1076.
mvp-comment-615-1
Let her raise what storms she will; but I am determined to see my origin, though it be humble.'
1078.
mvp-comment-616-1
ὡς γυνή
For a woman. Cp. Hdt. 4. 81, ὀλίγους, ὡς Σκύθας εἶναι. Oedipus implies that his own 'pride of birth, (avowed in 1080, foll.) is of a nobler strain.
1079.
mvp-comment-617-1
τὴν δυσγένειαν τὴν ἐμήν
The baseness of my birth.
1080.
mvp-comment-618-1
παῖδα τῆς Τύχης.. τῆς εὐ διδούσης
Accounting myself the child of favouring Fortune. Cp. the opposite fancy of Polynices in O. C. 1323-1324, κεί μὴ σὸς ἀλλὰ τοῦ κακοῦ | πότμου φυτευθείς. So in Shak. Winter's Tale, 4. 4, Florizel says From thy succession wipe me, father! I Am heir to my affection.' 1082. οἱ δὲ συγγενεῖς μῆνές με μικρὸν καὶ μέγαν διώρισαν]
And the months that have grown up with me, have alone determined my lowness and my exaltation. As elsewhere, Time is spoken of as a real thing or person commensurate with the events.
1084-1085.
mvp-comment-619-1
This parentage of mine can never be disproved; and therefore why should I not find out my origin? This is better than
I cannot but know my birth.
1084.
mvp-comment-620-1
†ἔτι | ποτ' ἄλλος It must be admitted that ποτέ beginning the line after a short syllable which precludes synaphea, is questionable. See Aj. 986, οὐχ ὅσον τάχος | δῆτ᾿ αὐτὸν ἄξεις δεῦρο; It is allowable to conjecture ἐξέλθοιμ᾽ ἐγώ. But the secret of the anomaly is probably the inverted order (for ἄλλος ποτέ), which is for the sake of emphasis and rhythm. Cp. Phil. 1217, ἔτ᾿ οὐδέν εἰμι. 1086, foll. The chorus have forgotten their apprehension expressed in supr. 1074-1075, and yielding to the feeling of the moment, join with Oedipus in his wish to discover his origin. The joyous confidence of this strain gives greater emphasis to the catastrophe. Cp. Ant. 1115-1152, Aj. 693-718, Tr. 205-224- 'Soon shall the wonder be revealed. Our king was nursed on the mountain's breast, divinely born; some nymph his mother, his father, some roving God.' The solemnity of the prevailing ditrochaic (or epitrite) rhythm is relieved 1092. ματέρ'] by lyrical dactyls. The tone is one of religious joyousness, rising at first into excited hope, which changes, in line 7 of the strophe, into pious aspiration. トCCL トー 5 ト ト ト トー トー 1086. For κατὰ γνώμαν, cp. Tr. 102, εἴπ᾽, ὦ κρατιστεύων κατ᾿ ὄμμα, and see Essay on Language § 19. p. 28.