Sophocles Electra 5

Robert Potter (Translator)

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Orestes
Is it not rather poor Electra's voice?

Electra. Sophocles. Robert Potter (Translator). London. 1820.

Current edition Experimental

English (Robert Potter, 1788) (OCR draft) (English) (English (Robert Potter, 1788))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 5 focus
τῆς οἰστροπλῆγος ἄλσος Ινάχου κόρης·
5
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-120 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 5 focus
OR
Can it be poor Electra? Shall we stay,
And list again the lamentable sound?
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 1 focus
O Sohn des Feldherrn, der in Troas einst gebot, 1
1
Des Agamemnon, endlich ist es dir vergönnt,
Zu schaun mit Augen, was zu schaun dich stets verlangt.
Dein graues Argos, deiner Sehnsucht Land, ist hier, 2
Der wuthgeschlagnen Inachid' uralter Hain;
5
Das dort, Orestes, ist der Markt des Lykiers,
Des wolferlegenden Gottes, und zur Liuken hier
Der Hera stolzer Tempel: wo wir hingelangt,
Schaust du Mykenä's Veste, reich an goldnem Schaz,
Und hier der Pelopsenkel unheilschwangres Haus,
10
Wo nach des Vaters grausem Tod ich ehedem
Von deiner Schwester dich empfing und weiter trug
Und rettet' und zu solcher Jugendblüte dich
Aufzog, dereinst zu rächen deines Vaters Mord.
Nun denn, Orestes, und o du, mein Pylades,
15
Der Freunde liebster, was zu thun, berathet schnell:
Denn schon erweckt der Sonne strahlenvoller Glanz
Der Vögel Morgenstimmen uns zu hellem Schall;
Die schwarze Nacht der Sterne schwand in's Dunkel hin.
Drum eh' ein Mann aus dieses Hauses Pforte tritt,
20
Beredet euch zusammen; denn wir stehen da,
Wo's nimmer gilt zu säumen, wo's der That bedarf.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 5 focus
Chorus
Scene II. Scene III.
O wretched daughter of an impious mother !
'^I'ilt thou for ever mourn, for ever thus,
With unavailing tears and endless sorrow,
Lament the royal Agamemnon's fate,
By a vile woman's wicked arts betrayed?
85
Perish the hand (forgive the pious curse.
85
Ye heavenly powers !) that gave the deadly blow I
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-120 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-46-1 μηδὲν πρόσθεν 1

mvp-comment-46-2 τὰ Λοξίου 2

mvp-comment-46-3 ἀρχηγετεῖν 3

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

77-86. mvp-comment-52-1 As the function of the chorus, see Introduction, is to respond to Electra, who gives the principal interest to the play, their entrance is preceded by a monody from her, which draws the sympathy of the spectators to the chief person, and prepares them to enter more fully into the spirit of the action. And-less to whet the purpose of Orestes, than to show his firmness- he is allowed to hear her wailing from within. It is easy to see how this must excite him. But it does not alter his determination to rely upon himself alone. And thus, although for the moment eager to hear more, he yields at once to the counsel of the old man, that nothing should delay the action for which the moment is come. After l. 85, exeunt Orestes, the Paedagogus, and Pylades, leaving the proscenium vacant.

82-83. mvp-comment-56-1 μηδὲν πρόσθεν] Sc. ποιώμεθα, which is absorbed in πειρώμεθ᾽ ἔρδειν. κἀπὸ τῶνδ᾽ ἀρχηγετεῖν] ‘And with this rite initiate our act.