Sophocles Electra 9

Thomas Francklin (Translator)

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Chorus
137
But oh ! reflect, that not to thee alone
Misfortune comes — that comes to all. ,• Behold
Iphianassa, and Chrysotliemis,
And him who hides his grief, illustrious youth,;
The loved Orestes — these' have suffered too. "

Electra. Sophocles. Thomas Francklin (Translator). London. 1758–1759.

Current edition Experimental

English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 9 focus
φάσκειν Μυκήνας τὰς πολυχρύσους ὁρᾶν δραιν L pr. ὁρᾶν A. ὁρᾶν Vat. ac.
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-120 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 9 focus
EL
O daughters of a noble line,
Ye come to soothe me from my troublous woe.
I see, I know:
Your love is not unrecognized of mine.
But yet I will not seem as I forgot,
Or cease to mourn my hapless father’s lot.
85
Oh, of all love
85
That ever may you move,
85
This only boon I crave—
Leave me to rave!
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 1 focus
O Sohn des Feldherrn, der in Troas einst gebot, 1
1
Des Agamemnon, endlich ist es dir vergönnt,
Zu schaun mit Augen, was zu schaun dich stets verlangt.
Dein graues Argos, deiner Sehnsucht Land, ist hier, 2
Der wuthgeschlagnen Inachid' uralter Hain;
5
Das dort, Orestes, ist der Markt des Lykiers,
Des wolferlegenden Gottes, und zur Liuken hier
Der Hera stolzer Tempel: wo wir hingelangt,
Schaust du Mykenä's Veste, reich an goldnem Schaz,
Und hier der Pelopsenkel unheilschwangres Haus,
10
Wo nach des Vaters grausem Tod ich ehedem
Von deiner Schwester dich empfing und weiter trug
Und rettet' und zu solcher Jugendblüte dich
Aufzog, dereinst zu rächen deines Vaters Mord.
Nun denn, Orestes, und o du, mein Pylades,
15
Der Freunde liebster, was zu thun, berathet schnell:
Denn schon erweckt der Sonne strahlenvoller Glanz
Der Vögel Morgenstimmen uns zu hellem Schall;
Die schwarze Nacht der Sterne schwand in's Dunkel hin.
Drum eh' ein Mann aus dieses Hauses Pforte tritt,
20
Beredet euch zusammen; denn wir stehen da,
Wo's nimmer gilt zu säumen, wo's der That bedarf.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 9 focus
Chorus
ELECTRA, CHORUS. 121
Why, poor Electra, in thy mother's crimes
For ever wretched, wilt thou pine away
In never-ceasing grief? Why still lament,
The royal Agamemnon, long since caught
In that most impious woman's treacherous wiles,
And basely to a murderer's hands betray'd ?
Perish the wretch, if I may form that wish,
So perish he, who dared the bloody deed!
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-120 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-80-1 τόν γ’ ἐξ Ἀΐδα … λίμνας 1

mvp-comment-80-2 παγκοίνου 2

mvp-comment-80-3 ἀνστάσεις 3

mvp-comment-81-1 οὔτε †γόοις οὔτε λιταῖσιν 4 οὔτε γόοισιν οὔτ’ εὐχαῖς 5

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

86-250. mvp-comment-59-1 In this long lament there are two principal movements, each of which admits of subdivision. First, the monody of Electra, consisting of two anapaestic systems, of which one (ll. 86-102) is retrospective, and the other (ll. 103-120) is prospective. Secondly, there is the commatic parodos :-the chorus on their entrance address Electra with lyric strains, to which she responds also in lyric measures. This movement consists of three strophes and antistrophes. In στρ. and ἀντ. α' (ll. 121-152), the chorus gently, but gloomily, expostulate with Electra, who is inconsolable. In στρ. and ἀντ. β΄ (ll. 153-192), they vainly try to cheer her. In στρ. and ἀντ. γ΄ (ll. 193- 232), they remind her of her past and present troubles, and exhort her not to add to them. All this is followed by a ῥῆσις of Electra (ll. 254-309) in reply to the coryphaeus, who, at l. 324, again speaks to call attention to Chrysothemis' approach.

86-250. mvp-comment-59-2 Metres. The anapaests in 86-120, although for the most part regular are in so far of the freer kind which belong to laments as to admit the spondaic paroemiacs near the commencement of each system in ll. 88, 9, 105, 6, which, with the opening half line, have a strange effect of heaviness and of struggle and pain. The two systems so nearly correspond, both in this respect and in the number of the lines, that one is tempted to believe that the half line that would complete the antistrophic effect has been lost somewhere between 113 and 117. But anapaestic systems are seldom exactly antistrophic, and the pause after the (dactylic) invocation in l. 115 may be intentional.

137-138. mvp-comment-86-1 τόν γ᾽ ἐξ ᾿Αΐδα λίμνας] i.e. τὸν ἐν . . λίμνᾳ ἐκ . . λίμνας, according to a familiar idiom of condensation. λίμνας] Viz. the 'palus Acherontis,' on the shores of which dwelt the dead.

139. mvp-comment-87-1 Cp. Il. 24.550, 1, οὐ γάρ τι πρήξεις ἀκαχήμενος υἷος ἐῆος, | οὐδέ μιν ἀνστήσεις, πρὶν καὶ κακὸν ἄλλο πάθῃσθα. For the line as it stands, a glyconic with a spondee after the close, cp. Eur. Med. 159, τάκου δυρομένα σὸν εὐνάταν: 183, πένθος γὰρ μεγάλως τόδ᾽ ὀρμᾶται. The short syllable at the end of the previous line, and the iambic base of the glyconic, are avoided by reading *θρήνοις for γόοις.

139. mvp-comment-87-2 Dindorf retains the order of the words, and reads παγκοίνου λίμνας πατέρ᾽ ἀν | στάσεις οὔτε γόοισιν οὔτ᾽ *ἄνταις (a double glyconic with spondee at close). ἄνταις is the conjecture of Hermann from Hesychius: ἄντήσει (sic), λιτανείαις, ἀντήσεσι. But is not ἀντήσεσι: λιτανείαις an equally probable emendation of the corrupt reading in Hesychius? For λιταῖσι, cp. supr. 110 foll. Prof. Paley suggests πατέρ᾽ ἀν | στάσεις οὔτε γόοισιν οὔτ᾽ εὐχαῖς.