῖς ῥιπάς
, without
ἄστρων
, would not suffice to denote starlight. If, again, the phrase is taken to denote the sun's rays (as Monk proposes, Mus. Crit. I. p. 67), then
λεύσσω δὲ τόδ’ ἦμαρ
becomes weak. Further, the preceding context, in which she has spoken of her laments at night (92) and at morning, clearly suggests that the sense here is, ‘so long as I look on the stars or on the sun.’

mvp-comment-61-1 μὴ οὐ 155

mvp-comment-61-2 τεκνολέτειῤ 156

mvp-comment-62-1 ἐπὶ κωκυτῷ 157

mvp-comment-62-2 ἠχὼ 158

mvp-comment-63-1 Electra invokes, (1) the house of Hades and his bride Persephone, in which the spirit of Agamemnon now dwells; (2) Hermes, who, as

ψυχοπομπός
, conducted him thither,—and who will also guide the avengers on their way (1395 f.); (3)
Ἀρά
, the imprecation uttered by the victim upon his murderers,—the personified curse, here conceived as a supernatural power (
πότνια
), which calls the Erinyes into action; and (4) the Erinyes themselves.

mvp-comment-63-2 Ἀΐδου 159

mvp-comment-64-1 ὦ χθόνἰ Ἑρμῆ 160

mvp-comment-64-2 Ἀρά 161

mvp-comment-64-3 πότνια 162

mvp-comment-65-1 σεμναὶ 163

mvp-comment-65-2 θεῶν παῖδες 164

mvp-comment-66-1 ὁρᾶθ’ 165

mvp-comment-67-1 αἳ τοὺς εὐνὰς ὑποκλεπτομένους 166

mvp-comment-67-2 These much-impugned words appear genuine. The murder has been prompted by the guilty love:

δόλος ἦν ὁ φράσας, ἔρος ὁ κτείνας
(197). In Electra's thought, they are inseparable. The allusion to the love follows the reference to the murder, because she regards it as the crowning outrage (271
τὴν τελευταίαν ὕβριν
) that Clytaemnestra still lives with Aegisthus. Bloodshed was not the only sin which the Erinyes punished. They were the embodied sanctions of natural law, and every crime against the family came within their cognisance. (See Introd. to Homer, p. 51, § 13.) Indeed, Electra herself speaks of the unhallowed union as a special provocation to those Avengers: 275 f.
ἡ δ’ ὧδε τλήμων ὥστε τῷ μιάστορι
|
ξύνεστ’, Ἐρινὺν οὔτιν’ ἐκφοβουμένη
.

mvp-comment-68-1 τείσασθε 167

mvp-comment-69-1 ἡμετέρου 168 μοι 169

mvp-comment-69-2 καί μοι 170

mvp-comment-70-1 ἄγειν 171

mvp-comment-70-2 σωκῶ 172

mvp-comment-71-1 δυστανοτάτας 173

mvp-comment-72-1 τάκεις … οἰμωγὰν 174

mvp-comment-72-2 ἀκόρεστον 175

mvp-comment-72-3 τὸν πάλαι 176

mvp-comment-72-4 πάλαι 177 ἐκ 178

mvp-comment-72-5 ἀθεώτατα 179

mvp-comment-72-6 κακᾷ … χειρὶ πρόδοτον 180 χειρὶ 181

mvp-comment-72-7 ὡς 182

mvp-comment-72-8 ὁ τάδε πορὼν 183

mvp-comment-72-9 εἴ μοι θέμις 184

mvp-comment-73-1 γενέθλα 185

mvp-comment-73-2 γενναίων 186

mvp-comment-73-3 παραμύθ‐ 187 ιον 188

mvp-comment-74-1 ξυνίημι 189

mvp-comment-74-2 τάδ’ 190

mvp-comment-75-1 φυγγάνει 191

mvp-comment-75-2 οὐδ’ ἐθέλω 192

mvp-comment-76-1 μὴ οὐ 193

mvp-comment-76-2 τὸν ἐμὸν … πατέρ’ ἄθλιον 194

mvp-comment-77-1 παντοίας 195

mvp-comment-77-2 Electra's lyrics contain some Doricisms (129, 146 f., etc.): but it is best to retain

φιλότητος
, with the MSS. The form in
η
was so familiar through Homer that it may have been preferred to
φιλότατος
even in lyrics. Cp. 236 .

mvp-comment-78-1 ἀλύειν 196

mvp-comment-79-1 αἰαῖ, ἱκνοῦμαι 197

mvp-comment-80-1 τόν γ’ ἐξ Ἀΐδα … λίμνας 198

mvp-comment-80-2 παγκοίνου 199

mvp-comment-80-3 ἀνστάσεις 200

mvp-comment-81-1 οὔτε †γόοις οὔτε λιταῖσιν 201 οὔτε γόοισιν οὔτ’ εὐχαῖς 202

mvp-comment-82-1 For the repetition of ἀλλά 203

mvp-comment-82-2 ἀπὸ τῶν μετρίων 204

mvp-comment-82-3 ἀμήχανον 205

mvp-comment-82-4 ο=ιόλλυσαι 206

mvp-comment-83-1 ἐν οἷς 207

mvp-comment-83-2 ἀνάλυσις … κακῶν 208

mvp-comment-83-3 τί μοι 209

mvp-comment-84-1 νήπιος 210

mvp-comment-84-2 γονέων 211

mvp-comment-85-1 ἐμέ γ’ … ἄραρεν 212

mvp-comment-85-2 φρένας 213

mvp-comment-86-1 αἰὲν Ἴτυν 214

mvp-comment-87-1 ὄρνις 215

mvp-comment-87-2 ἀτυζομένα 216

mvp-comment-87-3 Διὸς ἄγγελος 217

mvp-comment-88-1 Νιόβα, σὲ δ’ 218 θεόν 219

mvp-comment-88-2 ἅτ’ 220

mvp-comment-88-3 ἐν τάφῳ πετραίῳ 221

mvp-comment-89-1 αἰεὶ 222

mvp-comment-90-1 οὔτοι σοὶ μούνᾳ 223

mvp-comment-91-1 πρὸς ὅ τι 224

mvp-comment-91-2 τῶν ἔνδον εἶ περισσά 225

mvp-comment-92-1 οἷς 226 τῶν ἔνδον 227

mvp-comment-92-2 ὁμόθεν 228 γονᾷ ξύναιμος 229

mvp-comment-93-1 οἵα Χρ. ζώει 230

mvp-comment-93-2 Acc. to the version followed by Sophocles, Agamemnon had four daughters, Iphigeneia, Electra, Chrysothemis, Iphianassa. This was the account given in the cyclic

