Sophocles Electra 121

Thomas Francklin (Translator)

View: By Turn
Thy tears can ne'er recall him
From the dark mansions of the common grave —
No, nor thy prayers ; they can but make thee wretched,
And sink thee deeper in calamity.
Why art thou then so fond of misery?

Electra. Sophocles. Thomas Francklin (Translator). London. 1758–1759.

Current edition Experimental

English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 121 focus
*ὦ ἰὼ MSS. Turn. corr. παῖ, παῖ δυστανοτάτας
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 121-250 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 121 focus
With kind intent
Full tenderly my words are meant;
Like a true mother pressing heart to heart,
I pray thee, do not aggravate thy smart.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 121 focus
Ha, Kind, Kind des entsezlichen Weibs,
120
Was, Elektra, strömest du stets
Niegesättigte Klagen aus um ihu,
Den schon lange die Mutter, die Frevlerin,
Trüglich verstrickt in dem Neze der Täuschungen,
Mit schnöder Hand erschlagen? Sterbe, wer die That
125
Vollbracht, wenn mir ein solches Wort ziemt!
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 121 focus
Why, poor Electra, in thy mother's crimes
For ever wretched, wilt thou pine away
In never-ceasing grief? Why still lament,
The royal Agamemnon, long since caught
In that most impious woman's treacherous wiles,
And basely to a murderer's hands betray'd ?
Perish the wretch, if I may form that wish,
So perish he, who dared the bloody deed!
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 121-250 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-6-1 φάσκειν 1

mvp-comment-6-2 Μυκήνας 2

mvp-comment-6-3 The site of Mycenae is in a deep recess of the Argive plain, at its northern end,—

μυχῷ Ἄργεος ἱπποβότοιο
( Od. 3. 263 ). Between two peaks of Mount Euboea, a narrow glen runs out towards the plain, terminating in a rocky platform. This acropolis, naturally impregnable on three sides, was surrounded by Cyclopean walls, from 13 to 35 feet high, with an average thickness of 16 feet. Mycenae was to the plain of Argos much what Deceleia was to the plain of Athens,—a stronghold withdrawn from observation, but commanding the country below it.

mvp-comment-6-4 τὰς πολυχρύσους 3

mvp-comment-6-5 Thucydides (1. 9) notices the old tradition that Pelops had gained his power by means of the wealth (

πλήθει χρημάτων
) which he had brought from Asia to a poor country. Helbig ( Das hom. Epos aus den Denkm. erläutert, p. 50) thinks it certain that the precious metals became scarcer in the Peloponnesus after the Dorian conquest. When the Spartans, in the first half of the sixth century, required gold for a statue of Apollo, they had to procure it from Sardis ( Her. 1. 69 ).

mvp-comment-7-1 πολύφθορον 4

mvp-comment-8-1 πατρὸς ἐκ φόνων 5

mvp-comment-8-2 ἐκ 6

mvp-comment-9-1 ὁμαίμου 7 κασιγνήτης 8

mvp-comment-10-1 ἤνεγκα 9

mvp-comment-10-2 κἀξεθρεψάμην 10

mvp-comment-10-3 τοσόνδ’ ἐς ἥβης 11

mvp-comment-11-1 The vocative σὺ 12 βουλεύετον 13

mvp-comment-12-1 ἡμὶν 14

mvp-comment-12-2 ἑῷα 15

mvp-comment-12-3 κινεῖ … σαφῆ 16

mvp-comment-13-1 ἄστρων εὐφρόνη 17

mvp-comment-13-2 ἐκλέλοιπεν 18

mvp-comment-14-1 ἐξοδοιπορεῖν 19

mvp-comment-15-1 ξυνάπτετον 20 λόγοισιν 21

mvp-comment-15-2 ὡς ἐνταῦθ’ 22

mvp-comment-15-3 (1) ἐμὲν 23

mvp-comment-15-4 (2) Is, then, ἐνταῦθ’ 24

mvp-comment-15-5 (3) Supposing that

ἐνταῦθ’
is genuine —as seems most likely—no account of the passage is more probable than that the poet wrote
ὡς ἐνταῦθ’ ἵνα
|
οὐκ ἔστ’ ἔτ’ ὀκνεῖν καιρός
, and that
ἔστ’
dropped out before
ἔτ’
precisely as in Ph. 23 the words
τόνδ’ ἔτ’, εἴτ’
have shrunk to
τόνδ’ ἤτ’
in L. Then, Ph. v. 22 being defective,
ἵνα
was shifted to it from the end of v. 21 (cp. O. T. 1264 f., cr. n.); and the gap after
ἐνταῦθ’
was filled with
ἐμέν
,—a form which the later grammarians, at least, accepted, as will be seen in the Appendix.

mvp-comment-15-6 ἔργων ἀκμή 25

mvp-comment-16-1 ὦ φίλτατ’ ἀνδρῶν 26

mvp-comment-16-2 σημεῖα φαίνεις 27 γεγώς 28

mvp-comment-17-1 ὥσπερ γὰρ ἵππος εὐγενὴς 29

mvp-comment-18-1 ἐν τοῖσι δεινοῖς 30

mvp-comment-18-2 ἀπώλεσεν 31 ἵστησιν 32

mvp-comment-18-3 ὡσαύτως δὲ 33

mvp-comment-19-1 ἐν πρώτοις ἕπει 34

mvp-comment-20-1 εἰ μή τι 35

mvp-comment-20-2 καιροῦ τυγχάνω 36

mvp-comment-20-3 μεθάρμοσον 37

mvp-comment-21-1 γὰρ 38

mvp-comment-21-2 ἱκόμην 39

mvp-comment-21-3 μάθοιμ’ 40

mvp-comment-21-4 ἀροίμην 41

mvp-comment-22-1 χρῇ 42 τοιαῦθ’ 43 ὧν 44

mvp-comment-22-2 ὁ Φοῖβος 45

mvp-comment-22-3 πεύσει 46

mvp-comment-22-4 This verse might seem the preface to some longer recital (cp. Ph. 1418 n.). But in fact it is merely an emphatic prelude to the oracle: τάχα 47

mvp-comment-23-1 αὐτὸν 48 ἀσπίδων 49

mvp-comment-23-2 ἀσπίδων τε καὶ στρατοῦ 50 δόλοισι 51

mvp-comment-23-3 χειρὸς 52 σφαγάς 53

mvp-comment-23-4 κλέψαι 54

mvp-comment-24-1 ὅτε 55

mvp-comment-24-2 σὺ μὲν μολὼν 56

mvp-comment-24-3 καιρὸς 57

mvp-comment-24-4 ἴσθι 58

mvp-comment-25-1 γήρᾳ 59 χρόνῳ μακρῷ 60

mvp-comment-25-2 οὐδ’ ὑποπτεύσουσιν 61 οὐ μὴ γνῶσι 62

mvp-comment-25-3 ὧδ’ ἠνθισμένον 63

mvp-comment-26-1 Φωκεύς 64

mvp-comment-26-2

ἀνδρὸς Φανοτέως. ἀνήρ
, thus prefixed to a proper name, serves either: ( a) to introduce a person not previously men tioned,—being more respectful than
τις
, as Il. 11. 92
ἄνδρα Βιήνορα
, Her. 8. 82
ἀνὴρ Παναίτιος
: or ( b) adds something of solemnity or pathos to the mention of a familiar name, as Soph. O. C. 109
ἀνδρὸς Οἰδίπου
, Soph. Ai. 817
ἀνδρὸς Ἕκτορος
.

