καὶ πολύχειρ ἁ δεινοῖς
Electra. Sophocles. ed. Lewis Campbell. Oxford. 1879.
Table of Contents
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Current edition Experimental
Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 472-515 focus
Χορός
εἰ μὴ ʼγὼ παράφρων μάντις ἔφυν καὶ γνώμας
λειπομένα σοφᾶς,
εἶσιν ἁ πρόμαντις
Δίκα δίκαια φερομένα χεροῖν κράτη·
475
μέτεισιν, ὦ τέκνον, οὐ μακροῦ χρόνου.
ὕπεστί μοι θάρσος,
ἁδυπνόων κλύουσαν
480
ἀρτίως ὀνειράτων.
οὐ γάρ ποτʼ ἀμναστεῖ γʼ ὁ φύσας σʼ Ἑλλάνων ἄναξ,
οὐδʼ ἁ παλαιὰ χαλκόπλακτος ἀμφάκης γένυς,
485
ἅ νιν κατέπεφνεν αἰσχίσταις ἐν αἰκίαις.
εἰ μὴ ʼγὼ παράφρων μάντις ἔφυν καὶ γνώμας
λειπομένα σοφᾶς,
εἶσιν ἁ πρόμαντις
Δίκα δίκαια φερομένα χεροῖν κράτη·
475
μέτεισιν, ὦ τέκνον, οὐ μακροῦ χρόνου.
ὕπεστί μοι θάρσος,
ἁδυπνόων κλύουσαν
480
ἀρτίως ὀνειράτων.
οὐ γάρ ποτʼ ἀμναστεῖ γʼ ὁ φύσας σʼ Ἑλλάνων ἄναξ,
οὐδʼ ἁ παλαιὰ χαλκόπλακτος ἀμφάκης γένυς,
485
ἅ νιν κατέπεφνεν αἰσχίσταις ἐν αἰκίαις.
Χορός
ἥξει καὶ πολύπους καὶ πολύχειρ ἁ δεινοῖς
κρυπτομένα λόχοις
490
χαλκόπους Ἐρινύς.
ἄλεκτρʼ ἄνυμφα γὰρ ἐπέβα μιαιφόνων
γάμων ἁμιλλήμαθʼ οἷσιν οὐ θέμις.
πρὸ τῶνδέ τοί μʼ ἔχει
495
μή ποτε μή ποθʼ ἡμῖν
ἀψεγὲς πελᾶν τέρας
τοῖς δρῶσι καὶ συνδρῶσιν. ἤ τοι μαντεῖαι βροτῶν
500
οὐκ εἰσὶν ἐν δεινοῖς ὀνείροις οὐδʼ ἐν θεσφάτοις,
εἰ μὴ τόδε φάσμα νυκτὸς εὖ κατασχήσει.
ἥξει καὶ πολύπους καὶ πολύχειρ ἁ δεινοῖς
κρυπτομένα λόχοις
490
χαλκόπους Ἐρινύς.
ἄλεκτρʼ ἄνυμφα γὰρ ἐπέβα μιαιφόνων
γάμων ἁμιλλήμαθʼ οἷσιν οὐ θέμις.
πρὸ τῶνδέ τοί μʼ ἔχει
495
μή ποτε μή ποθʼ ἡμῖν
ἀψεγὲς πελᾶν τέρας
τοῖς δρῶσι καὶ συνδρῶσιν. ἤ τοι μαντεῖαι βροτῶν
500
οὐκ εἰσὶν ἐν δεινοῖς ὀνείροις οὐδʼ ἐν θεσφάτοις,
εἰ μὴ τόδε φάσμα νυκτὸς εὖ κατασχήσει.
Χορός
ὦ Πέλοπος ἁ πρόσθεν
πολύπονος ἱππεία,
505
ὡς ἔμολες αἰανὴς
τᾷδε γᾷ.
εὖτε γὰρ ὁ ποντισθεὶς
Μυρτίλος ἐκοιμάθη,
παγχρύσων δίφρων
510
δυστάνοις αἰκίαις
πρόρριζος ἐκριφθείς,
οὔ τί πω
ἔλειπεν ἐκ τοῦδʼ οἴκου
πολύπονος αἰκία.
515
ὦ Πέλοπος ἁ πρόσθεν
πολύπονος ἱππεία,
505
ὡς ἔμολες αἰανὴς
τᾷδε γᾷ.