Κύπρια ἔπη
, as the schol. here mentions; a poem of which there is another trace in this play (566 ff.). Sophocles wrote an
Ἰφιγένεια
( Nauck, frag. Soph. 284—292 ); but her name is not mentioned in the reference to her death below (530—594). In Il. 9. 145 Agamemnon has three daughters, Chrysothemis, Laodicè, Iphianassa: Homer does not mention Iphigeneia. Lucretius gives the name of Iphianassa to the victim at Aulis ( 1. 85 ).

mvp-comment-93-3 ζώει 231

mvp-comment-93-4 καὶ Ἰφιάνασσα 232

mvp-comment-94-1 ἀχέων 233

mvp-comment-94-2 Hermann, taking ἀχέων 234 κρυπτᾷ 235

mvp-comment-95-1 ὄλβιος, ὃν 236

mvp-comment-95-2 For the simple

ὅς
, instead of
ὅς γε
or
ὅστις
, with causal force, cp. below, 188, 261, 959; O.T. 817.

mvp-comment-96-1 δέξεται εὐπατρίδαν 237

mvp-comment-96-2 Διὸς εὔφρονι 238 βήματι 239

mvp-comment-96-3 γᾶν 240 γᾶ 241

mvp-comment-96-4 Ὀρέσταν 242 ὃν 243

mvp-comment-97-1 ἀκάματα 244

mvp-comment-97-2 ἀνύμφευτος 245 ἄτεκνος 246

mvp-comment-97-3 οἰχνῶ 247

mvp-comment-98-1 δάκρυσι μυδαλέα 248

mvp-comment-98-2 τὸν ἀνήνυτον 249

mvp-comment-98-3 οἶτον ἔχουσα 250

mvp-comment-99-1 ὧν τ’ ἔπαθ’ 251 ὧν τ’ ἐδάη 252

mvp-comment-99-2 Wecklein, reading

ἐδάην
, explains,— ‘what I have heard from him,’—viz., his promises of coming.

mvp-comment-99-3 τί γὰρ … ἀγγελίας 253

mvp-comment-99-4 ἀπατώμενον 254 τί … οὐκ 255

mvp-comment-99-5 Herwerden's οὐχί μοι 256 οὐκ ἐμοί 257 ὁ δέ 258

mvp-comment-100-1 ποθεῖ, ποθῶν δ’ 259

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

16. mvp-comment-13-1 Pylades, who is a silent person in the Electra, is only mentioned once again, infr. 1373. Orestes has no scruples, as in the Choephori, and therefore needs not the advice but only the active assistance of his friend. Pylades is present in every scene in which Orestes appears.

17-18. mvp-comment-14-1 ὡς ἡμὶν.. σαφῆ] 'Since we have already the sunshine in full brilliance awakening there unmistakably into song the early voice of birds.' λαμπρόν and σαφή both form part of the predication. σαφή, i. e. not a doubtful twitter here and there, but the unanimous warbling which tells that the morning is really come: - Milton's 'charm of earliest birds,' not Tennyson's 'earliest pipe of half-awakened birds.'

19. mvp-comment-15-1 (1) And dark Night is vanished with her stars,' ἄστρων εὐφρόνη = νὺξ ἀστερόεσσα. E. on L. § 9. p. 12, 1 a. Or (2), 'And dark Night, the region of the stars, has disappeared - Night being regarded as a world possessed by the stars. Others join άστρων ἐκλέλοιπε, 'Night has lost her stars':-i.e. The night is yet dark but the stars are waning in the coming light.' (Paley.) But this can hardly be reconciled with ll. 16, 17, and rather presupposes a Northern twilight.

20. mvp-comment-16-1 ἐξοδοιπορεῖν στέγης] Come out of doors.' ἐξοδοιπορεῖν, although a special word, has here only the general meaning of ἐξέρχεσθαι. See E. on L. § 52. p. 97.

21. mvp-comment-17-1 ξυνάπτετον λόγοισιν] ‘Join ye in counsel.' For this use of the dative with a transitive verb, cp. infr. 710, κλήροις ἔπηλαν, and note; and see Riddell's Digest of Idioms, in his edition of the Apology of Plato. For a similar idiom in English, cp. Shakespeare, Hamlet, 1. 2. 112: 'And with no less nobility of love Than that which dearest father bears his son, Do I impart toward you.' ὡς ἐνταῦθ᾽ *ἴμεν] 'Since we are thereabouts,' lit. 'moving there,'-i. е. ἐνταῦθά ἐσμεν τῆς ὁδοῦ: we are arrived at such a point in our enterprise. ἐμέν, for ἐσμέν, which occurs only once in Callimachus, can hardly be retained, and no valid objection has been made to Dawes' emendation, as above explained.

26-27. mvp-comment-18-1 ἀπώλεσεν.. ἵστησιν] The description passes from the gnomic aorist to the vivid present. For the verb, cp. Hdt. 4. 129, οἱ ἵπποι ἐν θαύματι ἔσκον, ὀρθὰ ἱστάντες τὰ ὦτα.

27. mvp-comment-19-1 δέ] In apodosi.

29. mvp-comment-20-1 τὰ . . δόξαντα] Sc. ἐμοί τε καὶ Πυλάδῃ τῷδε. Their plans are already formed.

31. mvp-comment-21-1 εἰ μή τι καιροῦ τυγχάνω] 'If anywhere I miss the mark,'-εἴ τι ἁμαρτάνω. Ε. on L. § 41. p. 78.

33. mvp-comment-22-1 πατρί is more expressive than πατρός. Cp. supr. 14.

34. mvp-comment-23-1 ἀροίμην is probably aorist (not future) optative, being indirect for (τίνι τρόπῳ) ἄρωμαι;

36. mvp-comment-24-1 Myself alone, unsupported by armed men.' Cp. Pind. Nem. 3. 59, δε καὶ Ἰωλκὸν εἶλε μόνος ἄνευ στρατιᾶς.