mvp-comment-26-3 Phanoteus was the eponymous hero of the town Phanoteus ( Thuc. 4. 89 ), or Panopeus ( Il. 2. 520 etc., Paus. , Strabo), in Phocis, close to the Boeotian frontier, —about three miles west of Chaeroneia, and as many east of Daulis. He was the brother of Crisus, from whom the town of Crisa in Phocis (about two miles w. s. w. of Delphi) took its name. Between these brothers, said the legend, there was a deadly feud; before birth they had struggled in the womb (Tzetzes, Lycophr. 939: cp. Preller, Griechische Mythologie, 2. p. 54 n. 5). Now Crisus was the father of Strophius, that king of Crisa who was the ally of Agamemnon, and with whom the young Orestes found a home. Hence Phanoteus, the foe of Crisus, is represented as the friend of Aegisthus and Clytaemnestra. He is the first to send them the glad tidings that Orestes is dead. On the other hand it is Strophius who is described as paying the last honours to the corpse, and sending the ashes to Mycenae (1111).

mvp-comment-26-4 ὁ γὰρ 65

mvp-comment-27-1 μέγιστος 66

mvp-comment-27-2 τυγχάνει 67

mvp-comment-27-3 δορυξένων 68

mvp-comment-28-1 ὅρκον 69 ὅρκῳ 70

mvp-comment-28-2 On the other hand, the phrase

προστιθέναι ὅρκον
has the authority of Sophocles himself: fr. 431
ὅρκου δὲ προστεθέντος ἐπιμελεστέρα
|
ψυχὴ κατέστη
. Cp. too Tr. 255
ὅρκον αὑτῷ προσβαλών
.

mvp-comment-28-3 The false oath would be regarded as excused by the

δόλοι
which Apollo had prescribed (v. 37); but in fact the Paedagogus takes no such oath.

mvp-comment-29-1 ἀναγκαίας τύχης 71

mvp-comment-29-2 ἄθλοισι 72 Πυθικοῖσιν 73

mvp-comment-29-3 τροχηλάτων 74

mvp-comment-29-4 ἑστάτω 75

mvp-comment-30-1 ἐφίετο 76

mvp-comment-30-2 λοιβαῖσι 77

mvp-comment-30-3 καρατόμοις χλιδαῖς 78

mvp-comment-30-4 στέψαντες 79

mvp-comment-30-5 ἄψορρον … πάλιν 80

mvp-comment-31-1 τύπωμα 81 χαλκόπλευρον 82

mvp-comment-31-2 ἠρμένοι 83

mvp-comment-31-3 Others take

ἠρμένοι
as middle. This use of
ἦρμαι
is not unknown to later Greek; e.g. Strabo 3. p. 150 has
νίκην ἠρμένοι
=
ἀράμενοι
. But there is no example of it in the classical period.

mvp-comment-32-1 Join που 84 καὶ σὺ 85

mvp-comment-32-2 The v.l. μοι 86

mvp-comment-33-1 λόγῳ κλέπτοντες 87

mvp-comment-33-2 φέρωμεν 88

mvp-comment-33-3 ἔρρει 89

mvp-comment-33-4 δέμας 90

mvp-comment-34-1 τί γάρ με λυπεῖ 91

mvp-comment-34-2 ἔργοισι 92

mvp-comment-34-3 κἀξενέγκωμαι 93

mvp-comment-35-1 δοκῶ μέν 94 σὺν κέρδει 95

mvp-comment-35-2 κακόν 96

mvp-comment-36-1 πολλάκις 97

mvp-comment-36-2 λόγῳ μάτην θνῄσκοντας 98

mvp-comment-36-3 ἐκτετίμηνται 99

mvp-comment-37-1 ὡς 100

mvp-comment-37-2 κἄμ’ ἐπαυχῶ 101

mvp-comment-37-3 ἄπο 102

mvp-comment-37-4 δεδορκότ’ 103

mvp-comment-37-5 ἐχθροῖς 104 λάμψειν 105

mvp-comment-37-6 ἄστρον 106

mvp-comment-37-7 ἔτι 107

mvp-comment-38-1 πατρῴα γῆ 108

mvp-comment-38-2 εὐτυχοῦντα 109

mvp-comment-38-3 ὁδοῖς 110

mvp-comment-39-1 καθαρτής 111

mvp-comment-39-2 πρὸς θεῶν ὡρμημένος 112

mvp-comment-40-1 ἀλλ’ ἀρχέπλουτον 113

mvp-comment-40-2 ἀρχέπλουτον 114

mvp-comment-40-3 καταστάτην 115

mvp-comment-41-1 εἴρηκα μέν νυν ταῦτα 116

mvp-comment-41-2 μελέσθω 117

mvp-comment-42-1 ἐπιστάτης 118

mvp-comment-43-1 ἰώ μοί μοι δύστηνος 119

mvp-comment-44-1 καὶ μὴν 120

mvp-comment-44-2 θυρῶν 121

mvp-comment-44-3 I should agree with the schol. in governing

θυρῶν
by ἔνδον 122

mvp-comment-44-4 προσπόλων τινὸς 123

mvp-comment-45-1 θέλεις | μείνωμεν … ; 124

mvp-comment-45-2 The reading of the MSS., κἀνακούσωμεν 125

mvp-comment-45-3 On the other hand Sophocles has

ἐπακούω
, ‘to listen,’ in O. T. 708 , O. T. 794 : O. C. 694 : Ph. 1417. Nauck's correction, κἀπακούσωμεν 126

mvp-comment-46-1 μηδὲν πρόσθεν 127

mvp-comment-46-2 τὰ Λοξίου 128

mvp-comment-46-3 ἀρχηγετεῖν 129

mvp-comment-47-1 πατρὸς 130

mvp-comment-47-2 λουτρά 131

mvp-comment-47-3 φέρει … ἐφ’ ἡμῖν 132

mvp-comment-47-4 νίκην 133 κράτος τῶν δρωμένων 134

mvp-comment-47-5 All three actors now leave the scene. Orestes and Pylades go to Agamemnon's grave,—departing, probably, by the entrance on the spectators' right. The Paedagogus leaves by the entrance on the left,—to await the moment for seeking admission to the house (v. 660).—It might, indeed, be inferred from

πειρώμεθ’
(83) that the old man goes with the youths to their task; but the word need not imply more than his participation in the plan. while verses 73—75 seem clearly to indicate that he separates from his companions. When they have gone, Electra enters from the house.