εὖτε γὰρ ὁ ποντισθεὶς
Μυρτίλος ἐκοιμάθη,
παγχρύσων δίφρων
510
δυστάνοις αἰκίαις
πρόρριζος ἐκριφθείς,
οὔ τί πω
ἔλειπεν ἐκ τοῦδʼ οἴκου
πολύπονος αἰκία.
515
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 488 focus
Mit viel Füßen, mit viel Händen erscheint,
1
Chernen Fußtrittes, Erinnys, in
Grauser Höhle lauernd.
Denn mordbefleckten Ehebunds unkeusche Lust
Umstrickte sie, sonder Zucht und sonder Scham.
480
Drum hebt Vertrau'n mein Herz,
Nimmer erschein', erschein' uns dieses Zeichen, ohne Fluch
Zu künden Thätern und Genossen.
Die Graunbilder des Traums
Und alle Wort' aus Göttermunde
485
Sind Trug, eitles Nichts,
Wenn dieses Gesicht der Nächte nicht das Heil uns bringt.
Schlußgesang.
Mit viel Füßen, mit viel Händen erscheint,
1
Chernen Fußtrittes, Erinnys, in
Grauser Höhle lauernd.
Denn mordbefleckten Ehebunds unkeusche Lust
Umstrickte sie, sonder Zucht und sonder Scham.
480
Drum hebt Vertrau'n mein Herz,
Nimmer erschein', erschein' uns dieses Zeichen, ohne Fluch
Zu künden Thätern und Genossen.
Die Graunbilder des Traums
Und alle Wort' aus Göttermunde
485
Sind Trug, eitles Nichts,
Wenn dieses Gesicht der Nächte nicht das Heil uns bringt.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 472-515 focus
Chorus
If I am not a deranged prophet and one who lacks wise judgments,
Justice, the sender of the omen, will come, winning the just victory of her hands’ might. She will come in pursuit before long, my child. Courage is mine,
475
since I heard just now of this sweet-blowing dream. Never does the lord of the Hellenes, your producer forget,
480
nor does the axe of long ago forget, striking with bronze on its jaws, which in most shameless disgrace annihilated him.
485
If I am not a deranged prophet and one who lacks wise judgments,
Justice, the sender of the omen, will come, winning the just victory of her hands’ might. She will come in pursuit before long, my child. Courage is mine,
475
since I heard just now of this sweet-blowing dream. Never does the lord of the Hellenes, your producer forget,
480
nor does the axe of long ago forget, striking with bronze on its jaws, which in most shameless disgrace annihilated him.
485
Chorus
She, too, will come, she of many hands and many feet who lurks in her terrible ambush,
the bronze-shod Erinys. For an unwed, unbetrothed passion for a marriage polluted by murder seized the pair, though divine law forbade it to them.
490
Therefore I am confident that the portent—a wonder which I will never blame—will draw near to the criminals and conspirators. To be sure, mortal prophecy
495
from fearful dreams or divine signs exists no more, if this vision of the night does not find due fulfillment.
500
She, too, will come, she of many hands and many feet who lurks in her terrible ambush,
the bronze-shod Erinys. For an unwed, unbetrothed passion for a marriage polluted by murder seized the pair, though divine law forbade it to them.
490
Therefore I am confident that the portent—a wonder which I will never blame—will draw near to the criminals and conspirators. To be sure, mortal prophecy
495
from fearful dreams or divine signs exists no more, if this vision of the night does not find due fulfillment.
500
Chorus
O chariot-race of Pelops long ago, source of many a sorrow,
what disaster you have brought upon this land! For ever since Myrtilus sank to rest beneath the waves,
505
hurled to utter destruction from his golden chariot in disgraceful outrage, from that time to this, outrage and its many sorrows
510
were never yet gone from this house.
515
O chariot-race of Pelops long ago, source of many a sorrow,
what disaster you have brought upon this land! For ever since Myrtilus sank to rest beneath the waves,
505
hurled to utter destruction from his golden chariot in disgraceful outrage, from that time to this, outrage and its many sorrows
510
were never yet gone from this house.
515
Commentary
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
471-515. mvp-comment-208-1 The following short ode, the first stasimon, consisting of a single strophe, antistrophe, and epode, dwells, first, on the renewal of hope which is brought to the upholders of the righteous cause by the announcement of the dream, secondly, on the guilt of those whom Vengeance will now assail, and thirdly, on the long chain of troubles, of which their crime is the continuation. The rhythm, beginning from three short glyconian lines, is chiefly iambic and trochaic, with an increasing number of long syllables toward the close of each movement. The metrical scheme is the following:-