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σμικροὶ λόγοι
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πατρὸς … δευτέραν ὁμιλίαν
2
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ἐφέστιον πῆξαι
3
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This sceptre is described in the
Iliad (2. 101 f.) as the work of Hephaestus, who gave it Zeus; Hermes transmitted it to Pelops, from whom it passed to Atreus and Agamemnon. The Homeric sceptre is often called
χρύσεον
(
Il. 2. 268
, etc.), prob. as being ornamented with gold foil, or studded with gold nails (
Il. 1. 246
χρυσείοις ἥλοισι πεπαρμένον
). Among the objects found at Mycenae are some supposed remains of such sceptres (Schliem.,
Myc. 201, etc.).
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οὑφόρει ποτέ
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ἔκ τε
5
ἐκ δὲ
6
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βρύοντα
7
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ᾧ … γενέσθαι
8
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The vision resembles that of Astyages, who dreamed that a vine sprang from his daughter Mandanè, the wife of Cambyses,
τὴν δὲ ἄμπελον ἐπισχεῖν τὴν Ἀσίην πᾶσαν
. The
ὀνειροπόλοι
explained this to mean that her son (Cyrus) should reign in his grandfather's stead. (
Her. 1. 108.
) The spreading branches figure also in the dream of Xerxes (7. 19):
ἐδόκεε...ἐστεφανῶσθαι ἐλαίης θαλλῷ, ἀπὸ δὲ τῆς ἐλαίης τοὺς κλάδους γῆν πᾶσαν ἐπισχεῖν
.
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In choosing the
sceptre of Agamemnon as the stock from which the wondrous growth is put forth, Sophocles may have had in mind the words of Achilles (
Il. 1. 234
ff.);
ναὶ μὰ τόδε σκῆπτρον· τὸ μὲν οὔποτε φύλλα καὶ ὄζους
|
φύσει, ἐπεὶ δὴ πρῶτα τομὴν ἐν ὄρεσσι λέλοιπεν
, |
οὐδ’ ἀναθηλήσει
.
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του παρόντος
9
τοῦ
10
παρόντος
11
του
12
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Ἡλίῳ δείκνυσι τοὖναρ
13
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οὐ κάτοιδα, πλὴν
14
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πέμπει με κείνη
15
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These three verses, which the MSS. give to Electra, and which several recent critics reject (cr. n.), clearly belong to Chrysothemis, and are genuine. Electra's exclamation of joy (411) caused Chrysothemis to ask if her sister had any ground for hope (412). Electra replied that, when she had heard the dream, she would say. This showed her sister that Electra relied merely on the fact that Clytaemnestra had seen
some fearful vision. Now, therefore, instead of asking for Electra's interpretation, she merely repeats her counsel (383 f.) before proceeding on her errand. The words
πρός
νυν θεῶν κ.τ.λ.
(428 ff.) show the train of her thought. To Chrysothemis, the alarm of Clytaemnestra (427) is more important than the apparition of Agamemnon. The dream is only a new reason why Electra should be cautious,—not why she should hope.
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The current ascription of the verses to Electra was doubtless prompted by verse 413. It was supposed that the recital of Chrysothemis must be immediately followed by the comments of Electra. But, as Hermann observed, the phrase
ἀβουλίᾳ πεσεῖν
would alone suffice to show that the verses belong to Chrysothemis (
cp. 398
). Nor could the warning,
σὺν κακῷ μέτει πάλιν
, be fitly uttered by Electra.
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τῶν ἐγγενῶν
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ἀβουλίᾳ
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σὺν κακῷ
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μέτει
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