Sophocles, Electra, Thomas Francklin (Translator), 112

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Chorus

Oh horrible !

Electra. Sophocles. Thomas Francklin (Translator). London. 1758–1759.

Current edition Experimental

English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))

Provisional text from uncorrected OCR; expect errors.

Editions (2)

Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 112 focus

ὦ χθόνι᾿ ῾Ἑρμῆ καὶ πότνι᾿ Ἀρά γρ. ποτνία ἀρά C2*.,

Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 121-250 focus

Χορός

ὦ παῖ, παῖ δυστανοτάτας

Ἠλέκτρα ματρός, τίνʼ ἀεὶ

τάκεις ὧδʼ ἀκόρεστον οἰμωγὰν

τὸν πάλαι ἐκ δολερᾶς ἀθεώτατα

ματρὸς ἁλόντʼ ἀπάταις Ἀγαμέμνονα
125

κακᾷ τε χειρὶ πρόδοτον; ὡς ὁ τάδε πορὼν

ὄλοιτʼ, εἴ μοι θέμις τάδʼ αὐδᾶν.

Ἠλέκτρα

ὦ γενέθλα γενναίων,

ἥκετʼ ἐμῶν καμάτων παραμύθιον.
130

οἶδά τε καὶ ξυνίημι τάδʼ, οὔ τί με

φυγγάνει, οὐδʼ ἐθέλω προλιπεῖν τόδε,

μὴ οὐ τὸν ἐμὸν στενάχειν πατέρʼ ἄθλιον.

ἀλλʼ ὦ παντοίας φιλότητος ἀμειβόμεναι χάριν,

ἐᾶτέ μʼ ὧδʼ ἀλύειν,
135

αἰαῖ, ἱκνοῦμαι.

137

Χορός

ἀλλʼ οὔτοι τόν γʼ ἐξ Ἀΐδα

παγκοίνου λίμνας πατέρʼ ἀν-

στάσεις οὔτε γόοισιν οὔτʼ εὐχαῖς.

ἀλλʼ ἀπὸ τῶν μετρίων ἐπʼ ἀμήχανον
140

ἄλγος ἀεὶ στενάχουσα διόλλυσαι,

ἐν οἷς ἀνάλυσίς ἐστιν οὐδεμία κακῶν.

τί μοι τῶν δυσφόρων ἐφίει;

Ἠλέκτρα

νήπιος ὃς τῶν οἰκτρῶς

οἰχομένων γονέων ἐπιλάθεται.
145

ἀλλʼ ἐμέ γʼ ἁ στονόεσσʼ ἄραρεν φρένας,

ἃ Ἴτυν, αἰὲν Ἴτυν ὀλοφύρεται,

ὄρνις ἀτυζομένα, Διὸς ἄγγελος.

ἰὼ παντλάμων Νιόβα, σὲ δʼ ἔγωγε νέμω θεόν,
150

ἅτʼ ἐν τάφῳ πετραίῳ

αἰεὶ δακρύεις.

154

Χορός

οὔτοι σοὶ μούνᾳ, τέκνον,

ἄχος ἐφάνη βροτῶν,
155

πρὸς ὅ τι σὺ τῶν ἔνδον εἶ περισσά,

οἷς ὁμόθεν εἶ καὶ γονᾷ ξύναιμος,

οἵα Χρυσόθεμις ζώει καὶ Ἰφιάνασσα,

κρυπτᾷ τʼ ἀχέων ἐν ἥβᾳ,

ὄλβιος, ὃν ἁ κλεινὰ
160

γᾶ ποτε Μυκηναίων

δέξεται εὐπατρίδαν, Διὸς εὔφρονι

βήματι μολόντα τάνδε γᾶν Ὀρέσταν.