37. mvp-comment-25-1 By craft to steal the righteous deathblow which my hand should give.' χειρός marks the directly personal nature of the act. Cp. O. T. 811, ἐκ τῆσδε χειρός, and note. For the genitive, cp. infr. 206, θανάτους αἰκεῖς διδύμαιν χειροῖν.

38. mvp-comment-26-1 τοιόνδε, like τοιαῦτα in supr. 35, points to the remarkable nature of the oracle (cp. O. Τ. 95, οἱ ἤκουσα, and note), but with greater vividness. E. on L. § 22. p. 34.

39. mvp-comment-27-1 καιρός is personified, as infr. 75.

42-43. mvp-comment-28-1 (1) For thine age, and the long lapse of time, that has so altered thee, will surely prevent their recognizing or suspecting thee.' Or (2) taking οὐδ᾽ ἠνθισμένον separately, as referring to the Phocian costume, For thine age and the lapse of time will prevent their knowing you, nor will they once suspect you under this disguise.' Or (3) supposing ὧδ' ήνθισμένον to be an afterthought and the causal datives to be resumed with it, 'After so many years in which you have grown old they will not know or suspect you, altered as you are by age.' Cp. Shak. Cymb. 4. 4. 31-4 (Guiderius): 'Pray, sir, to the army: I and my brother are not known; yourself So out of thought, and thereto so o'ergrown, Cannot be questioned.' For the combination of aorist subj. and fut. ind., cp. Ο. C. 450, 1, ἀλλ᾽ οὗ τι μὴ λάχωσι τοῦδε συμμάχου, | οὔτε σφιν ἀρχῆς . . | ὄνησις ἥξει.

45. mvp-comment-29-1 Phanoteus had quarrelled with his brother Crisus, the father of Strophius and uncle of Pylades, and therefore was likely to send information of a fact which told against them. (Dind.). Whether this be the precise version of the legend as understood by Sophocles or not, some such relation between Strophius and Phanoteus is intended by him. Strophius is, in Sophocles also, the guardian of Orestes, - infr. 1111.

47. mvp-comment-30-1 ὅρκῳ προστιθείς] (1) Sc. τὰ ἀγγελλόμενα. With the preface of an oath.' Hermann objects to this: 'At ita res primaria in secundariam converteretur.' But such inversions are not infrequent. Cp. Aristoph. Av. 1004. See E. on L. § 42. p. 80, and Schmidt's Shak. Lex., Grammatical Observations, § 14. p. 1423. The correction ὅρκον προστιθείς (for which cp. Fr. 428, ὅρκου δὲ προστεθέντος ἐπιμελεστέρα | ψυχὴ κατέστη) is therefore unnecessary. Or (2) ὅρκῳ is a dative of manner, 'With an oath,' to which προστιθείς, sc. ὅρκον, is added epexegetically. Cp. Essay on L. § 14. p. 21; ib. § 36. p. 63 (5) a.

48. mvp-comment-31-1 ἐξ ἀναγκαίας τύχης] 'Through a fatal accident.' ἀναγκαία τύχη is here a misfortune that cannot be avoided. The same phrase is used with slightly different shades of meaning in Aj. 485, 803.

49. mvp-comment-32-1 ἄθλοισι Πυθικοῖσιν] ‘At the Pythian games.' Dat. of the occasion. E. on L. § 11. p. 18. The Delphic contest is said to have been instituted in the 48th Olympiad, but is here ideally carried back into the heroic age. Cp. Aj. 596 and note.

51. mvp-comment-33-1 ὡς ἐφίετο] Sc. ὁ Λοξίας ( infr. 82, 3). Cp. Ο. Τ. 110, ἐν τῇδ᾽ ἔφασκε γῇ.

52. mvp-comment-34-1 καρατόμοις χλιδαῖς] ‘With shorn locks luxuriant.' Cp. infr. 901, νεώρη βόστρυχον. The word χλιδή perhaps marks the luxuriance of the youthful Orestes' locks. Cp. Plat. Phaedo, 89 B, αὔριον δή, ἔφη, ἴσως, ὦ Φαίδων, τὰς καλὰς ταύτας κόμας ἀποκερεῖ.

54. mvp-comment-35-1 'Holding uplifted in our hands the shapely urn with sides of brass.' The Scholiast rightly compares the construction of τύπωμα with ᾐρμένοι to such expressions as πώγωνα καθειμένος, – ἀντὶ τοῦ κεχαλασμένον ἔχων. But he does not observe that in both cases the verb is in the middle voice. τύπωμα is literally, A moulded form.' Cp. Ant. 430, ἐκ δ' εὐκροτήτου .. πρόχου, κ.τ.λ. For χαλκόπλευρον, cp. Aesch. Cho. 686, λέβητος χαλκέου πλευρώματα.

55. mvp-comment-36-1 (1) Which, as I believe (που) you know, is hidden in the brake.' For οἰσθά που, cp. infr. 948, 9, παρουσίαν μὲν λέγων, | οἶσθα καὶ σὺ που φίλων | ὡς. κ.τ.λ. (2) The v. r. μοι for που is also possible. Which I have, as you know, hidden in the brake.' μοι, if genuine, is not dative of the agent, but of remote reference not I have hidden it, but 'I have it hidden.'

56. mvp-comment-37-1 λόγῳ κλέπτοντες] 'Stealing our advance through feigned words.' The participle is equally emphatic with the verb.

57. mvp-comment-38-1 φέρωμεν] The optative cannot be defended here.

59-60. mvp-comment-39-1 The precise construction would be either λυπεῖ.. ὅτε σώζομαι, or λυπήσει . . ὅταν σωθῶ. But as the sentence proceeds the mind of Orestes dwells more than at first on the futurity of the event.

60. mvp-comment-40-1 κἀξενέγκωμαι κλέος] ‘And win renown.' Cp. Od. 1. 298, οἷον κλέος ἔλλαβε δῖος Ορέστης.

61. mvp-comment-41-1 δοκῶ μέν] Cp. infr. 547: О. С. 995, δοκῶ μέν, εἴπερ ζῆν φιλεῖς, κ.τ.λ.: Fr. 83, δοκῶ μέν, οὐδείς: Plato, Meno, 94 C, δοκῶ μέν, ἐβούλετο, Methinks, no word is inauspicious that is accompanied with gain.' Cp. Eur. Hel. 1050 foll. (quoted by Brunck), ΕΛ. βούλει λέγεσθαι, μὴ θανών, τεθνηκέναι; ΜΕΝ. κακὸς μὲν ὄρνις· εἰ δὲ κερδανῶ λέγων, | ἕτοιμός εἰμι μὴ θανών λόγῳ θανείν.

