Sophocles Electra 174

mvp-comment-101-1 ἔτι μέγας οὐρανῷ ¹ ἐν ²

mvp-comment-102-1 τὸν ὑπεραλγῆ ³

mvp-comment-102-2 νέμουσα ⁴

mvp-comment-103-1 μήτε ὑπεράχθεο ⁵ οἷς ⁶

mvp-comment-104-1 εὐμαρὴς θεός ⁷ θεός ⁸

mvp-comment-105-1 οὔτε γὰρ ⁹

mvp-comment-105-2 Κρῖσαν ¹⁰

mvp-comment-105-3 Crisa stood about two miles W.S.W. of Delphi, on a spur of Parnassus, at the lower outlet of the gorge through which the river Pleistus issues into the plain. The Iliad mentions ‘sacred Crisa’ (

, 2. 520). But the Homeric Hymn to the Pythian Apollo is the best witness to its ancient power. There, just as here, the name includes the land which stretches southward from the town to its harbour on the ‘wide gulf’ (vv. 253— 261). We need not, then, read or . Crisa was the earliest seat of trade on the western sea; Delphi, when first founded, was merely a sanctuary in its territory. Pindar recalls the old prominence of its name when he describes a Pythian victory as won ( P. 6. 18).

mvp-comment-105-4 Cirrha, a town of much later date, was the port of Crisa on the gulf. About 585 B.C., the Delphians, aided by Cleisthenes of Sicyon and his allies, succeeded, after a long struggle, in humbling Crisa and destroying Cirrha. The Crisaean plain was then devoted to Apollo, whose domain was thus extended from his temple to the coast. When Sophocles wrote, that ground was still a

, inviolable by plough or spade. It was not till the middle of the next century that the alleged encroachments of Amphissa on the gave a pretext for war to the Amphictyons (355 B.C.).

mvp-comment-105-5 Ulrichs ( Reisen in Griechenland) was the first to place the relations of Crisa and Cirrha in a clear light. Strabo correctly describes the site of Cirrha, but erroneously places Crisa to the east of it (9. p. 418).

mvp-comment-106-1 βούνομον ¹¹ βουνόμον ¹²

mvp-comment-106-2 βούνομον ἀκτὰν ¹³ Κρῖσαν ¹⁴

mvp-comment-107-1 ἀπερίτροπος ¹⁵

mvp-comment-108-1 παρὰ τὸν Ἀχέροντα ¹⁶ ἀνάσσων ¹⁷ θεὸς ¹⁸

mvp-comment-109-1 μὲν ¹⁹

mvp-comment-109-2 ὁ πολὺς … βίοτος ²⁰

mvp-comment-109-3 ἀνέλπιστος ²¹

mvp-comment-109-4 187 *

. I am now satisfied that this is a true correction of τοκέων ²² ἅτις ²³ τοκέων ²⁴

mvp-comment-110-1 ἁπερεί ²⁵

mvp-comment-110-2 ἔποικος ²⁶

mvp-comment-111-1 οἰκονομῶ θαλάμους ²⁷

86-250. mvp-comment-59-1 In this long lament there are two principal movements, each of which admits of subdivision. First, the monody of Electra, consisting of two anapaestic systems, of which one (ll. 86-102) is retrospective, and the other (ll. 103-120) is prospective. Secondly, there is the commatic parodos :-the chorus on their entrance address Electra with lyric strains, to which she responds also in lyric measures. This movement consists of three strophes and antistrophes. In στρ. and ἀντ. α' (ll. 121-152), the chorus gently, but gloomily, expostulate with Electra, who is inconsolable. In στρ. and ἀντ. β΄ (ll. 153-192), they vainly try to cheer her. In στρ. and ἀντ. γ΄ (ll. 193- 232), they remind her of her past and present troubles, and exhort her not to add to them. All this is followed by a ῥῆσις of Electra (ll. 254-309) in reply to the coryphaeus, who, at l. 324, again speaks to call attention to Chrysothemis' approach.

86-250. mvp-comment-59-2 Metres. The anapaests in 86-120, although for the most part regular are in so far of the freer kind which belong to laments as to admit the spondaic paroemiacs near the commencement of each system in ll. 88, 9, 105, 6, which, with the opening half line, have a strange effect of heaviness and of struggle and pain. The two systems so nearly correspond, both in this respect and in the number of the lines, that one is tempted to believe that the half line that would complete the antistrophic effect has been lost somewhere between 113 and 117. But anapaestic systems are seldom exactly antistrophic, and the pause after the (dactylic) invocation in l. 115 may be intentional.

174. mvp-comment-104-1 This line (see v. rr.) seems to have been interpolated so as to supplement the locative dative and the ellipse of ἐστίν. μέγας is the predicate. 'Zeus is still great in heaven.'

176-177. mvp-comment-105-1 'Committing unto him thine exceeding indignation, be neither overburdened with enmity against thy foes, nor yet forget them;' i.e. Let the thought that Zeus will some day avenge thee serve to calm and moderate thy rage. The structure is paratactic (Essay on L. § 36. p. 68), for Without forgetting your enemies. be moderate in assailing them, and trust in the Divine vengeance.'

179. mvp-comment-106-1 For Time is a god of easiness,' i.e. a god who makes things easy or possible. The meaning is, not that Time assuages sorrow, but that what at one time seems impossible may prove easily possible in the course of years. Cp. Plat. Rep. 6. 502 B, ὡς μὲν γὰρ χαλεπὸν σωθῆναι, καὶ ἡμεῖς ξυγχωροῦμεν, ὡς δὲ ἐν παντὶ τῷ χρόνῳ . . οὐδ᾽ ἂν εἶς σωθείη, ἔσθ' ὅστις ἀμφισβητήσει; Shak. Cor. 5. 3.61, Murdering impossibility, to make What cannot be slight work. For the personification, cp. Phil. 837, καιρὸς.. πάντων γνώμαν ἴσχων: supr. 76: and esp. Eur. Ion, 337, ἀργὸς ἡ θεός, sc. αἰδώς.