Ἠλέκτρα

ὅν γʼ ἐγὼ ἀκάματα προσμένουσʼ, ἄτεκνος,

τάλαινʼ, ἀνύμφευτος αἰὲν οἰχνῶ,
165

δάκρυσι μυδαλέα, τὸν ἀνήνυτον

οἶτον ἔχουσα κακῶν· ὁ δὲ λάθεται

ὧν τʼ ἔπαθʼ ὧν τʼ ἐδάη. τί γὰρ οὐκ ἐμοὶ

ἔρχεται ἀγγελίας ἀπατώμενον;
170

ἀεὶ μὲν γὰρ ποθεῖ,

ποθῶν δʼ οὐκ ἀξιοῖ φανῆναι.

174

Χορός

θάρσει μοι, θάρσει, τέκνον.

ἔτι μέγας οὐρανῷ
175

Ζεύς, ὃς ἐφορᾷ πάντα καὶ κρατύνει·

ᾧ τὸν ὑπεραλγῆ χόλον νέμουσα

μήθʼ οἷς ἐχθαίρεις ὑπεράχθεο μήτʼ ἐπιλάθου·

χρόνος γὰρ εὐμαρὴς θεός.

οὔτε γὰρ ὁ τὰν Κρῖσαν
180

βούνομον ἔχων ἀκτὰν

παῖς Ἀγαμεμνονίδας ἀπερίτροπος

οὔθʼ ὁ παρὰ τὸν Ἀχέροντα θεὸς ἀνάσσων.

Ἠλέκτρα

ἀλλʼ ἐμὲ μὲν ὁ πολὺς ἀπολέλοιπεν ἤδη
185

βίοτος ἀνέλπιστος, οὐδʼ ἔτʼ ἀρκῶ·

ἅτις ἄνευ τεκέων κατατάκομαι,

ἇς φίλος οὔτις ἀνὴρ ὑπερίσταται,

ἀλλʼ ἁπερεί τις ἔποικος ἀναξία

οἰκονομῶ θαλάμους πατρός, ὧδε μὲν
190

ἀεικεῖ σὺν στολᾷ,

κεναῖς δʼ ἀμφίσταμαι τραπέζαις.

193

Χορός

οἰκτρὰ μὲν νόστοις αὐδά,

οἰκτρὰ δʼ ἐν κοίταις πατρῴαις

ὅτε οἱ παγχάλκων ἀνταία
195

γενύων ὡρμάθη πλαγά.

δόλος ἦν ὁ φράσας, ἔρος ὁ κτείνας,

δεινὰν δεινῶς προφυτεύσαντες

μορφάν, εἴτʼ οὖν θεὸς εἴτε βροτῶν

ἦν ὁ ταῦτα πράσσων.
200

Ἠλέκτρα

ὦ πασᾶν κείνα πλέον ἁμέρα

ἐλθοῦσʼ ἐχθίστα δή μοι·

ὦ νύξ, ὦ δείπνων ἀρρήτων

ἔκπαγλʼ ἄχθη,

τοὺς ἐμὸς ἴδε πατὴρ
205

θανάτους αἰκεῖς διδύμαιν χειροῖν,

αἳ τὸν ἐμὸν εἷλον βίον πρόδοτον, αἵ μʼ ἀπώλεσαν·

οἷς θεὸς ὁ μέγας Ὀλύμπιος

ποίνιμα πάθεα παθεῖν πόροι,
210

μηδέ ποτʼ ἀγλαΐας ἀποναίατο

τοιάδʼ ἀνύσαντες ἔργα.

213

Χορός

φράζου μὴ πόρσω φωνεῖν.

οὐ γνώμαν ἴσχεις ἐξ οἵων

τὰ παρόντʼ οἰκείας εἰς ἄτας
215

ἐμπίπτεις οὕτως αἰκῶς;

πολὺ γάρ τι κακῶν ὑπερεκτήσω,

σᾷ δυσθύμῳ τίκτουσʼ ἀεὶ

ψυχᾷ πολέμους· τὰ δὲ τοῖς δυνατοῖς

οὐκ ἐριστὰ πλάθειν.
220

Ἠλέκτρα

δεινοῖς ἠναγκάσθην, δεινοῖς·

ἔξοιδʼ, οὐ λάθει μʼ ὀργά.