mvp-comment-48-1 A

θρῆνος ἀπὸ σκηνῆς
, or lyric lament delivered by an actor alone. as dist. from the joint
κομμός
of actor and Chorus (121 n.).

mvp-comment-48-2 Verses 86—102 form a

σύστημα
,=vv. 103—120 (
ἀντισύστημα
). If the text is sound, the correspondence is not exact, since the dimeter in v. 99 answers to a monometer in v. 116. These anapaests are, however, of the type usually known as ‘free’ or ‘melic,’ as having more of a lyric character than the regular anapaests of the marching-songs (like those of the Parodos in the Ajax): see W. Christ, Metrik, 2nd ed., § 288. And in such anapaests the symmetry of ‘systems’ is often not strict (cp. O. C. 117 n.).

mvp-comment-48-3 ὦ φάος ἁγνὸν 135

mvp-comment-48-4 γῆς ἰσόμοιρ’ ἀήρ 136

mvp-comment-48-5 ἰσόμοιῤ 137 ἰσόμοιρος 138

mvp-comment-49-1 πολλὰς μὲν … ᾔσθου 139

mvp-comment-49-2 ἀντήρεις 140

mvp-comment-50-1 πληγὰς 141 πλαγὰς 142

mvp-comment-51-1 ὑπολειφθῇ 143 ᾔσθου 144

mvp-comment-52-1 τὰ … παννυχίδων 145 ξυνίσας’ 146 ὅσα … θρηνῶ 147

mvp-comment-52-2 ἤδη 148

mvp-comment-52-3 The MS. οἴκων 149 λέκτρων 150 μογερῶν 151

mvp-comment-53-1 ὅσα τὸν δύστηνον 152

mvp-comment-54-1 κατὰ μὲν βάρβαρον αἶαν 153 ἐξένισεν 154

mvp-comment-55-1 Ἄρης 155

mvp-comment-55-2 ἐξένισεν 156

mvp-comment-56-1 κοινολεχὴς 157

mvp-comment-57-1 ὅπως δρῦν ὑλοτόμοι 158

mvp-comment-57-2 σχίζουσι 159

mvp-comment-57-3 κάρα 160

mvp-comment-57-4 πέλεκει 161

mvp-comment-58-1 ἄλλης 162

mvp-comment-58-2 φέρεται 163

mvp-comment-58-3 The deletion of the words ἀπ’ ἄλλης 164 ἢ )μοῦ 165

mvp-comment-59-1 ἀλλ’ οὐ μὲν δὴ 166

mvp-comment-60-1 ἄστρων 167

mvp-comment-60-2 Others read,

ἔστ’ ἂν λεύσσω παμφεγγεῖς
|
ῥιπάς, λεύσσω δὲ τόδ’ ἦμαρ
, omitting
ἄστρων
. But
παμφεγγεῖς ῥιπάς
, without
ἄστρων
, would not suffice to denote starlight. If, again, the phrase is taken to denote the sun's rays (as Monk proposes, Mus. Crit. I. p. 67), then
λεύσσω δὲ τόδ’ ἦμαρ
becomes weak. Further, the preceding context, in which she has spoken of her laments at night (92) and at morning, clearly suggests that the sense here is, ‘so long as I look on the stars or on the sun.’

mvp-comment-61-1 μὴ οὐ 168

mvp-comment-61-2 τεκνολέτειῤ 169

mvp-comment-62-1 ἐπὶ κωκυτῷ 170

mvp-comment-62-2 ἠχὼ 171

mvp-comment-63-1 Electra invokes, (1) the house of Hades and his bride Persephone, in which the spirit of Agamemnon now dwells; (2) Hermes, who, as

ψυχοπομπός
, conducted him thither,—and who will also guide the avengers on their way (1395 f.); (3)
Ἀρά
, the imprecation uttered by the victim upon his murderers,—the personified curse, here conceived as a supernatural power (
πότνια
), which calls the Erinyes into action; and (4) the Erinyes themselves.

mvp-comment-63-2 Ἀΐδου 172

mvp-comment-64-1 ὦ χθόνἰ Ἑρμῆ 173

mvp-comment-64-2 Ἀρά 174

mvp-comment-64-3 πότνια 175

mvp-comment-65-1 σεμναὶ 176

mvp-comment-65-2 θεῶν παῖδες 177

mvp-comment-66-1 ὁρᾶθ’ 178

mvp-comment-67-1 αἳ τοὺς εὐνὰς ὑποκλεπτομένους 179

mvp-comment-67-2 These much-impugned words appear genuine. The murder has been prompted by the guilty love:

δόλος ἦν ὁ φράσας, ἔρος ὁ κτείνας
(197). In Electra's thought, they are inseparable. The allusion to the love follows the reference to the murder, because she regards it as the crowning outrage (271
τὴν τελευταίαν ὕβριν
) that Clytaemnestra still lives with Aegisthus. Bloodshed was not the only sin which the Erinyes punished. They were the embodied sanctions of natural law, and every crime against the family came within their cognisance. (See Introd. to Homer, p. 51, § 13.) Indeed, Electra herself speaks of the unhallowed union as a special provocation to those Avengers: 275 f.
ἡ δ’ ὧδε τλήμων ὥστε τῷ μιάστορι
|
ξύνεστ’, Ἐρινὺν οὔτιν’ ἐκφοβουμένη
.

mvp-comment-68-1 τείσασθε 180

mvp-comment-69-1 ἡμετέρου 181 μοι 182

mvp-comment-69-2 καί μοι 183

mvp-comment-70-1 ἄγειν 184

mvp-comment-70-2 σωκῶ 185

mvp-comment-71-1 δυστανοτάτας 186

mvp-comment-72-1 τάκεις … οἰμωγὰν 187

mvp-comment-72-2 ἀκόρεστον 188

mvp-comment-72-3 τὸν πάλαι 189

mvp-comment-72-4 πάλαι 190 ἐκ 191

mvp-comment-72-5 ἀθεώτατα 192

mvp-comment-72-6 κακᾷ … χειρὶ πρόδοτον 193 χειρὶ 194

mvp-comment-72-7 ὡς 195

mvp-comment-72-8 ὁ τάδε πορὼν 196

mvp-comment-72-9 εἴ μοι θέμις 197

mvp-comment-73-1 γενέθλα 198

mvp-comment-73-2 γενναίων 199

mvp-comment-73-3 παραμύθ‐ 200 ιον 201

mvp-comment-74-1 ξυνίημι 202

mvp-comment-74-2 τάδ’ 203

mvp-comment-75-1 φυγγάνει 204

mvp-comment-75-2 οὐδ’ ἐθέλω 205

mvp-comment-76-1 μὴ οὐ 206

mvp-comment-76-2 τὸν ἐμὸν … πατέρ’ ἄθλιον 207

mvp-comment-77-1 παντοίας 208

mvp-comment-77-2 Electra's lyrics contain some Doricisms (129, 146 f., etc.): but it is best to retain

φιλότητος
, with the MSS. The form in
η
was so familiar through Homer that it may have been preferred to
φιλότατος
even in lyrics. Cp. 236 .

mvp-comment-78-1 ἀλύειν 209

mvp-comment-79-1 αἰαῖ, ἱκνοῦμαι 210

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

10. mvp-comment-9-1 δῶμα.. τόδε] These words are coordinate with Μυκήνας and governed by ὁρᾶν, as is shown by the conjunction τε.

