Sophocles Electra 299

Thomas Francklin (Translator)

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Chorus
1397cont4
Then vengeance is complete.
The dead arise and shed their murderers' blood
1422cont2
In copious streams.

Electra. Sophocles. Thomas Francklin (Translator). London. 1758–1759.

Current edition Experimental

English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 275 focus
ἡ δ᾽ ἤδ' L Pal. Schaef. corr. ἡ δ' A. ὧδε τλήμων ὥστε τῷ μιάστορι
275
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 251-471 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 299 focus
EL
Forbid me not my joy,
1275
Nor make me lose the brightness of thy face!
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 310 focus
Auf, sage, weilt Aegisthos hier, indeß du so
Mir redest, oder ging er aus dem Hause fort?
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 299 focus
Orestes
Comes he upon us?
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 251-470 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-774-1 A kommos. It falls into two principal parts. (1) 1398—1421; the death of Clytaemnestra. (2) 1422— 1441; Orestes and Pylades re-enter; Aegisthus approaches; and they prepare to receive him.

mvp-comment-774-2 The general structure of this kommos is clearly strophic; but critics differ on details. The simplest view is that of Dindorf and others, that vv. 1398—1421 form a single strophe,=antistr. 1422— 1441. The lyric verses 1407, 1413—4, and 1419—1421, correspond respectively with 1428, 1433—4, and 1439—1441: for these, see Metrical Analysis. It is usually held, with Hermann, that the correspondence of the iambic trimeters also must be exact. This makes it necessary to assume a gap in our text after v. 1427 (n.), and a second after 1429 (n.), besides the defect in 1432. See Appendix.

mvp-comment-774-3 Electra hastens out of the house. She performs the part of an

<*>ξάγγελος
, so far as to describe the situation at this moment in the house: then Clytaemnestra's cry is heard, like that of the dying king in Aesch. Ag. 1343 ff. In the Orestes (408 B.C.) Electra has a similar part, perhaps suggested by this. Helen's cry is heard within, and Electra says to the Chorus (1297),
ἠκούσαθ); ἅνδρες χεῖρ’ ἔχουσιν ἐν φόνῳ
.

mvp-comment-775-1 τελοῦσι 1

mvp-comment-776-1 τάφον 2

mvp-comment-776-2 λέβητα 3

mvp-comment-776-3 κοσμεῖ 4

mvp-comment-777-1 αἰαῖ· ἰὼ στέγαι 5

mvp-comment-778-1 ἀνήκουστα 6

mvp-comment-779-1 ἰδού 7

mvp-comment-779-2 μάλ’ αὖ 8

mvp-comment-780-1 ἐκ σέθεν 9

mvp-comment-780-2 ὁ γεννήσας πατήρ 10

mvp-comment-780-3 1413 f. The traditional reading φθίνει φθίνει 11 σε 12 σοι 13 μοῖρα καθαμερία 14 φθίνει 15

mvp-comment-780-4 Others explain as follows. (1) Keeping both σε 16 φθίνει φθίνει 17 σε 18 φθίνειν φθίνειν 19

mvp-comment-780-5 Nor is the objection to these interpretations merely verbal. They represent the Chorus as deploring that doom of the race which entails yet another deed of bloodshed. But, as Whitelaw well observes, this commits Sophocles to the Aeschylean view of the vengeance ‘as a new crime in the series of crimes’ (Translation, p. 437). The Chorus are in the fullest sympathy with the avengers. They regard the slaying of Clytaemnestra not as a new calamity, but as a welcome retribution: cp. 1434

τὰ πρὶν εὖ θέμενοι
, and 1508 ff. The words
ὦ πόλις, ὦ γενεὰ
express the feeling of these
πολίτιδες
(1227) that the cause of the house is that of the city. They hail the approaching deliverance of Mycenae from the tyrants. The change of
ὦ πόλις, ὦ γενεὰ
into
ὦ Πέλοπος γενεὰ
(cr. n.) is equally rash and infelicitous.

mvp-comment-780-6 1415 f. Cp. Aesch. Ag. 1343

ΑΓ. ὤμοι, πέπληγμαι καιρίαν πληγὴν ἔσω
... 1345
ὤμοι μάλ’ αὖθις, δευτέραν πεπληγμένος.

mvp-comment-780-7 διπλῆν 20

mvp-comment-780-8 εἰ γὰρ Αἰγίσθῳ γ’ ὁμοῦ 21

mvp-comment-781-1 τελοῦς ἀραί 22

mvp-comment-781-2 οἱ … κείμενοι 23

mvp-comment-781-3 ὑπαὶ 24

mvp-comment-782-1 παλίρρυτον 25

mvp-comment-782-2 ὑπεξαιροῦσι 26

mvp-comment-783-1 καὶ μὴν 27

mvp-comment-783-2 στάζει θυηλῆς 28

mvp-comment-783-3 ψέγειν 29 λέγειν 30

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1398-1441. mvp-comment-660-1 The following passage (1398-1441), although consisting largely of senarii, appears to be antistrophic, nearly corresponding even in the division of the lines. According to this view ll. 1404-1406 are either (1) not to be counted in the strophe, or (2) lines answering to them after l. 1427 must be supposed to have been lost. As the lines in question relate to the sudden cry of Clytemnestra from within, the former supposition is sufficiently probable. Cp. note on O. C. 117 foll., vol. i. p. 298 (Ist column). In the 'strophe,' ll. 1398-1421, Clytemnestra is put to death, -in the 'antistrophe,' ll. 1422-41, the bleeding sword is displayed, and Aegisthus is descried. The young men then retire into the palace, and Electra waits outside.

1399. mvp-comment-661-1 τελοῦσι is future. πρόσμενε] Addressed to the Coryphaeus.

1401. mvp-comment-662-1 λέβητα κοσμεῖ] ‘ She is decking the urn,' adorning it with wreaths for funeral consecration. Cp. Aesch. Cho. 686. Mr. Paley doubts, surely unnecessarily, if the cinerary urn be meant here as in Aesch. Cho. 686.

1407. mvp-comment-663-1 ἀνήκουστα] ‘What is horrible to hear,-as ἄρρητα are 'things horrible to tell.'

1411-1412. mvp-comment-664-1 ἀλλ᾽.. οὗτος] Cp. supr. 296, 7,601.

1413-1414. mvp-comment-665-1 If the text is sound, φθίνει is transitive here. καθαμερία is predicative and adverbial, Is destroying thee this very day.' This brief lyrical utterance fills the moment of dread suspense before the falling of the blow.

1417. mvp-comment-666-1 εἰ γὰρ Αἰγίσθῳ *γ᾿ ὁμοῦ] ‘Ay, would that you were crying "Oh!" for Aegisthus too.' Αἰγίσθῳ follows the construction of μοί in ὤμοι. The reading of the MSS., θ', can only be defended on the questionable ground that Te may be used in tragedy, as in Homer, as an expletive adverb. But on the other hand γε following γάρ is awkward.

1419. mvp-comment-667-1 τελοῦσι] 'Are finishing,' i. e. are accomplishing their end.

1420. mvp-comment-668-1 παλίρρυτον] 'Flowing in return.' Cp. supr. 246, 7, οἱ δὲ μὴ πάλιν δώσουσ᾽ ἀντιφόνους δίκας.