Sophocles Electra 301

Robert Potter (Translator)

View: By Card
Chorus
Retire within the portal: as beforelia o')
You well condueted that attempt, so now

Electra. Sophocles. Robert Potter (Translator). London. 1820.

Current edition Experimental

English (Robert Potter, 1788) (OCR draft) (English) (English (Robert Potter, 1788))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 275 focus
ἡ δ᾽ ἤδ' L Pal. Schaef. corr. ἡ δ' A. ὧδε τλήμων ὥστε τῷ μιάστορι
275
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 251-471 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 301 focus
EL
Is my prayer heard?
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 310 focus
Auf, sage, weilt Aegisthos hier, indeß du so
Mir redest, oder ging er aus dem Hause fort?
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 301 focus
Electra
Behold them here ! their hands
1425
Dropping with gore, a pious sacrifice
1425
To the gi^eat god of war. How is 't, Orestes ?
1425
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 251-470 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-791-1 βᾶτε κατ’ ἀντιθύρων 1

mvp-comment-791-2 The word

ἀντίθυρον
is known only from the following passages. (1) Od. 16. 159
στῆ δὲ κατ’ ἀντίθυρον κλισίης
, describing a position outside of the hut: usually rendered, ‘he stood over against the doorway.’ (2) In Lucian Alex. 16
τὸ ἀντίθυρον
is the wall opposite to the door of a room; in this wall a second door is made, to admit of a crowd streaming through the room. In Lucian Symp. 8 the sense is the same.

mvp-comment-791-3 Here,

τὰ ἀντίθυρα
seems to mean, as in the Odyssey, a place close to the doors; probably just inside of them, and (from that point of view) ‘over against them’; a vestibule, or entrance-hall. Cp. 328
πρὸς θυρῶνος ἐξόδοις
. As
προθυρὼν
was a collateral form of
πρόθυρον
( Etym. Magn. 806. 4, etc.),
<*>ντιθυρὼν
may have been such a form of
ἀντίθυρον
. If so, the desirable accus. for
κατὰ
could be at once obtained by κατ’ ἀντιθυρῶν’ 2

mvp-comment-791-4 βᾶτε κάταντα θυρῶν’ 3

mvp-comment-792-1 εὖ θέμενοι 4

mvp-comment-792-2 τάδ’ ὡς πάλιν 5

mvp-comment-793-1 ᾗ νοεῖς 6

mvp-comment-793-2 The ground for giving the words ᾗ νοεῖς 7 τελοῦμεν 8

mvp-comment-794-1 καὶ δὴ βέβηκα 9

mvp-comment-795-1 These verses are antistrophic to 1417—1421. δἰ ὠτὸς 10

mvp-comment-795-2 ὡς ἠπίως 11

mvp-comment-795-3 λαθραῖον 12

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1398-1441. mvp-comment-660-1 The following passage (1398-1441), although consisting largely of senarii, appears to be antistrophic, nearly corresponding even in the division of the lines. According to this view ll. 1404-1406 are either (1) not to be counted in the strophe, or (2) lines answering to them after l. 1427 must be supposed to have been lost. As the lines in question relate to the sudden cry of Clytemnestra from within, the former supposition is sufficiently probable. Cp. note on O. C. 117 foll., vol. i. p. 298 (Ist column). In the 'strophe,' ll. 1398-1421, Clytemnestra is put to death, -in the 'antistrophe,' ll. 1422-41, the bleeding sword is displayed, and Aegisthus is descried. The young men then retire into the palace, and Electra waits outside.

1432. mvp-comment-674-1 Some words are wanted to complete the senarius, perhaps indicating the absence of the guard, e.g. οὐδ᾽ ὑπηρέτης πάρα.

1433. mvp-comment-675-1 κατ᾿ ἀντιθύρων] Either (1), Towards the place over against the door.' Cp. the use of ἐπί with the genitive in such expressions as ἐπ᾿ οἴκου. Or (2), 'Go and take your position from over against the door.' Supposing the ἀντίθυρα to have been raised in some way above the vestibule, the preposition with the genitive may suggest the idea of holding a vantage-ground, down from which one may strike with effect.

1434. mvp-comment-676-1 τάδ᾽ ὡς πάλιν] Sc. εὖ θῆσθε.

1435. mvp-comment-677-1 It is unnecessary, with Erfurdt, to take the words ᾖ νοεῖς from Orestes. The Chorus had not completed their sentence, and Orestes wishes to show that he understands their drift. Thus, 'Thought leaps out to wed with thought, Ere thought can wed itself to speech.' Electra wants neither thoughts nor words, but action. Hence she briefly says, ἔπειγέ νυν.

1436. mvp-comment-678-1 τἀνθάδ᾽.. ἐμοί] Electra says this when Orestes is already out of sight of the audience. As he disappears, Aegisthus approaches, and the Chorus make their speech (ll. 1439-41), sotto voce, with their eyes turned towards him.