mvp-comment-774-1
A kommos. It falls into two principal parts. (1) 1398—1421; the death of Clytaemnestra. (2) 1422— 1441; Orestes and Pylades re-enter; Aegisthus approaches; and they prepare to receive him.
mvp-comment-774-2
The general structure of this kommos is clearly strophic; but critics differ on details. The simplest view is that of Dindorf and others, that vv. 1398—1421 form a single strophe,=antistr. 1422— 1441. The lyric verses 1407, 1413—4, and 1419—1421, correspond respectively with 1428, 1433—4, and 1439—1441: for these, see Metrical Analysis. It is usually held, with Hermann, that the correspondence of the iambic trimeters also must be exact. This makes it necessary to assume a gap in our text after v. 1427 (n.), and a second after 1429 (n.), besides the defect in 1432. See Appendix.
mvp-comment-774-3
Electra hastens out of the house. She performs the part of an
<*>ξάγγελος
, so far as to describe the situation at this moment in the house: then Clytaemnestra's cry is heard, like that of the dying king in
Aesch.
Ag. 1343
ff. In the
Orestes (408 B.C.) Electra has a similar part, perhaps suggested by this. Helen's cry is heard within, and Electra says to the Chorus (1297),
ἠκούσαθ); ἅνδρες χεῖρ’ ἔχουσιν ἐν φόνῳ
.
mvp-comment-775-1
τελοῦσι
1
mvp-comment-776-1
τάφον
2
mvp-comment-776-2
λέβητα
3
mvp-comment-776-3
κοσμεῖ
4
mvp-comment-777-1
αἰαῖ· ἰὼ στέγαι
5
mvp-comment-778-1
ἀνήκουστα
6
mvp-comment-779-1
ἰδού
7
mvp-comment-779-2
μάλ’ αὖ
8
mvp-comment-780-1
ἐκ σέθεν
9
mvp-comment-780-2
ὁ γεννήσας πατήρ
10
mvp-comment-780-3
1413 f. The traditional reading
φθίνει φθίνει
11
σε
12
σοι
13
μοῖρα καθαμερία
14
φθίνει
15
mvp-comment-780-4
Others explain as follows. (1) Keeping both
σε
16
φθίνει φθίνει
17
σε
18
φθίνειν φθίνειν
19
mvp-comment-780-5
Nor is the objection to these interpretations merely verbal. They represent the Chorus as
deploring that doom of the race which entails yet another deed of bloodshed. But, as Whitelaw well observes, this commits Sophocles to the Aeschylean view of the vengeance ‘as a new crime in the series of crimes’ (Translation, p. 437). The Chorus are in the fullest sympathy with the avengers. They regard the slaying of Clytaemnestra not as a new calamity, but as a welcome retribution:
cp. 1434
τὰ πρὶν εὖ θέμενοι
, and 1508 ff. The words
ὦ πόλις, ὦ γενεὰ
express the feeling of these
πολίτιδες
(1227) that the cause of the house is that of the city. They hail the approaching deliverance of Mycenae from the tyrants. The change of
ὦ πόλις, ὦ γενεὰ
into
ὦ Πέλοπος γενεὰ
(cr. n.) is equally rash and infelicitous.
mvp-comment-780-6
1415 f. Cp.
Aesch.
Ag. 1343
ΑΓ. ὤμοι, πέπληγμαι καιρίαν πληγὴν ἔσω
... 1345
ὤμοι μάλ’ αὖθις, δευτέραν πεπληγμένος.
mvp-comment-780-7
διπλῆν
20
mvp-comment-780-8
εἰ γὰρ Αἰγίσθῳ γ’ ὁμοῦ
21
mvp-comment-781-1
τελοῦς ἀραί
22
mvp-comment-781-2
οἱ … κείμενοι
23
mvp-comment-781-3
ὑπαὶ
24
mvp-comment-782-1
παλίρρυτον
25
mvp-comment-782-2
ὑπεξαιροῦσι
26
mvp-comment-783-1
καὶ μὴν
27
mvp-comment-783-2
στάζει θυηλῆς
28
mvp-comment-783-3
ψέγειν
29
λέγειν
30