11. mvp-comment-10-1 πατρὸς ἐκ φόνων] Either (1) 'Immediately after thy father's murder,' cp. Thuc. 5. 20, ἐκ Διονυσίων, or (2) Out of the way of thy father's murder,' i.e. Away from the dangers consequent on it. For the latter (2), cp. Pind. Pyth. 11. 25 foll., τὸν δὴ φονευομένου πατρὸς ᾿Αρσινόα Κλυταιμνήστρας | χειρῶν ὕπο κρατερᾶν | ἐκ δόλου τροφὸς ἄνελε δυσπενθέος. In either case the plural, for which cp. O. C. 962, ὅστις φόνους μοι, κ.τ.λ., includes the attendant circumstances. φόνων is better than φονῶν (gen. plur. of φονή), which would suggest only the scene of blood.

12. mvp-comment-11-1 σῆς ὁμαίμου καὶ κασιγνήτης] ‘Thine own sister.' Cp. infr. 325, 6, τὴν σὴν ὅμαιμον, ἐκ πατρὸς ταὐτοῦ φύσιν, | Χρυσόθεμιν, ἔκ τε μητρός. The Electra, like the Antigone, lays great stress on the force of fraternal affection; and a peculiar tenderness seems to have been attached to the word κασίγνητος. Cp. infr. 1164, Ant. 915, ὦ κασίγνητον κάρα.

14. mvp-comment-12-1 τοσόνδ᾽ ἐς ήβης] 'To this strength of youthful manhood that thou showest.' So Phoenix says to Achilles, ΙΙ. 9. 485, καί σε τοσοῦτον ἔθηκα, θεοῖς ἐπιείκελ᾽ ᾿Αχιλλεῦ. For the position of ἐς, cp. O. C. 126, 7, ἀστιβὲς ἄλσος ἐς | τᾶνδ᾽ ἀμαιμακετᾶν κορᾶν. πατρί] For the dative, see E. on L. § 13. р. 19 с.

16. mvp-comment-13-1 Pylades, who is a silent person in the Electra, is only mentioned once again, infr. 1373. Orestes has no scruples, as in the Choephori, and therefore needs not the advice but only the active assistance of his friend. Pylades is present in every scene in which Orestes appears.

17-18. mvp-comment-14-1 ὡς ἡμὶν.. σαφῆ] 'Since we have already the sunshine in full brilliance awakening there unmistakably into song the early voice of birds.' λαμπρόν and σαφή both form part of the predication. σαφή, i. e. not a doubtful twitter here and there, but the unanimous warbling which tells that the morning is really come: - Milton's 'charm of earliest birds,' not Tennyson's 'earliest pipe of half-awakened birds.'

19. mvp-comment-15-1 (1) And dark Night is vanished with her stars,' ἄστρων εὐφρόνη = νὺξ ἀστερόεσσα. E. on L. § 9. p. 12, 1 a. Or (2), 'And dark Night, the region of the stars, has disappeared - Night being regarded as a world possessed by the stars. Others join άστρων ἐκλέλοιπε, 'Night has lost her stars':-i.e. The night is yet dark but the stars are waning in the coming light.' (Paley.) But this can hardly be reconciled with ll. 16, 17, and rather presupposes a Northern twilight.

20. mvp-comment-16-1 ἐξοδοιπορεῖν στέγης] Come out of doors.' ἐξοδοιπορεῖν, although a special word, has here only the general meaning of ἐξέρχεσθαι. See E. on L. § 52. p. 97.

21. mvp-comment-17-1 ξυνάπτετον λόγοισιν] ‘Join ye in counsel.' For this use of the dative with a transitive verb, cp. infr. 710, κλήροις ἔπηλαν, and note; and see Riddell's Digest of Idioms, in his edition of the Apology of Plato. For a similar idiom in English, cp. Shakespeare, Hamlet, 1. 2. 112: 'And with no less nobility of love Than that which dearest father bears his son, Do I impart toward you.' ὡς ἐνταῦθ᾽ *ἴμεν] 'Since we are thereabouts,' lit. 'moving there,'-i. е. ἐνταῦθά ἐσμεν τῆς ὁδοῦ: we are arrived at such a point in our enterprise. ἐμέν, for ἐσμέν, which occurs only once in Callimachus, can hardly be retained, and no valid objection has been made to Dawes' emendation, as above explained.

26-27. mvp-comment-18-1 ἀπώλεσεν.. ἵστησιν] The description passes from the gnomic aorist to the vivid present. For the verb, cp. Hdt. 4. 129, οἱ ἵπποι ἐν θαύματι ἔσκον, ὀρθὰ ἱστάντες τὰ ὦτα.

27. mvp-comment-19-1 δέ] In apodosi.

29. mvp-comment-20-1 τὰ . . δόξαντα] Sc. ἐμοί τε καὶ Πυλάδῃ τῷδε. Their plans are already formed.

31. mvp-comment-21-1 εἰ μή τι καιροῦ τυγχάνω] 'If anywhere I miss the mark,'-εἴ τι ἁμαρτάνω. Ε. on L. § 41. p. 78.

33. mvp-comment-22-1 πατρί is more expressive than πατρός. Cp. supr. 14.

34. mvp-comment-23-1 ἀροίμην is probably aorist (not future) optative, being indirect for (τίνι τρόπῳ) ἄρωμαι;

36. mvp-comment-24-1 Myself alone, unsupported by armed men.' Cp. Pind. Nem. 3. 59, δε καὶ Ἰωλκὸν εἶλε μόνος ἄνευ στρατιᾶς.

37. mvp-comment-25-1 By craft to steal the righteous deathblow which my hand should give.' χειρός marks the directly personal nature of the act. Cp. O. T. 811, ἐκ τῆσδε χειρός, and note. For the genitive, cp. infr. 206, θανάτους αἰκεῖς διδύμαιν χειροῖν.

38. mvp-comment-26-1 τοιόνδε, like τοιαῦτα in supr. 35, points to the remarkable nature of the oracle (cp. O. Τ. 95, οἱ ἤκουσα, and note), but with greater vividness. E. on L. § 22. p. 34.

39. mvp-comment-27-1 καιρός is personified, as infr. 75.