62-66. mvp-comment-42-1 Some such story as that of Aristeas of Proconnesus, Hdt. 4. 13-16, is probably in the mind of the poet, who need not however be accused of the anachronism of making Orestes refer to this or any similar story (as of Pythagoras, Epimenides, Solon, Zaleucus, or Zamolxis). Hermann finds here an allusion to some banished Athenian citizen, who (like the late Lord Brougham) may have ambitiously spread the rumour of his own death.

63. mvp-comment-43-1 μάτην] ‘Without reality. For the pleonasm, see E. on L. § 40. p. 75.

64. mvp-comment-44-1 ἐκτετίμηνται πλέον] ‘Their name stands higher than before.' For this intensive use of the perfect, cp. ἐσπούδακα, τετεύτακα, and similar words.

65-66. mvp-comment-45-1 Even so I, having indeed come to life in consequence of this report, shall yet, I trust, flash like a comet on my foes.' δεδορκότα is used intensively for βλέποντα = ζῶντα, but this natural use of language is assisted by the image of the star. (See L. and S. s. ν. δέρκομαι.) The star of Orestes in the ascendant will be of evil omen to his enemies. Cp. Il. 22. 30, λαμπρότατος μὲν ὅδ᾽ ἐστί, κακὸν δὲ τε σῆμα τέτυκται. For ἔτι meaning 'Hereafter, though not now, cp. infr. 471: Trach. 256, 7, ἢ μὴν τὸν ἀγχιστῆρα τοῦδε τοῦ πάθους | ξὺν παιδὶ καὶ γυναικὶ δουλώσειν ἔτι: Ant. 69: Phil. 1359. Compare with ll. 59-66 the comic words of Falstaff, Shak. I Hen. 4. 5. 4. 120, 'To counterfeit dying, when a man thereby liveth, is to be no counterfeit, but the true and perfect image of life indeed.'

68. mvp-comment-46-1 Receive me and let me prosper in this my coming. The participle is proleptic. For ταῖσδε ταῖς ὁδοῖς, cp. Ὁ. C. 553, τανῦν θ᾽ ὁδοῖς | ἐν ταῖσδ᾽ ἀκούων μᾶλλον ἐξεπίσταμαι.

70. mvp-comment-47-1 δίκῃ καθαρτής] ‘A rightful purifier.' See E. on L. § 14. р. 20. Ср. Shak. J. C. 2. 1. 180, We shall be called purgers, not murderers.'

72. mvp-comment-48-1 ἀλλ᾽ ἀρχέπλουτον] Sc. καταστήσατε, the positive notion elicited from the negative, -E. on L. § 36. p. 64. (1) But make me the founder of a wealthy line.' This would seem to be the meaning of the compound, according to the analogy of ἀρχέκακος. The word in this sense may possibly be construed with δόμων, 'Beginner of wealth to the house. Others explain it as equal to ἀρχαιόπλουτος, (2) ‘Enjoying ancient wealth. For this, cp. ἀρχεδίκης, Pind. Pyth. 4. 189-195, ἀρχαίαν κομίζων πατρὸς ἐμοῦ βασιλευομέναν | οὐ κατ' αἶσαν .... τιμάν. | πεύθομαι γάρ νιν Πελίαν . . | ἁμετέρων ἀποσυλᾶσαι βιαίως ἀρχεδικᾶν τοκέων.

74. mvp-comment-49-1 τὸ σὸν .. φρουρῆσαι χρέος] 'Go thy way and watchfully execute thy duty.' Lit. Watch thy service,' i. e. perform thy service which requires watchfulness. τὸ σὸν . . χρέος is cognate acc. after φρουρῆσαι, but also in the first instance the subject of μελέσθω, to which φρουρῆσαι is added as an explanatory infinitive.

75. mvp-comment-50-1 καιρὸς γάρ] Sc. ἐστί. For the occasion is here. See E. on L. § 39. p. 72, 1 α.

75-76. mvp-comment-51-1 ὅσπερ, κ.τ.λ.] 'And of all powers that direct men's enterprises, Occasion is chief.'

77-86. mvp-comment-52-1 As the function of the chorus, see Introduction, is to respond to Electra, who gives the principal interest to the play, their entrance is preceded by a monody from her, which draws the sympathy of the spectators to the chief person, and prepares them to enter more fully into the spirit of the action. And-less to whet the purpose of Orestes, than to show his firmness- he is allowed to hear her wailing from within. It is easy to see how this must excite him. But it does not alter his determination to rely upon himself alone. And thus, although for the moment eager to hear more, he yields at once to the counsel of the old man, that nothing should delay the action for which the moment is come. After l. 85, exeunt Orestes, the Paedagogus, and Pylades, leaving the proscenium vacant.

77. mvp-comment-53-1 -------. A paroemiac, consisting wholly of long syllables, like infr. 88, 89, 105, and other lines in the following lament. See the scheme of metres below.

78-79. mvp-comment-54-1 'Methinks there comes from the doors a sound as of some handmaiden moaning within them.' The harshness of the unusual genitive, θυρῶν ='In the direction of the doorway,' 'e regione ostii,' is softened by the addition of ἔνδον, with which θυρῶν is to be resumed. For the genitive of the place from which an object strikes the sense, cp. infr. 900, 1, ἐσχάτης ὁρῶ | πυρᾶς νεώρη βόστρυχον τετμημένον.

81. mvp-comment-55-1 There is no valid objection to the Scholiast's explanation of this as καὶ ἀνακούσωμεν, ‘And let us hear afresh,' or 'hear further.' Hermann prefers καὶ ἐνακούσωμεν. Neither form is found elsewhere, and Nauck conj. κάπακούσωμεν. But, as Prof. Paley observes, this is unnecessary.

82-83. mvp-comment-56-1 μηδὲν πρόσθεν] Sc. ποιώμεθα, which is absorbed in πειρώμεθ᾽ ἔρδειν. κἀπὸ τῶνδ᾽ ἀρχηγετεῖν] ‘And with this rite initiate our act.