ἀλλʼ ἐν γὰρ δεινοῖς οὐ σχήσω

ταύτας ἄτας,

ὄφρα με βίος ἔχῃ.
225

τίνι γάρ ποτʼ ἄν, ὦ φιλία γενέθλα,

πρόσφορον ἀκούσαιμʼ ἔπος, τίνι φρονοῦντι καίρια;

ἄνετέ μʼ ἄνετε, παράγοροι·

τάδε γὰρ ἄλυτα κεκλήσεται,

οὐδέ ποτʼ ἐκ καμάτων ἀποπαύσομαι
230

ἀνάριθμος ὧδε θρήνων.

233

Χορός

ἀλλʼ οὖν εὐνοίᾳ γʼ αὐδῶ,

μάτηρ ὡσεί τις πιστά,

μὴ τίκτειν σʼ ἄταν ἄταις.
235

Ἠλέκτρα

καὶ τί μέτρον κακότατος ἔφυ; φέρε,

πῶς ἐπὶ τοῖς φθιμένοις ἀμελεῖν καλόν;

ἐν τίνι τοῦτʼ ἔβλαστʼ ἀνθρώπων;

μήτʼ εἴην ἔντιμος τούτοις

μήτʼ, εἴ τῳ πρόσκειμαι χρηστῷ,
240

ξυνναίοιμʼ εὔκηλος, γονέων

ἐκτίμους ἴσχουσα πτέρυγας

ὀξυτόνων γόων.

εἰ γὰρ ὁ μὲν θανὼν γᾶ τε καὶ οὐδὲν ὢν
245

κείσεται τάλας,

οἱ δὲ μὴ πάλιν

δώσουσʼ ἀντιφόνους δίκας,

ἔρροι τʼ ἂν αἰδὼς

ἁπάντων τʼ εὐσέβεια θνατῶν.
250

Translations (4)

English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 112 focus

EL

O misery! ’Tis time to wail thy fate,

Orestes, when, in thy calamity,

Thy mother thus insults thee. Is it well?

German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 103 focus

Nein, niemals hemm' ich die Stimme des Grams

Und den finsteren Harm,

So lang ich schaue der Sterne
105

Weitstrahlenden Glanz und den Tag hier,

Daß, wie Philomel' um des Kindes Verlust,

Ich den Ruf an der Thür des Gemordeten hier

Nicht jammernd erhöb' und von Allen gehört.

Ach, Aïdes' Haus, Persephone's Haus!
110

Du Hermes drunten! O Fluchgöttin,¹

Und Erinnyen ihr, ein göttlich Geschlecht,

Die heimlichen Ehbruch strafen und schau'n,

Wen tückischer Mord unschuldig verdarb,

Kommt helfend heran:
115

O rächet den Mord, an dem Vater verübt,

Und zum Beistand führt mir den Bruder zurück!

Denn nimmer zu tragen vermag ich allein

Das Gewicht in der Schale des Unglücks.

(Der Chor, von der Stadtseite kommend, ordnet sich vor dem Palaste.) Elektra. Der Chor. Erste Strophe.

Der Chor.

English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 112 focus

Electra

No: we are sunk, and therefore sink not thee.

English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 121-250 focus

Chorus

Ah, Electra, child of a most wretched mother, why are you always wasting away in this unsated mourning for Agamemnon, who long ago was godlessly

ensnared in your false mother’s wiles and betrayed by her corrupt hand? May the one who did that perish, if I may speak such a curse without breaking the gods’ laws.
125

Electra

Ah, noble-hearted girls,

you have come to relieve me in my troubles. I know and feel it: it does not escape me. Still I cannot leave this task undone, nor abandon this mourning for my poor father. Ah, friends whose love responds to mine in every mood,
130

allow me to rave as I am, oh, please, I beg you!
135

137

Chorus

But never by weeping nor by prayer will you resurrect your father from the pool of Hades which receives all men.