42-43. mvp-comment-28-1 (1) For thine age, and the long lapse of time, that has so altered thee, will surely prevent their recognizing or suspecting thee.' Or (2) taking οὐδ᾽ ἠνθισμένον separately, as referring to the Phocian costume, For thine age and the lapse of time will prevent their knowing you, nor will they once suspect you under this disguise.' Or (3) supposing ὧδ' ήνθισμένον to be an afterthought and the causal datives to be resumed with it, 'After so many years in which you have grown old they will not know or suspect you, altered as you are by age.' Cp. Shak. Cymb. 4. 4. 31-4 (Guiderius): 'Pray, sir, to the army: I and my brother are not known; yourself So out of thought, and thereto so o'ergrown, Cannot be questioned.' For the combination of aorist subj. and fut. ind., cp. Ο. C. 450, 1, ἀλλ᾽ οὗ τι μὴ λάχωσι τοῦδε συμμάχου, | οὔτε σφιν ἀρχῆς . . | ὄνησις ἥξει.

45. mvp-comment-29-1 Phanoteus had quarrelled with his brother Crisus, the father of Strophius and uncle of Pylades, and therefore was likely to send information of a fact which told against them. (Dind.). Whether this be the precise version of the legend as understood by Sophocles or not, some such relation between Strophius and Phanoteus is intended by him. Strophius is, in Sophocles also, the guardian of Orestes, - infr. 1111.

47. mvp-comment-30-1 ὅρκῳ προστιθείς] (1) Sc. τὰ ἀγγελλόμενα. With the preface of an oath.' Hermann objects to this: 'At ita res primaria in secundariam converteretur.' But such inversions are not infrequent. Cp. Aristoph. Av. 1004. See E. on L. § 42. p. 80, and Schmidt's Shak. Lex., Grammatical Observations, § 14. p. 1423. The correction ὅρκον προστιθείς (for which cp. Fr. 428, ὅρκου δὲ προστεθέντος ἐπιμελεστέρα | ψυχὴ κατέστη) is therefore unnecessary. Or (2) ὅρκῳ is a dative of manner, 'With an oath,' to which προστιθείς, sc. ὅρκον, is added epexegetically. Cp. Essay on L. § 14. p. 21; ib. § 36. p. 63 (5) a.

48. mvp-comment-31-1 ἐξ ἀναγκαίας τύχης] 'Through a fatal accident.' ἀναγκαία τύχη is here a misfortune that cannot be avoided. The same phrase is used with slightly different shades of meaning in Aj. 485, 803.

49. mvp-comment-32-1 ἄθλοισι Πυθικοῖσιν] ‘At the Pythian games.' Dat. of the occasion. E. on L. § 11. p. 18. The Delphic contest is said to have been instituted in the 48th Olympiad, but is here ideally carried back into the heroic age. Cp. Aj. 596 and note.

51. mvp-comment-33-1 ὡς ἐφίετο] Sc. ὁ Λοξίας ( infr. 82, 3). Cp. Ο. Τ. 110, ἐν τῇδ᾽ ἔφασκε γῇ.

52. mvp-comment-34-1 καρατόμοις χλιδαῖς] ‘With shorn locks luxuriant.' Cp. infr. 901, νεώρη βόστρυχον. The word χλιδή perhaps marks the luxuriance of the youthful Orestes' locks. Cp. Plat. Phaedo, 89 B, αὔριον δή, ἔφη, ἴσως, ὦ Φαίδων, τὰς καλὰς ταύτας κόμας ἀποκερεῖ.

54. mvp-comment-35-1 'Holding uplifted in our hands the shapely urn with sides of brass.' The Scholiast rightly compares the construction of τύπωμα with ᾐρμένοι to such expressions as πώγωνα καθειμένος, – ἀντὶ τοῦ κεχαλασμένον ἔχων. But he does not observe that in both cases the verb is in the middle voice. τύπωμα is literally, A moulded form.' Cp. Ant. 430, ἐκ δ' εὐκροτήτου .. πρόχου, κ.τ.λ. For χαλκόπλευρον, cp. Aesch. Cho. 686, λέβητος χαλκέου πλευρώματα.

55. mvp-comment-36-1 (1) Which, as I believe (που) you know, is hidden in the brake.' For οἰσθά που, cp. infr. 948, 9, παρουσίαν μὲν λέγων, | οἶσθα καὶ σὺ που φίλων | ὡς. κ.τ.λ. (2) The v. r. μοι for που is also possible. Which I have, as you know, hidden in the brake.' μοι, if genuine, is not dative of the agent, but of remote reference not I have hidden it, but 'I have it hidden.'

56. mvp-comment-37-1 λόγῳ κλέπτοντες] 'Stealing our advance through feigned words.' The participle is equally emphatic with the verb.

57. mvp-comment-38-1 φέρωμεν] The optative cannot be defended here.

59-60. mvp-comment-39-1 The precise construction would be either λυπεῖ.. ὅτε σώζομαι, or λυπήσει . . ὅταν σωθῶ. But as the sentence proceeds the mind of Orestes dwells more than at first on the futurity of the event.

60. mvp-comment-40-1 κἀξενέγκωμαι κλέος] ‘And win renown.' Cp. Od. 1. 298, οἷον κλέος ἔλλαβε δῖος Ορέστης.

61. mvp-comment-41-1 δοκῶ μέν] Cp. infr. 547: О. С. 995, δοκῶ μέν, εἴπερ ζῆν φιλεῖς, κ.τ.λ.: Fr. 83, δοκῶ μέν, οὐδείς: Plato, Meno, 94 C, δοκῶ μέν, ἐβούλετο, Methinks, no word is inauspicious that is accompanied with gain.' Cp. Eur. Hel. 1050 foll. (quoted by Brunck), ΕΛ. βούλει λέγεσθαι, μὴ θανών, τεθνηκέναι; ΜΕΝ. κακὸς μὲν ὄρνις· εἰ δὲ κερδανῶ λέγων, | ἕτοιμός εἰμι μὴ θανών λόγῳ θανείν.

62-66. mvp-comment-42-1 Some such story as that of Aristeas of Proconnesus, Hdt. 4. 13-16, is probably in the mind of the poet, who need not however be accused of the anachronism of making Orestes refer to this or any similar story (as of Pythagoras, Epimenides, Solon, Zaleucus, or Zamolxis). Hermann finds here an allusion to some banished Athenian citizen, who (like the late Lord Brougham) may have ambitiously spread the rumour of his own death.

63. mvp-comment-43-1 μάτην] ‘Without reality. For the pleonasm, see E. on L. § 40. p. 75.

64. mvp-comment-44-1 ἐκτετίμηνται πλέον] ‘Their name stands higher than before.' For this intensive use of the perfect, cp. ἐσπούδακα, τετεύτακα, and similar words.