84-85. mvp-comment-57-1 ταῦτα γὰρ . . δρωμένων] 'For this brings victory within our grasp, and gives us command over our exploit.' φέρει (sc. ἡμῖν) is to be resumed with κράτος, but ἐφ' ἡμῖν is to be joined to νίκην, as a supplementary predicate. See E. on L. $ 19. p. 29. 4, and § 24. p. 40, 2.

85-86. mvp-comment-58-1 They go all together to perform the libation at the tomb, after which the old man will return to the palace, and Orestes and Pylades will go to the place where they have hidden the urn ( supr. 55). Orestes, in supr. 73, 4, spoke as if the old man was at once to begin his part. But the time is not yet come for this, and, by going to join in the solemn rite at the grave of his old master, he leaves the proscenium vacant for the scenes from l. 86 to l. 659. If we are inclined to quarrel with this long delay, our scruple is pacified by the words ὅταν σε καιρὸς εἰσάγῃ in supr. 39.

86-250. mvp-comment-59-1 In this long lament there are two principal movements, each of which admits of subdivision. First, the monody of Electra, consisting of two anapaestic systems, of which one (ll. 86-102) is retrospective, and the other (ll. 103-120) is prospective. Secondly, there is the commatic parodos :-the chorus on their entrance address Electra with lyric strains, to which she responds also in lyric measures. This movement consists of three strophes and antistrophes. In στρ. and ἀντ. α' (ll. 121-152), the chorus gently, but gloomily, expostulate with Electra, who is inconsolable. In στρ. and ἀντ. β΄ (ll. 153-192), they vainly try to cheer her. In στρ. and ἀντ. γ΄ (ll. 193- 232), they remind her of her past and present troubles, and exhort her not to add to them. All this is followed by a ῥῆσις of Electra (ll. 254-309) in reply to the coryphaeus, who, at l. 324, again speaks to call attention to Chrysothemis' approach.

86-250. mvp-comment-59-2 Metres. The anapaests in 86-120, although for the most part regular are in so far of the freer kind which belong to laments as to admit the spondaic paroemiacs near the commencement of each system in ll. 88, 9, 105, 6, which, with the opening half line, have a strange effect of heaviness and of struggle and pain. The two systems so nearly correspond, both in this respect and in the number of the lines, that one is tempted to believe that the half line that would complete the antistrophic effect has been lost somewhere between 113 and 117. But anapaestic systems are seldom exactly antistrophic, and the pause after the (dactylic) invocation in l. 115 may be intentional.

86-92. mvp-comment-60-1 Electra tells her sorrows to the daylight and to the air of Heaven, as she has told them all night long to her sleepless chamber. The holy light contrasts with the pollutions of the house of Pelops; the illimitable air,- which searches even to earth's remotest corners, and is common to Orestes and herself, both contrasts with the narrowness of her lot, and can alone contain the boundlessness of her grief.

86. mvp-comment-61-1 ὦ φάος ἁγνόν] For the sacred purity of the elements as opposed to the impurity of man, cp. O. T. 1427, 8, τὸ μήτε γῆ μήτ᾿ ὄμβρος ἱρὸς μήτε φῶς προσδέξεται.

87-90. mvp-comment-62-1 ὥς μοι .. αἱμασσομένων] ‘How many tones of my lamenting. how many blows that bruised my bleeding breast, have thrilled you!' στέρνων is objective genitive with πληγάς, but is to be resumed with ἀντήρεις, lit. 'planted firmly against.'

91. mvp-comment-63-1 ὑπολειφθῇ] 'Hath ceased,' lit. 'Has been outrun,' i.e. by the day. Cp. Αj. 672, 3, ἐξίσταται δὲ νυκτὸς αἰανὴς κύκλος | τῇ λευκοπώλῳ φέγγος ἡμέρᾳ φλέγειν.

92-93. mvp-comment-64-1 τὰ δὲ.. οἴκων] ‘And when night comes on, the detested chamber in this weary house knows too well what festive hours I pass.' There is a bitter irony that can hardly be rendered, in using the word παννυχίς, generally a festal celebration, of the sleepless nights of mourning. Cp. Ant. 152, 3, θεῶν δὲ ναοὺς χοροῖς | παννυχίοις πάντας ἐπέλθωμεν, and, for the general sense, cp. Od. 19. 518 foll. ὡς δ᾽ ὅτε Πανδαρέου κούρη, χλωρηΐς ᾿Αηδών, | καλὸν ἀείδῃσιν, ἔαρος νέον ἱσταμένοιο, | δενδρέων ἐν πετάλοισι καθεζομένη πυκινοῖσιν, | ἥ τε θαμὰ τρωπῶσα χέει πολυηχέα φωνήν, | παῖδ᾽ ὀλοφυρομένη Ἴτυλον φίλον, ὅν ποτε χαλκῷ | κτεῖνε δι᾽ ἀφραδίας, κοῦρον Ζήθοιο ἄνακτος· | ὣς καὶ ἐμοὶ δίχα θυμὸς ὀρώρεται ἔνθα καὶ ἔνθα. See below, ll. 107, 148, 9. ἤδη contrasts παννυχίδων with what precedes.

95-96. mvp-comment-65-1 Cp. Od. 11. 408-411, where Agamemnon says, οὔτε μ᾿ ἀνάρσιοι ἄνδρες ἐδηλήσαντ᾽ ἐπὶ χέρσου· | ἀλλά μοι Αίγισθος τεύξας θάνατόν τε μόρον τε ἕκτα σὺν οὐλομένῃ ἀλόχῳ, οἰκύνδε καλέσσας, | δειπνίσσας, ὥς τις κατέκτανε βοῦν ἐπὶ φάτνῃ. See below, ll. 203, 4. And for ῎Αρης οὐκ ἐξένισεν, ' War did not give hospitable repose,' cp. Aesch. Cho. 351-3, πολύχωστον ἂν εἶχες | τάφον διαποντίου γᾶς | δώμασιν εὐφόρητον: Ag. 455, ἐχθρὰ δ᾽ ἔχοντας ἔκρυψεν : Verg. Aen. 1. 97, 'Mene Iliacis occumbere campis | Non potuisse.'