No, by grieving without end and beyond due limits you will find cureless misery and your own ruin; in these actions there is no deliverance from evils. Tell us, why do you pursue such suffering?
140

Electra

Foolish is the child who forgets a parent’s piteous death. No, closer to my heart is the mourner who eternally wails, Itys, Itys, that bird mad with grief, the messenger of Zeus.
145

Ah, all-suffering Niobe, you I count divine, since you weep forever in your rocky tomb!
150

154

Chorus

Not to you alone of mortals, my daughter, has sorrow come,

though you face it with less restraint than those girls inside, Chrysothemis and Iphianassa, whose parents and blood you share. They still live, as he, too, lives, sorrowing in his secluded youth,
155

yet happy in that this famous realm of the Mycenaeans shall one day receive him as a noble lord, if with the blessing of Zeus’s escort he, Orestes, returns to this land.
160

Electra

Yes, I await him with unwearied longing,

as I walk my sad path from day to day childless and unwed, bathed in tears, bearing that endless doom of evils. But he forgets all that he has suffered and learned.
165

What message comes to me that is not proven false? He constantly desires to be with us, but though he desires it, he does not choose to appear.
170

174

Chorus

Courage, my daughter, courage; Zeus in the sky

is still mighty, and he sees and rules all. Leave your oversharp anger to him; be neither excessively hostile to those you hate, nor forgetful of them, since Time is a god who brings ease.
175

Neither the son of Agamemnon, who dwells by Crisa ’s cattle-feeding shore nor the god who reigns beside Acheron is unmindful of you.
180

Electra

But the best part of life has passed away leaving me in hopelessness, and I have no strength left. I waste away without children and have no loving husband to champion me, but like some despised foreign slave,
185

I serve in the halls of my father, wrapped in shabby garments and standing to eat scanty meals.
190

193

Chorus

Mournful was the voice heard at his return, and mournful the voice amidst your father’s reclining banquet

when the straight, swift blow of the bronze-jawed axe was sped against him. Deceit was the plotter, Lust the slayer, two dread parents of a dreadful
195

phantom, whether it was god or mortal that did this deed.
200

Electra

O that hated day, hated beyond all that have come to me; O that night, the terrible grief of that unutterable feast, the shameless death-strokes

my father saw from their twin hands, hands which took my life captive by treachery, which cast me to ruin! May the great god of Olympus
205

create for them sufferings in penalty, and may they never have enjoyment of their splendor since they have committed such crimes!
210

213

Chorus

Be advised to say no more; do you not see by what actions

under the present circumstances you plunge so shamefully into self-made miseries? You have far excelled in achieving misfortune, ever breeding wars in your hardhearted soul. But such strife
215

should not be pushed into a conflict with the powerful.
220

Electra

I have been forced to it, forced by a terrible compulsion. I know my own passion; it does not escape me; but, under such terrible compulsion, I will not restrain these disastrous cries of frenzy,

so long as life is in me. Who indeed, my noble friends, who that keeps what is appropriate in mind, would think any word of comfort right for my ears? Let me be, let me be, my comforters!
225

For these ills will be reckoned with those which have no cure; I will never know a respite from my pains, or the sum of this wailing.
230