65-66. mvp-comment-45-1 Even so I, having indeed come to life in consequence of this report, shall yet, I trust, flash like a comet on my foes.' δεδορκότα is used intensively for βλέποντα = ζῶντα, but this natural use of language is assisted by the image of the star. (See L. and S. s. ν. δέρκομαι.) The star of Orestes in the ascendant will be of evil omen to his enemies. Cp. Il. 22. 30, λαμπρότατος μὲν ὅδ᾽ ἐστί, κακὸν δὲ τε σῆμα τέτυκται. For ἔτι meaning 'Hereafter, though not now, cp. infr. 471: Trach. 256, 7, ἢ μὴν τὸν ἀγχιστῆρα τοῦδε τοῦ πάθους | ξὺν παιδὶ καὶ γυναικὶ δουλώσειν ἔτι: Ant. 69: Phil. 1359. Compare with ll. 59-66 the comic words of Falstaff, Shak. I Hen. 4. 5. 4. 120, 'To counterfeit dying, when a man thereby liveth, is to be no counterfeit, but the true and perfect image of life indeed.'

68. mvp-comment-46-1 Receive me and let me prosper in this my coming. The participle is proleptic. For ταῖσδε ταῖς ὁδοῖς, cp. Ὁ. C. 553, τανῦν θ᾽ ὁδοῖς | ἐν ταῖσδ᾽ ἀκούων μᾶλλον ἐξεπίσταμαι.

70. mvp-comment-47-1 δίκῃ καθαρτής] ‘A rightful purifier.' See E. on L. § 14. р. 20. Ср. Shak. J. C. 2. 1. 180, We shall be called purgers, not murderers.'

72. mvp-comment-48-1 ἀλλ᾽ ἀρχέπλουτον] Sc. καταστήσατε, the positive notion elicited from the negative, -E. on L. § 36. p. 64. (1) But make me the founder of a wealthy line.' This would seem to be the meaning of the compound, according to the analogy of ἀρχέκακος. The word in this sense may possibly be construed with δόμων, 'Beginner of wealth to the house. Others explain it as equal to ἀρχαιόπλουτος, (2) ‘Enjoying ancient wealth. For this, cp. ἀρχεδίκης, Pind. Pyth. 4. 189-195, ἀρχαίαν κομίζων πατρὸς ἐμοῦ βασιλευομέναν | οὐ κατ' αἶσαν .... τιμάν. | πεύθομαι γάρ νιν Πελίαν . . | ἁμετέρων ἀποσυλᾶσαι βιαίως ἀρχεδικᾶν τοκέων.

74. mvp-comment-49-1 τὸ σὸν .. φρουρῆσαι χρέος] 'Go thy way and watchfully execute thy duty.' Lit. Watch thy service,' i. e. perform thy service which requires watchfulness. τὸ σὸν . . χρέος is cognate acc. after φρουρῆσαι, but also in the first instance the subject of μελέσθω, to which φρουρῆσαι is added as an explanatory infinitive.

75. mvp-comment-50-1 καιρὸς γάρ] Sc. ἐστί. For the occasion is here. See E. on L. § 39. p. 72, 1 α.

75-76. mvp-comment-51-1 ὅσπερ, κ.τ.λ.] 'And of all powers that direct men's enterprises, Occasion is chief.'

77-86. mvp-comment-52-1 As the function of the chorus, see Introduction, is to respond to Electra, who gives the principal interest to the play, their entrance is preceded by a monody from her, which draws the sympathy of the spectators to the chief person, and prepares them to enter more fully into the spirit of the action. And-less to whet the purpose of Orestes, than to show his firmness- he is allowed to hear her wailing from within. It is easy to see how this must excite him. But it does not alter his determination to rely upon himself alone. And thus, although for the moment eager to hear more, he yields at once to the counsel of the old man, that nothing should delay the action for which the moment is come. After l. 85, exeunt Orestes, the Paedagogus, and Pylades, leaving the proscenium vacant.

77. mvp-comment-53-1 -------. A paroemiac, consisting wholly of long syllables, like infr. 88, 89, 105, and other lines in the following lament. See the scheme of metres below.

78-79. mvp-comment-54-1 'Methinks there comes from the doors a sound as of some handmaiden moaning within them.' The harshness of the unusual genitive, θυρῶν ='In the direction of the doorway,' 'e regione ostii,' is softened by the addition of ἔνδον, with which θυρῶν is to be resumed. For the genitive of the place from which an object strikes the sense, cp. infr. 900, 1, ἐσχάτης ὁρῶ | πυρᾶς νεώρη βόστρυχον τετμημένον.

81. mvp-comment-55-1 There is no valid objection to the Scholiast's explanation of this as καὶ ἀνακούσωμεν, ‘And let us hear afresh,' or 'hear further.' Hermann prefers καὶ ἐνακούσωμεν. Neither form is found elsewhere, and Nauck conj. κάπακούσωμεν. But, as Prof. Paley observes, this is unnecessary.

82-83. mvp-comment-56-1 μηδὲν πρόσθεν] Sc. ποιώμεθα, which is absorbed in πειρώμεθ᾽ ἔρδειν. κἀπὸ τῶνδ᾽ ἀρχηγετεῖν] ‘And with this rite initiate our act.

84-85. mvp-comment-57-1 ταῦτα γὰρ . . δρωμένων] 'For this brings victory within our grasp, and gives us command over our exploit.' φέρει (sc. ἡμῖν) is to be resumed with κράτος, but ἐφ' ἡμῖν is to be joined to νίκην, as a supplementary predicate. See E. on L. $ 19. p. 29. 4, and § 24. p. 40, 2.

85-86. mvp-comment-58-1 They go all together to perform the libation at the tomb, after which the old man will return to the palace, and Orestes and Pylades will go to the place where they have hidden the urn ( supr. 55). Orestes, in supr. 73, 4, spoke as if the old man was at once to begin his part. But the time is not yet come for this, and, by going to join in the solemn rite at the grave of his old master, he leaves the proscenium vacant for the scenes from l. 86 to l. 659. If we are inclined to quarrel with this long delay, our scruple is pacified by the words ὅταν σε καιρὸς εἰσάγῃ in supr. 39.

86-250. mvp-comment-59-1 In this long lament there are two principal movements, each of which admits of subdivision. First, the monody of Electra, consisting of two anapaestic systems, of which one (ll. 86-102) is retrospective, and the other (ll. 103-120) is prospective. Secondly, there is the commatic parodos :-the chorus on their entrance address Electra with lyric strains, to which she responds also in lyric measures. This movement consists of three strophes and antistrophes. In στρ. and ἀντ. α' (ll. 121-152), the chorus gently, but gloomily, expostulate with Electra, who is inconsolable. In στρ. and ἀντ. β΄ (ll. 153-192), they vainly try to cheer her. In στρ. and ἀντ. γ΄ (ll. 193- 232), they remind her of her past and present troubles, and exhort her not to add to them. All this is followed by a ῥῆσις of Electra (ll. 254-309) in reply to the coryphaeus, who, at l. 324, again speaks to call attention to Chrysothemis' approach.