98. mvp-comment-66-1 Cp. II. 13. 389, ἤριπε δ', ὡς ὅτε τις δρῦς ἤριπεν, ἢ ἀχερωΐς, | ἠὲ πίτυς βλωθρή, την τ' οὔρεσι τέκτονες ἄνδρες ἐξέταμον πελέκεσσι νεήκεσι, νήϊον εἶναι. But the unfeeling act of the woodman is more prominent in the present passage than the grandeur of the tree.

100-101. mvp-comment-67-1 κοὐδεὶς.. φέρεται] ‘And no pity' (or mourning) 'on account of this goes forth from any one but me.' For the genitive, cp. Ο. Τ. 185, λυγρῶν πόνων ἱκτῆρες ἐπιστενάχουσιν. And for the attraction in the gender of οὐκ ἄλλης, cp. infr. 885, 6, ἐγὼ μὲν ἐξ ἐμοῦ τε κοὐκ ἄλλης σαφή | σημεῖ᾿ ἰδοῦσα, κ.τ.λ. For φέρεται, of the utterance of feeling, cp. Pind. Pyth. 1. 170, εἴ τι καὶ φλαῦρον παραιθύσσει, μέγα τοι φέρεται | πὰρ σέθεν.

102. mvp-comment-68-1 αἰκῶς] Although the MSS. agree in ἀδίκως, the Scholiast gives ἀεικῶς as a various reading. And ἀδίκως, which is appropriate in infr. 113, is frigid here.

105. mvp-comment-69-1 Hermann's rejection of the first λεύσσω (see v. rr.) is clearly the best emendation of this passage, which in the MSS. has two long syllables too many. παμφεγγεῖς ῥιπάς] 'The bright tremblings of the stars.' On παν in comp. see Essay on L. § 55. p. 101, 6. φέγγος has a special application to the light of the moon and stars as distinguished from daylight :-Plat. Rep. 6. Ρ. 508 C, ὀφθαλμοί, ὅταν μηκέτι ἐπ᾿ ἐκεῖνά τις αὐτοὺς τρέπῃ ὧν ἂν τὰς χρόας τὸ ἡμερινὸν φῶς ἐπέχῃ, ἀλλ᾽ ὧν νυκτερινὰ φέγγη. For ῥιπή, lit. 'beating' or 'pulsation,' as applied to the twinkling of the stars, cp. Tennyson's 'Beat, happy stars, timing with things below.'

107. mvp-comment-70-1 τεκνολέτειρα] 'That has lost' (or 'slain') 'her child,' viz. Itylus, according to the story followed in the Odyssey, 1. c. (19. 518 foll.) As the song of the nightingale is meant, and not the cry of the bird whose nest is robbed, Ant. 423-5 is not really parallel. The idiomatic use of τις does not prevent the identification of the nightingale with the mythical daughter of Pandion. Cp. Aesch. Ag. 55, 6, ἤ τις ᾿Απόλλων, | ἢ Πάν, ἢ Ζεύς.

107-109. mvp-comment-71-1 But like some Philomela for her son destroyed, I will peal for all to hear a note of lamentation in front of these my father's doors.' ἐπὶ κωκυτῷ is an adverbial expression like ἐπὶ ψόγοισι in Ant. 759. See Essay on L. § 19. p. 27. It implies that the noise that echoed round about the palace was sustained by the force of her impetuous crying. Cp. infr. 241-3, γονέων ἐκτίμους ἴσχουσα πτέρυγας | ὀξυτόνων γόων.

111. mvp-comment-72-1 'Hermes of the Shades' is invoked here as in the Choephori, because he had guided the soul of Agamemnon to Hades and might be expected to guide his Avenger. πότνι' ἀρά] Agamemnon was ἀραῖος to Clytemnestra on account of her crime. Cp. Ó. T. 417, 8, καί σ᾽ ἀμφιπλὴξ μητρός τε καὶ τοῦ σοῦ πατρὸς | ἐλᾷ ποτ᾽ ἐκ γῆς τῆσδε δεινόπους ἀρά.

112. mvp-comment-73-1 The Erinyes are here invoked in their most general character, and are not named specifically as daughters of Earth and Night, but vaguely as 'children of gods.'

114. mvp-comment-74-1 They are the avengers not only of murder, but of every great breach of law. Cp. Αj. 836, δρώσας πάντα τὰν βροτοῖς πάθη: Aesch. Eum. 895, ΑΘ. (to the Eumenides) ὡς μή τιν' οἶκον εὐθενεῖν ἄνευ σέθεν : ib. 835. And Aegisthus, who is the great offender in Electra's sight, is guilty on both counts of this indictment. Cp. infr. 271, 2, τὴν τελευταίαν ὕβριν τὸν αὐτοφόντην ἡμὶν ἐν κοίτῃ πατρός.

119-120. mvp-comment-75-1 'My single force no longer countervails the stress of woe.' Lit. 'I no longer have strength alone to lift the weight of grief that presses in the opposite scale.'

121-127. mvp-comment-76-1 Electra's monody, like the soliloquy of Deianeira. Trach. I fol., has indicated the loneliness of her sorrow. But she is not friendless. The women of Argos feel with her and would comfort her if they could. In this long 'commatic parodos,' which at once enlists the sympathies of the spectator, and prepares his mind by contrast for the rapidity of the action which is to follow, there are seven choric strains, to which Electra responds with μέλη ἀπὸ σκηνῆς. If, as seems most probable, a single voice is heard each time, the front row of choreutae would alone take part. Thus, supposing the five dots to represent the πρωτόσταται, i. e. the coryphaeus and those on either side of him, the parts might be assigned as follows:- ἀντ. β'. ἀντ.α΄. στρ.α΄. στρ.β. στρ. γ΄. ἀντ. γ'. ἐπ. The choreutae immediately to right and left of the coryphaeus would address Electra twice, and when the epode was finished, the coryphaeus would make a new beginning with the senarii in ll. 251-3, after which, each of the five would speak once again, ending with the coryphaeus. The metres are as follows:-

121. mvp-comment-77-1 παῖ is first the natural address of an elder person to a younger, and is then repeated in a different sense with the genitive in regimen. 'O child Electra! Child of a most wretched mother!' For the moral association in δυστανοτάτας, cp. Aj. 1290, δύστηνε, ποῖ βλέπων ποτ᾿ αὐτὰ καὶ θροεῖς;

