Sophocles Oedipus Tyrannus 134

Robert Potter (Translator)

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Jocasta
In this believe him, Edipus; regard
His sacred oath, and me, and these thy friends.

Oedipus Tyrannus. Sophocles. Robert Potter (Translator). London. 1820.

Current edition Experimental

English (Robert Potter, 1788) (OCR draft) (English) (English (Robert Potter, 1788))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 134 focus
πρὸς τοῦ θανόντος τήνδ᾽ ἔθεσθ᾽ ἐπιστροφήν·
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 151-215 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 134 focus
OED
That, but for your advice, he had not dared
To talk of Laius’ death as done by me.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 132 focus
Von Anbeginn denn werde dies von mir enthüllt.
Denn würdig war's des Phöbos, würdig deiner war's,
Daß ihr dem Todten diese Sorge zugewandt.
Drum sollt ihr mich auch billig seh'n in eurem Bund
135
Die Noth des Landes sühnen und den Gott zugleich.
Und nicht für ferne Freunde ja vollbring' ich das;
Vom eignen Haupte schaff' ich mir den Gräuel fort.
Denn wer es war, der ihn erschlug, er will vielleicht 1
Sich auch an mir vergreifen mit derselben Hand.
140
Drum wenn ich jenem diene, dien' ich mir zugleich.
Nun flugs erhebt euch, Kinder, von den Stufen hier,
Und nehmt den Schmuck der Fleh'nden, eure Zweige, mit;
Ein Andrer aber sammle hier des Kadmos Volk; 2
Denn jezt versuch' ich Alles; bald wird's offenbar,
145
Ob uns der Gott Glück sendet oder Untergang.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 134 focus
Chorus
We do.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 151-215 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-409-1 ὅρκον θεῶν 1

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

646. mvp-comment-378-1 πίστευσον τάδε Cp. Eur. Hel. 710, λόγοις δ᾽ ἐμοῖσι πίστευσον τάδε.

647. mvp-comment-379-1 τόνδ' .. θεῶν The word ἀραῖος implied an appeal to the Gods.

647. mvp-comment-379-2 θεῶν Not objective gen. = The oath sworn by the Gods; but rather, This divine or sacred oath. The oath is regarded as a sacred presence and almost personified. Cp. O. C. 1767, χώ πάντ' ἀΐων Διὸς ὅρκος: Xen. Anab. 3. I, 22. Ant. 607. Thuc. 5. 30, θεῶν. . κώλυμα = θεῖον κώλυμα.

648. mvp-comment-380-1 foll. Sophocles has here employed the chorus with great skill. Without any pause in the action, which must be continued until the colloquy between Jocasta and Oedipus has taken place, the short musical strains which allay the exasperation of Oedipus and assure him of his people's loyalty, also relieve the mind of the spectator from the tension caused by the preceding dialogue, and prepare him to give undivided attention to the central scene-in which the first doubt is suggested to the mind of Oedipus, while the impious confidence of στρ. α. ト Jocasta is revealed. Lines from 649 to 659 correspond to 678-688, and lines 660-668 correspond to 689-697. In this commation cretic and dochmiac measures are varied with iambic and trochaic rhythms. The 2nd strophe begins with a molossus. The frequent antispastic or syncopated movement has the effect of expressing the disturbed feelings of the chorus. The scansion is as follows:- つ しかし alc D ככמו στρ. β. - - C دد 10 つ داد 다 UCICI 11 つ دد IDID 스 C CICICICI トー 스 ווכ 스 ככון ICC CCI 1 D DO