86-250. mvp-comment-59-2 Metres. The anapaests in 86-120, although for the most part regular are in so far of the freer kind which belong to laments as to admit the spondaic paroemiacs near the commencement of each system in ll. 88, 9, 105, 6, which, with the opening half line, have a strange effect of heaviness and of struggle and pain. The two systems so nearly correspond, both in this respect and in the number of the lines, that one is tempted to believe that the half line that would complete the antistrophic effect has been lost somewhere between 113 and 117. But anapaestic systems are seldom exactly antistrophic, and the pause after the (dactylic) invocation in l. 115 may be intentional.

86-92. mvp-comment-60-1 Electra tells her sorrows to the daylight and to the air of Heaven, as she has told them all night long to her sleepless chamber. The holy light contrasts with the pollutions of the house of Pelops; the illimitable air,- which searches even to earth's remotest corners, and is common to Orestes and herself, both contrasts with the narrowness of her lot, and can alone contain the boundlessness of her grief.

86. mvp-comment-61-1 ὦ φάος ἁγνόν] For the sacred purity of the elements as opposed to the impurity of man, cp. O. T. 1427, 8, τὸ μήτε γῆ μήτ᾿ ὄμβρος ἱρὸς μήτε φῶς προσδέξεται.

87-90. mvp-comment-62-1 ὥς μοι .. αἱμασσομένων] ‘How many tones of my lamenting. how many blows that bruised my bleeding breast, have thrilled you!' στέρνων is objective genitive with πληγάς, but is to be resumed with ἀντήρεις, lit. 'planted firmly against.'

91. mvp-comment-63-1 ὑπολειφθῇ] 'Hath ceased,' lit. 'Has been outrun,' i.e. by the day. Cp. Αj. 672, 3, ἐξίσταται δὲ νυκτὸς αἰανὴς κύκλος | τῇ λευκοπώλῳ φέγγος ἡμέρᾳ φλέγειν.

92-93. mvp-comment-64-1 τὰ δὲ.. οἴκων] ‘And when night comes on, the detested chamber in this weary house knows too well what festive hours I pass.' There is a bitter irony that can hardly be rendered, in using the word παννυχίς, generally a festal celebration, of the sleepless nights of mourning. Cp. Ant. 152, 3, θεῶν δὲ ναοὺς χοροῖς | παννυχίοις πάντας ἐπέλθωμεν, and, for the general sense, cp. Od. 19. 518 foll. ὡς δ᾽ ὅτε Πανδαρέου κούρη, χλωρηΐς ᾿Αηδών, | καλὸν ἀείδῃσιν, ἔαρος νέον ἱσταμένοιο, | δενδρέων ἐν πετάλοισι καθεζομένη πυκινοῖσιν, | ἥ τε θαμὰ τρωπῶσα χέει πολυηχέα φωνήν, | παῖδ᾽ ὀλοφυρομένη Ἴτυλον φίλον, ὅν ποτε χαλκῷ | κτεῖνε δι᾽ ἀφραδίας, κοῦρον Ζήθοιο ἄνακτος· | ὣς καὶ ἐμοὶ δίχα θυμὸς ὀρώρεται ἔνθα καὶ ἔνθα. See below, ll. 107, 148, 9. ἤδη contrasts παννυχίδων with what precedes.

95-96. mvp-comment-65-1 Cp. Od. 11. 408-411, where Agamemnon says, οὔτε μ᾿ ἀνάρσιοι ἄνδρες ἐδηλήσαντ᾽ ἐπὶ χέρσου· | ἀλλά μοι Αίγισθος τεύξας θάνατόν τε μόρον τε ἕκτα σὺν οὐλομένῃ ἀλόχῳ, οἰκύνδε καλέσσας, | δειπνίσσας, ὥς τις κατέκτανε βοῦν ἐπὶ φάτνῃ. See below, ll. 203, 4. And for ῎Αρης οὐκ ἐξένισεν, ' War did not give hospitable repose,' cp. Aesch. Cho. 351-3, πολύχωστον ἂν εἶχες | τάφον διαποντίου γᾶς | δώμασιν εὐφόρητον: Ag. 455, ἐχθρὰ δ᾽ ἔχοντας ἔκρυψεν : Verg. Aen. 1. 97, 'Mene Iliacis occumbere campis | Non potuisse.'

98. mvp-comment-66-1 Cp. II. 13. 389, ἤριπε δ', ὡς ὅτε τις δρῦς ἤριπεν, ἢ ἀχερωΐς, | ἠὲ πίτυς βλωθρή, την τ' οὔρεσι τέκτονες ἄνδρες ἐξέταμον πελέκεσσι νεήκεσι, νήϊον εἶναι. But the unfeeling act of the woodman is more prominent in the present passage than the grandeur of the tree.

100-101. mvp-comment-67-1 κοὐδεὶς.. φέρεται] ‘And no pity' (or mourning) 'on account of this goes forth from any one but me.' For the genitive, cp. Ο. Τ. 185, λυγρῶν πόνων ἱκτῆρες ἐπιστενάχουσιν. And for the attraction in the gender of οὐκ ἄλλης, cp. infr. 885, 6, ἐγὼ μὲν ἐξ ἐμοῦ τε κοὐκ ἄλλης σαφή | σημεῖ᾿ ἰδοῦσα, κ.τ.λ. For φέρεται, of the utterance of feeling, cp. Pind. Pyth. 1. 170, εἴ τι καὶ φλαῦρον παραιθύσσει, μέγα τοι φέρεται | πὰρ σέθεν.

102. mvp-comment-68-1 αἰκῶς] Although the MSS. agree in ἀδίκως, the Scholiast gives ἀεικῶς as a various reading. And ἀδίκως, which is appropriate in infr. 113, is frigid here.

105. mvp-comment-69-1 Hermann's rejection of the first λεύσσω (see v. rr.) is clearly the best emendation of this passage, which in the MSS. has two long syllables too many. παμφεγγεῖς ῥιπάς] 'The bright tremblings of the stars.' On παν in comp. see Essay on L. § 55. p. 101, 6. φέγγος has a special application to the light of the moon and stars as distinguished from daylight :-Plat. Rep. 6. Ρ. 508 C, ὀφθαλμοί, ὅταν μηκέτι ἐπ᾿ ἐκεῖνά τις αὐτοὺς τρέπῃ ὧν ἂν τὰς χρόας τὸ ἡμερινὸν φῶς ἐπέχῃ, ἀλλ᾽ ὧν νυκτερινὰ φέγγη. For ῥιπή, lit. 'beating' or 'pulsation,' as applied to the twinkling of the stars, cp. Tennyson's 'Beat, happy stars, timing with things below.'

107. mvp-comment-70-1 τεκνολέτειρα] 'That has lost' (or 'slain') 'her child,' viz. Itylus, according to the story followed in the Odyssey, 1. c. (19. 518 foll.) As the song of the nightingale is meant, and not the cry of the bird whose nest is robbed, Ant. 423-5 is not really parallel. The idiomatic use of τις does not prevent the identification of the nightingale with the mythical daughter of Pandion. Cp. Aesch. Ag. 55, 6, ἤ τις ᾿Απόλλων, | ἢ Πάν, ἢ Ζεύς.