122-123. mvp-comment-78-1 τίν᾿ ἀεὶ .. οἰμωγάν] ‘Why this never-ceasing lament which piningly thou pourest out over thy father?' For this adverbial' use of the interrogative pronoun, cp. Ο. Τ. 2, τίνας ποθ᾽ ἕδρας τάσδε μοι θοάζετε; and see Essay on L. § 42. p. 81. τάκεις οἰμωγάν ἰς literally, Dost cause the cry to melt from thee; i.e. Dost waste thyself with crying. In the sentence which follows, τὸν.. ᾿Αγαμέμνονα is governed by τάκεις .. οἰμωγάν taken as one word = οἰμώζεις. Ε. on L. § 16. p. 23 b. With ἀκόρεστον, Immoderate, contrast ll. 23. 157, γόοιο μὲν ἔστι καὶ ἆσαι : Od. 4. 103, αἰψηρὸς δὲ κύρος κρυεροῖο γόοιο.

124. mvp-comment-79-1 ἀθεώτατα] In heinous defiance of the gods.' Cp. Aesch. Cho. 46, δύσθεος γυνά: Trach. 1036, σὰ μάτηρ ἄθεος.

126. mvp-comment-80-1 κακᾷ τε χειρὶ πρόδοτον] ‘And delivered over to destruction with wicked violence.' Cp. infr. 206, 7, χειροῖν | αἱ τὸν ἐμὸν εἶλον βίον | πρόδοτον, αἱ μ᾿ ἀπώλεσαν. The fear of Aegisthus, who is sovereign de facto, prevents the chorus from mentioning him by name. Cp. Trach. 383, 4, and note.

129. mvp-comment-81-1 γενέθλα] Here, and in infr. 226, Doric for γενέθλη. “Offspring of noble sires.' Two glosses on γενναίων, viz. (1) πατέρων, (2) τοκέων, have found their way into different MSS., while, curiously enough, no MS. has the line uninterpolated.

130. mvp-comment-82-1 παραμύθιον may be in apposition (1) with the subject of ἥκετε or (2) with the verb itself. The latter (2), conveying more exactly the notion of an intention to console, is probably right. But for the former (1), cp. Thuc. 5. 103, ἐλπὶς κινδύνῳ παραμύθιον οὖσα.

131. mvp-comment-83-1 τάδ'] Either (1) Your kind intention, or (2) That my sorrow is importunate.' Cp. infr. 222. The Scholiast prefers (2).

132. mvp-comment-84-1 οὐδ᾽ ἐθέλω προλιπεῖν τόδε] ‘But I will not give this up.' δé is adversative, though it is unnecessary to write οὐ δ' with Hermann.

134. mvp-comment-85-1 (1) 'But, O ye who exchange with me the tender grace of every sort of mutual affection, - ἀμειβόμεναι vocative. Or (2), supposing the participle to agree with the subject of ἐᾶτε, 'But O, in return for all manner of love' (which ye have had from me). Musgrave objects to this that Electra had no power of conferring kindnesses, and that if she had, she would not thus have reminded her friends of them. He ingeniously renders, Exchanging for this (?) service all your varied kindnesses. But his argument is hypercritical. It is the strength of her wish, and not the sense of her merit, that is really emphasized in παντοίας (of which Ellendt rightly says, Nihil nisi multum s. magnum significat.') And φιλότης is simply affection.' Schndw. explains, So conferring on me a kindness equivalent to all manner of friendship:'-Wecklein, Ye who return the grace of all manner of love (for mine).'

137-138. mvp-comment-86-1 τόν γ᾽ ἐξ ᾿Αΐδα λίμνας] i.e. τὸν ἐν . . λίμνᾳ ἐκ . . λίμνας, according to a familiar idiom of condensation. λίμνας] Viz. the 'palus Acherontis,' on the shores of which dwelt the dead.

139. mvp-comment-87-1 Cp. Il. 24.550, 1, οὐ γάρ τι πρήξεις ἀκαχήμενος υἷος ἐῆος, | οὐδέ μιν ἀνστήσεις, πρὶν καὶ κακὸν ἄλλο πάθῃσθα. For the line as it stands, a glyconic with a spondee after the close, cp. Eur. Med. 159, τάκου δυρομένα σὸν εὐνάταν: 183, πένθος γὰρ μεγάλως τόδ᾽ ὀρμᾶται. The short syllable at the end of the previous line, and the iambic base of the glyconic, are avoided by reading *θρήνοις for γόοις.

139. mvp-comment-87-2 Dindorf retains the order of the words, and reads παγκοίνου λίμνας πατέρ᾽ ἀν | στάσεις οὔτε γόοισιν οὔτ᾽ *ἄνταις (a double glyconic with spondee at close). ἄνταις is the conjecture of Hermann from Hesychius: ἄντήσει (sic), λιτανείαις, ἀντήσεσι. But is not ἀντήσεσι: λιτανείαις an equally probable emendation of the corrupt reading in Hesychius? For λιταῖσι, cp. supr. 110 foll. Prof. Paley suggests πατέρ᾽ ἀν | στάσεις οὔτε γόοισιν οὔτ᾽ εὐχαῖς.

140-141. mvp-comment-88-1 ἀλλ᾽ ἀπὸ .. διόλλυσαι] ‘But, forsaking moderation, you go to an extreme in your grief, to your own ruin.' To account for the prepositions some idea of motion must be gathered from the verbs, e.g. προϊοῦσα ἐν στοναχαῖς.

142. mvp-comment-89-1 ἐν οἷς .. κακῶν] (1) ‘A course which brings no way of release from woes.' The antecedent to ois is to be inferred from the preceding words: sc. ἐν τοῖς οὐ μετρίοις τούτοις ἀλγήμασιν, The meaning of the chorus, at present rather gently hinted than expressed, is that by continued lamentation Electra only involves herself in fresh trouble and deepens the misery of her situation. Cp. infr. 213-20. Otherwise (2), 'In a case where there is no release.' Badham conj. ἀνάδυσις.

144. mvp-comment-90-1 τί . . ἐφίει] 'Beseech thee, why dost thou set thy heart on troubles?'- i.e. aim at bringing them on thyself.