180-181. mvp-comment-107-1 τὰν Κρῖσαν.. ἀκτάν] · Who dwells in Crisa, that pastoral shore-ward land. So Hermann. Others would read Κρίσας, οι Κρίσᾳ. 'Who dwells amid the shoreward-pastures of Crisa.'

182. mvp-comment-108-1 He, Agamemnon's heir.. will yet turn unto his own, and so will he that reigns, a God, by Acheron.' ἀπερίτροπος is to be taken in a different sense with παῖς ᾿Αγαμεμνονίδας and with what follows. Or, what comes to the same thing, another verb must be supplied in thought with the second clause. Orestes shall return: Agamemnon shall regard his house and offspring. The derivation from περιτρέπω suggests the idea of a coming revolution, (1) in the action of Orestes, (2) in the awakening from apparent slumber and forgetfulness of the gods below, or of the spirit of Agamemnon.

184. mvp-comment-109-1 Nor he who ruleth as a god beside the ghostly river.' Cp. supr. 110. (1) The subject of this line has commonly been supposed to be Hades. Another interpretation has occurred independently to Mr. Blaydes, Prof. Paley, and the present editor, viz. (2) that θεὸς may refer to Agamemnon as a δαίμων. In support of this, cp. supr. 150 Νιόβα, σὲ δ' ἔγωγε νέμω θεόν, infr. 839-41 (of Amphiaraus), νῦν ὑπὸ γαίας . . ἀνάσσει, and note; and the following places of the Choephori:-157, σέβας, ὦ δέσποτ᾽: 356, 7, κατὰ χθονὸς ἐμπρέπων | σεμνότιμος ἀνάκτωρ : 475-8, θεῶν τῶν κατὰ γᾶς ὅδ᾽ ὕμνος. ΧΟ. ἀλλὰ κλύοντες, μάκαρες χθόνιοι, | τήσδε κατευχῆς πέμπετ᾿ ἀρωγὴν | παισὶν προφρόνως ἐπὶ νίκῃ : also Persae, 157, θεοῦ μὲν εὐνάτειρα Περσῶν, θεοῦ δὲ καὶ μήτηρ ἔφυς: 644, Περσᾶν Σουσιγενή θεόν, -although the analogy in these two instances is weakened by the words being put into the mouths of Persians; but see also Ag. 1548, ἐπ᾿ ἀνδρὶ θείῳ. Agamemnon, in Aesch. Ag. 925, says to Clytemnestra, λέγω κατ᾿ ἄνδρα, μὴ θεόν, σέβειν ἐμέ. But that is in his lifetime. And considering the honours that are paid at his tomb, and the tone in which he is spoken of by Electra throughout, the chorus may speak of him to her as θεός by an allowable hyperbole, especially if the word is taken, not with the article as subject of the sentence, but as supplementary predicate with ἀνάσσων. If this hypothesis is not admissible, the god intended is probably not Pluto, but (3) Hermes. Cp. supr. 111.

185-186. mvp-comment-110-1 But my life hath in great part already passed from me and left me hopeless and forlorn.' The life is separable from the person, cp. О. Т. 612, τὸν παρ᾽ αὑτῷ βίοτον. ἀνέλπιστος is proleptic, and in idea belongs, by hypallage, to ἐμέ, -' is passed without bringing me any hope.' The exact sense of ὁ πολύς is not to be pressed. The article is deictic, as in Aj. 1149, τὴν πολλὴν βοήν: infr. 931.

186. mvp-comment-111-1 οὐδ᾽ ἔτ᾿ ἀρκῶ] 'And I am no longer of any avail. Cp. Thuc. 2. 47. § 5, οὔτε γὰρ ἰατροὶ ἤρκουν.

187. mvp-comment-112-1 ἄνευ τοκέων] Her father is dead, and her mother is worse than lost to her.

187. mvp-comment-112-2 τοκέων occurs in one MS. (Vind. 281) and is adopted by Nauck. Cp. supr. 164, ἄτεκνος. It may be thought more suited to Electra's age to feel the want of children than of parents. But her filial piety is the chief motive of the play.

189-190. mvp-comment-113-1 ἁπερεί τις .. πατρός] ‘Like some despised sojourner, I tend the chambers of my father's house." Cp. Aesch. Cho. 84, δμωαὶ γυναῖκες, δωμάτων εὐθήμονες. For the absolute use of ἀνάξιος, cp. Phil. 439, ἀναξίου.. φωτός, 'A fellow of no esteem.' Hermann joined this word with what follows it ('I am undeservedly made to do menial service'), on the ground that an ἔποικος was ἀναξία as a matter of course. But, on the other hand, the addition of ἀναξία to the bare statement οἰκονομῶ θαλάμους πατρός, certainly weakens the expression, while the pleonasm in ἔποικος ἀναξία is rather emphatic, and is supported, as Ellendt pointed out, by the Homeric expression, ὡσεί τιν᾿ ἀτίμητον μετανάστην, ΙΙ. 9. 648, 16. 59.

190-191. mvp-comment-114-1 ὧδε . . ἀεικεῖ . . στολᾷ] Electra is a woman speaking to women. Cp. Aesch. Pers. 846-8, (῎Ατοσσα.) μάλιστα δ᾽ ἥδε συμφορὰ δάκνει, | ἀτιμίαν γε παιδὸς ἀμφὶ σώματι | ἐσθημάτων κλύουσαν, ἥ νιν ἀμπέχει.