233

Chorus

It is nevertheless with goodwill, like a true-hearted mother,

that I dissuade you from begetting misery upon miseries.
235

Electra

But what limit has nature begot for my affliction? Tell me, how can it be right to neglect the dead? Has such a seed been sown in any mortal? May I never have such men’s esteem;

never, when I am close to prosperity, may I dwell in ease, hindering the wings of shrill lamentation so as to deprive my begetter of his honors!
For if the dead is to lie a wretch, merely dust and nothingness,
240

while his slayers do not pay back to him blood for blood in penalty,
245

then shame and reverence will vanish from all humanity.
250

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-497-1 κέκευθεν ¹

mvp-comment-497-2 οὔτε του ²

mvp-comment-497-3 ἀντιάσας ³

mvp-comment-497-4 τάφου … γόων ⁴

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

823-869. mvp-comment-388-1 In this short commos, in which the broken lines are expressive of intense feeling, the several members of the Chorus, with the exception of the Coryphaeus, who, having spoken in 11. 764, 5, remains in silent sympathy with Electra, attempt to rouse her from her utter despair, partly with consolation and partly with expressions of pity. But she is, if possible, more inconsolable than before. The metres are as follows:-

865-870. mvp-comment-411-1 'Indeed it is unimaginable :- to think that he is hidden from the light of day, without my hands-Cho. Alas!-El. to deck his corpse and bury him, without our voices to lament for him!'

Sophocles Electra 112

Thomas Francklin (Translator)

Search the Perseus Catalog for:

Chorus

Oh horrible !

Current edition Experimental

Χορός

ἀλλʼ οὖν εὐνοίᾳ γʼ αὐδῶ,

μάτηρ ὡσεί τις πιστά,

μὴ τίκτειν σʼ ἄταν ἄταις.
235

EL

O misery! ’Tis time to wail thy fate,

Orestes, when, in thy calamity,

Thy mother thus insults thee. Is it well?

Der Chor.

Electra

No: we are sunk, and therefore sink not thee.

Electra

Foolish is the child who forgets a parent’s piteous death. No, closer to my heart is the mourner who eternally wails, Itys, Itys, that bird mad with grief, the messenger of Zeus.
145

Ah, all-suffering Niobe, you I count divine, since you weep forever in your rocky tomb!
150

Chorus

It is nevertheless with goodwill, like a true-hearted mother,

that I dissuade you from begetting misery upon miseries.
235

Commentary

Stable identifiers

Search the Perseus Catalog for:

Search the Perseus Catalog for:

Chorus Oh horrible !

Current edition Experimental

Χορός ἀλλʼ οὖν εὐνοίᾳ γʼ αὐδῶ, μάτηρ ὡσεί τις πιστά, μὴ τίκτειν σʼ ἄταν ἄταις. 235

EL O misery! ’Tis time to wail thy fate, Orestes, when, in thy calamity, Thy mother thus insults thee. Is it well?

Der Chor.

Electra No: we are sunk, and therefore sink not thee.

Electra Foolish is the child who forgets a parent’s piteous death. No, closer to my heart is the mourner who eternally wails, Itys, Itys, that bird mad with grief, the messenger of Zeus. 145 Ah, all-suffering Niobe, you I count divine, since you weep forever in your rocky tomb! 150

Chorus It is nevertheless with goodwill, like a true-hearted mother, that I dissuade you from begetting misery upon miseries. 235

Commentary

Stable identifiers

Chorus

Oh horrible !

Χορός

ἀλλʼ οὖν εὐνοίᾳ γʼ αὐδῶ,

μάτηρ ὡσεί τις πιστά,

μὴ τίκτειν σʼ ἄταν ἄταις.
235

EL

O misery! ’Tis time to wail thy fate,

Orestes, when, in thy calamity,

Thy mother thus insults thee. Is it well?

Electra

No: we are sunk, and therefore sink not thee.

Electra

Foolish is the child who forgets a parent’s piteous death. No, closer to my heart is the mourner who eternally wails, Itys, Itys, that bird mad with grief, the messenger of Zeus.
145

Ah, all-suffering Niobe, you I count divine, since you weep forever in your rocky tomb!
150

Chorus

It is nevertheless with goodwill, like a true-hearted mother,

that I dissuade you from begetting misery upon miseries.
235