146. mvp-comment-91-1 ἐμέ γ᾽ ὁ στονόεσσ᾽ ἄραρεν φρένας] That creature of lament is congenial to my soul.' Is the swallow or the nightingale the bird intended here? The nightingale was mentioned above (l. 107), and is spoken of by Sappho, quoted by the Scholiast on this passage, as the messenger of Spring-ἦρος ἄγγελος ἰμερόφωνος ἀηδών. On the other hand, the swallow is more generally represented in this way, and the lines of Horace, Od. 4. 12. 5 foll., Nidum ponit, Ityn flebiliter gemens,' etc., certainly refer to Procne, who was usually thought to have been changed into a swallow. But of the legend of Tereus there seem to have been many conflicting modifications. The word ἀτυζομένα may be fancifully suggestive of the uncertain, 'bewildered' flight of the swallow. But the mention of song, both here and in the passage of Horace, agrees better with the thought of the nightingale. In any case the Scholiast is probably right in explaining Διὸς ἄγγελος of the intimation of Spring and the beginning of the Διὸς μεγάλου ἐνιαυτός. The nightingale or swallow, thus distinguished with Divine favour, is also the most sorrowful of birds.

150. mvp-comment-92-1 σὲ δ᾽ ἔγωγε νέμω θεόν] I count thee Divine,' i.e. blessed, -μακαρίζω σέ.

151-152. mvp-comment-93-1 Cp. Ant. 823-32. The prehistoric colossal figure cut out of the rock on a northward crag of Mount Sipylus, so as to be visible from the plain below Sardes, is supposed by Prof. Sayce, who has examined it, to have originally represented some elemental deity, possibly Cybele, but uncertain whether male or female. It was from an early period identified by the Greek settlers with the Niobe of Theban and Argive legend. The limestone drippings from the over-hanging rock have produced an incrustation about face, chest, and lap (the image is in a sitting posture)-that, quite apart from poetical description, is wonderfully suggestive of a flood of tears. This πετραία βλάστα (Ant. 827) must have been apparent before the time of Sophocles. It is less distinctly suggested by the words in Homer, Il. 24. 617, θεῶν ἐκ κήδεα πέσσει. Prof. Sayce adds that the θεάων · εὐναὶ νυμφάων of Il. 1. c. (in reality prehistoric tombs) are still distinctly recognisable in the crags on either side: also that just below the Niobe was a large lake, which was drained some forty years ago, when the columns of a Greek temple were found at the bottom. This, Mr. Sayce thinks, must have been the site of the city of Sipylus, which was overthrown by an earthquake in the time of Tiberius, and the ruins covered by the waters of a lake. All that now remains of the lake is a small pool at the foot of the crag on which the figure of Niobe is carved, along with a stream. Both stream and pool are fed by a number of springs, some of which are warm and saline; and the pool is called by the modern Greeks the tears of Niobe.'

153-157. mvp-comment-94-1 Thou art not all alone unhappy that thou shouldest thus grieve more than those within, who are of the same lineage and of kindred blood with thee, and shouldst not live the same bright life which they, Chrysothemis and Iphianassa, live.' The indefinite pronoun ὅ, τι is occasioned by the negative preceding. In πρὸς ὅ τι, πρός corresponds to a long syllable, Ζεύς, in the antistrophe. Perhaps, πρός γ᾽ ὅ, τι? εἰ περισσά] Sc. ἐν τῷ λυπεῖσθαι. In distinguishing between Iphigeneia and Iphianassa, Sophocles is said to have followed the Cypria. 'Sophocles here seems to recognize the digamma in Fιφιάνασσα.' Paley.

159-160. mvp-comment-95-1 κρυπτᾷ τ᾿ ἀχέων ἐν ἤβα ὄλβιος] And he whose fortunate youth is hidden out of the way of sorrow.' For the genitive, see Essay on L. § 8. p. 11, 2. Hermann says, Audacior quidem haec structura, sed amat talia Sophocles. Ejusdem modi est, quod statim dicit, Διὸς βήματι pro πομπῇ Διός.' Orestes is 'fortunate,' because his tranquil youth gives promise of final good fortune. Cp. Aesch. Cho. 695, 6, Ορέστης, ἦν γὰρ εὐβόλως ἔχων, | ἔξω κομίζων ὀλεθρίου πηλοῦ πόδα. Others take ἀχέων as a participle. But κρυπτᾷ without the genitive is poor, and the notion of Orestes sorrowing is out of place. The Chorus could not know of it, and if they did they would have suppressed the mention of it as inauspicious.

160-163. mvp-comment-96-1 'Orestes, whom the land of this people, with her glory unimpaired, shall receive as the successor of his father's fame, sped hither by the kind will of Zeus.'

162. mvp-comment-97-1 Διὸς εὔφρονι βήματι] ί.ε. Διὸς εὐφρόνως βήσαντος αὐτόν. The verbal has a causative meaning. See Essay on L. § 53 b. p. 98; or else a causal meaning is contained in the genitive. Ibid. § 9. p. 12 a. There is a correlation between κλεινά and εὐπατρίδαν, both being proleptic and denoting the consequence of the return of Orestes.

164-165. mvp-comment-98-1 The mention of her brother gives a new direction to Electra's complaint. Cp. supr. 119, 20.

165. mvp-comment-99-1 Cp. Ant. 815, 917-8.

166-167. mvp-comment-100-1 τὸν . . πόνων] Oppressed with my troublous destiny that has no good issue.' The article as in O. T. 1153, τὸν γέροντά μ' αἰκίσῃ, -equivalent to a relative clause, ὅς ἐστιν ἀνήνυτος, ἀνήνυτον, Accomplishing nothing,' i. e. Suffered in vain. Cp. O. C. 1565, 6, πολλῶν γὰρ ἂν καὶ μάταν | πημάτων ἱκνουμένων, κ.τ.λ., and note.

169. mvp-comment-101-1 ὧν τ᾽ ἔπαθ', ὧν τ᾽ ἐδάη] 'His wrongs, and the lesson he has been taught,' viz. by the Paedagogus ( supr. 3. 13. 14) and by the messages from Electra.

169-170. mvp-comment-102-1 (1) For what missive that I send doth not return (ἔρχεται) discomfited? Others take the words to mean, (2) What message' (from Orestes) 'comes to me, whose promise does not fail?'

171-172. mvp-comment-103-1 i e. in reply to my messages I always hear of his longing to come but never of his coming.