107-109. mvp-comment-71-1 But like some Philomela for her son destroyed, I will peal for all to hear a note of lamentation in front of these my father's doors.' ἐπὶ κωκυτῷ is an adverbial expression like ἐπὶ ψόγοισι in Ant. 759. See Essay on L. § 19. p. 27. It implies that the noise that echoed round about the palace was sustained by the force of her impetuous crying. Cp. infr. 241-3, γονέων ἐκτίμους ἴσχουσα πτέρυγας | ὀξυτόνων γόων.

111. mvp-comment-72-1 'Hermes of the Shades' is invoked here as in the Choephori, because he had guided the soul of Agamemnon to Hades and might be expected to guide his Avenger. πότνι' ἀρά] Agamemnon was ἀραῖος to Clytemnestra on account of her crime. Cp. Ó. T. 417, 8, καί σ᾽ ἀμφιπλὴξ μητρός τε καὶ τοῦ σοῦ πατρὸς | ἐλᾷ ποτ᾽ ἐκ γῆς τῆσδε δεινόπους ἀρά.

112. mvp-comment-73-1 The Erinyes are here invoked in their most general character, and are not named specifically as daughters of Earth and Night, but vaguely as 'children of gods.'

114. mvp-comment-74-1 They are the avengers not only of murder, but of every great breach of law. Cp. Αj. 836, δρώσας πάντα τὰν βροτοῖς πάθη: Aesch. Eum. 895, ΑΘ. (to the Eumenides) ὡς μή τιν' οἶκον εὐθενεῖν ἄνευ σέθεν : ib. 835. And Aegisthus, who is the great offender in Electra's sight, is guilty on both counts of this indictment. Cp. infr. 271, 2, τὴν τελευταίαν ὕβριν τὸν αὐτοφόντην ἡμὶν ἐν κοίτῃ πατρός.

119-120. mvp-comment-75-1 'My single force no longer countervails the stress of woe.' Lit. 'I no longer have strength alone to lift the weight of grief that presses in the opposite scale.'

121-127. mvp-comment-76-1 Electra's monody, like the soliloquy of Deianeira. Trach. I fol., has indicated the loneliness of her sorrow. But she is not friendless. The women of Argos feel with her and would comfort her if they could. In this long 'commatic parodos,' which at once enlists the sympathies of the spectator, and prepares his mind by contrast for the rapidity of the action which is to follow, there are seven choric strains, to which Electra responds with μέλη ἀπὸ σκηνῆς. If, as seems most probable, a single voice is heard each time, the front row of choreutae would alone take part. Thus, supposing the five dots to represent the πρωτόσταται, i. e. the coryphaeus and those on either side of him, the parts might be assigned as follows:- ἀντ. β'. ἀντ.α΄. στρ.α΄. στρ.β. στρ. γ΄. ἀντ. γ'. ἐπ. The choreutae immediately to right and left of the coryphaeus would address Electra twice, and when the epode was finished, the coryphaeus would make a new beginning with the senarii in ll. 251-3, after which, each of the five would speak once again, ending with the coryphaeus. The metres are as follows:-

121. mvp-comment-77-1 παῖ is first the natural address of an elder person to a younger, and is then repeated in a different sense with the genitive in regimen. 'O child Electra! Child of a most wretched mother!' For the moral association in δυστανοτάτας, cp. Aj. 1290, δύστηνε, ποῖ βλέπων ποτ᾿ αὐτὰ καὶ θροεῖς;

122-123. mvp-comment-78-1 τίν᾿ ἀεὶ .. οἰμωγάν] ‘Why this never-ceasing lament which piningly thou pourest out over thy father?' For this adverbial' use of the interrogative pronoun, cp. Ο. Τ. 2, τίνας ποθ᾽ ἕδρας τάσδε μοι θοάζετε; and see Essay on L. § 42. p. 81. τάκεις οἰμωγάν ἰς literally, Dost cause the cry to melt from thee; i.e. Dost waste thyself with crying. In the sentence which follows, τὸν.. ᾿Αγαμέμνονα is governed by τάκεις .. οἰμωγάν taken as one word = οἰμώζεις. Ε. on L. § 16. p. 23 b. With ἀκόρεστον, Immoderate, contrast ll. 23. 157, γόοιο μὲν ἔστι καὶ ἆσαι : Od. 4. 103, αἰψηρὸς δὲ κύρος κρυεροῖο γόοιο.

124. mvp-comment-79-1 ἀθεώτατα] In heinous defiance of the gods.' Cp. Aesch. Cho. 46, δύσθεος γυνά: Trach. 1036, σὰ μάτηρ ἄθεος.

126. mvp-comment-80-1 κακᾷ τε χειρὶ πρόδοτον] ‘And delivered over to destruction with wicked violence.' Cp. infr. 206, 7, χειροῖν | αἱ τὸν ἐμὸν εἶλον βίον | πρόδοτον, αἱ μ᾿ ἀπώλεσαν. The fear of Aegisthus, who is sovereign de facto, prevents the chorus from mentioning him by name. Cp. Trach. 383, 4, and note.

129. mvp-comment-81-1 γενέθλα] Here, and in infr. 226, Doric for γενέθλη. “Offspring of noble sires.' Two glosses on γενναίων, viz. (1) πατέρων, (2) τοκέων, have found their way into different MSS., while, curiously enough, no MS. has the line uninterpolated.

130. mvp-comment-82-1 παραμύθιον may be in apposition (1) with the subject of ἥκετε or (2) with the verb itself. The latter (2), conveying more exactly the notion of an intention to console, is probably right. But for the former (1), cp. Thuc. 5. 103, ἐλπὶς κινδύνῳ παραμύθιον οὖσα.

131. mvp-comment-83-1 τάδ'] Either (1) Your kind intention, or (2) That my sorrow is importunate.' Cp. infr. 222. The Scholiast prefers (2).

132. mvp-comment-84-1 οὐδ᾽ ἐθέλω προλιπεῖν τόδε] ‘But I will not give this up.' δé is adversative, though it is unnecessary to write οὐ δ' with Hermann.

134. mvp-comment-85-1 (1) 'But, O ye who exchange with me the tender grace of every sort of mutual affection, - ἀμειβόμεναι vocative. Or (2), supposing the participle to agree with the subject of ἐᾶτε, 'But O, in return for all manner of love' (which ye have had from me). Musgrave objects to this that Electra had no power of conferring kindnesses, and that if she had, she would not thus have reminded her friends of them. He ingeniously renders, Exchanging for this (?) service all your varied kindnesses. But his argument is hypercritical. It is the strength of her wish, and not the sense of her merit, that is really emphasized in παντοίας (of which Ellendt rightly says, Nihil nisi multum s. magnum significat.') And φιλότης is simply affection.' Schndw. explains, So conferring on me a kindness equivalent to all manner of friendship:'-Wecklein, Ye who return the grace of all manner of love (for mine).'