Sophocles Oedipus Tyrannus 1223-1312

Richard Jebb (Translator)

View: By Card

Oedipus Tyrannus. Sophocles. Richard Jebb (Translator). Cambridge. 1887.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Experimental

Oedipus Tyrannus (English) (Sophocles the plays and fragments, Part 1: The Oedipus Tyrannus. Jebb, Richard Claverhouse, Sir, translator. Cambridge: Cambridge University Press, 1887. (Modernized by Perseus.))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 1223 focus
ὦ γῆς μέγιστα τῆσδ᾽ ἀεὶ τιμώμενοι,
οἷ᾽ ἔργ᾽ ἀκούσεσθ', οἷα δ᾽ εἰσόψεσθ᾽, ὅσον δ᾽
ἀρεῖσθε πένθος, εἴπερ ἐγγενῶς ἔτι
1225
τῶν Λαβδακείων ἐντρέπεσθε δωμάτων.
οἶμαι γὰρ οὔτ᾽ ἂν Ἴστρον οὔτε Φᾶσιν ἂν
νίψαι καθαρμῷ τήνδε τὴν στέγην, ὅσα
κεύθει, τὰ δ᾽ αὐτίκ᾽ εἰς τὸ φῶς φανεῖ κακὰ
ἑκόντα κοὐκ ἄκοντα, τῶν δὲ πημονῶν
1230
μάλιστα λυποῦσ᾽ αἳ φανῶσ᾽ αὐθαίρετοι.
αὐτὴ πρὸς αὑτῆς. τῶν δὲ πραχθέντων τὰ μὲν
ἄλγιστ᾽ ἄπεστιν· ἡ γὰρ ὄψις οὐ πάρα.
ὅμως δ᾽, ὅσον γε κἀν ἐμοὶ μνήμης ἔνι,
πεύσει τὰ κείνης ἀθλίας παθήματα.
1240
ὅπως γὰρ ὀργῇ χρωμένη παρῆλθ᾽ ἔσω
θυρῶνος, ἵετ᾽ εὐθὺ πρὸς τὰ νυμφικὰ
λέχη, κόμην σπῶσ᾽ ἀμφιδεξίοις ἀκμαῖς·
πύλας δ᾽ ὅπως εἰσῆλθ᾽ ἐπιρράξασ᾽ ἔσω,
κάλει τὸν ἤδη Λάϊον πάλαι νεκρόν,
1245
μνήμην παλαιῶν σπερμάτων ἔχουσ᾽, ὑφ᾽ ὧν
θάνοι μὲν αὐτός, τὴν δὲ τίκτουσαν λίποι
τοῖς οἷσιν αὐτοῦ δύστεκνον παιδουργίαν.
γοᾶτο δ᾽ εὐνάς, ἔνθα δύστηνος διπλοῦς
ἐξ ἀνδρὸς ἄνδρα καὶ τέκν' ἐκ τέκνων τέκοι.
1250
χὤπως μὲν ἐκ τῶνδ᾽ οὐκέτ᾽ οἶδ᾽ ἀπόλλυται·
βοῶν γὰρ εἰσέπαισεν Οἰδίπους, ὑφ᾽ οὗ
οὐκ ἦν τὸ κείνης ἐκθεάσασθαι κακόν,
ἀλλ᾽ εἰς ἐκεῖνον περιπολοῦντ᾽ ἐλεύσσομεν.
φοιτᾷ γὰρ ἡμᾶς ἔγχος ἐξαιτῶν πορεῖν,
1255
γυναῖκά τ᾽ οὐ γυναῖκα, μητρῴαν δ᾽ ὅπου
κίχοι διπλῆν ἄρουραν οὗ τε καὶ τέκνων.
λυσσῶντι δ᾽ αὐτῷ δαιμόνων δείκνυσί τις·
οὐδεὶς γὰρ ἀνδρῶν, οἳ παρῆμεν ἐγγύθεν.
δεινὸν δ᾽ ἀΰσας ὡς ὑφηγητοῦ τινὸς
1260
πύλαις διπλαῖς ἐνήλατ᾽, ἐκ δὲ πυθμένων
ἔκλινε κοῖλα κλῇθρα κἀμπίπτει στέγῃ.
οὗ δὴ κρεμαστὴν τὴν γυναῖκʼ ἐσείδομεν,
πλεκταῖσιν αἰώραισιν ἐμπεπλεγμένην.
ὁ δ᾽ *ὡς ὁρᾷ νιν, δεινὰ βρυχηθεὶς τάλας,
1265
χαλᾷ κρεμαστὴν ἀρτάνην. ἐπεὶ δὲ γῇ
ἔκειτο τλήμων, δεινὰ δ᾽ ἦν τἀνθένδ᾽ ὁρᾶν.
ἀποσπάσας γὰρ εἱμάτων χρυσηλάτους
περόνας ἀπ᾿ αὐτῆς, αἷσιν ἐξεστέλλετο,
ἄρας ἔπαισεν ἄρθρα τῶν αὑτοῦ κύκλων,
1270
αὐδῶν τοιαῦθ᾽, ὁθούνεκ᾽ οὐκ ὄψοιντό νιν
οὔθ᾽ οἷʼ ἔπασχεν οὔθ᾽ ὁποῖʼ ἔδρα κακά,
ἀλλ᾽ ἐν σκότῳ τὸ λοιπὸν οὓς μὲν οὐκ ἔδει
ὀψοίαθ᾽, οὓς δ᾽ ἔχρῃζεν οὐ γνωσοίατο.
τοιαῦτ᾽ ἐφυμνῶν πολλάκις τε κοὐχ ἅπαξ
1275
ἤρασσ᾽ ἐπαίρων βλέφαρα. φοίνιαι δ᾽ ὁμοῦ
γλῆναι γένειʼ ἔτεγγον, οὐδ᾽ ἀνίεσαν
φόνου μυδώσας σταγόνας, ἀλλ᾽ ὁμοῦ μέλας
ὄμβρος χαλάζης *αἱματοῦς ἐτέγγετο.
τάδ᾽ ἐκ δυοῖν ἔρρωγεν, οὐ μόνου κακά,
ἀλλ᾽ ἀνδρὶ καὶ γυναικὶ συμμιγῆ κακά.
1280
ὁ πρὶν παλαιὸς δ᾽ ὄλβος ἦν πάροιθε μὲν
ὄλβος δικαίως, νῦν δὲ τῇδε θἠμέρᾳ
στεναγμός, ἄτη, θάνατος, αἰσχύνη, κακῶν
ὅσ᾽ ἐστὶ πάντων ὀνόματ', οὐδέν ἐστ᾽ ἀπόν.
νῦν δ᾽ ἔσθ᾽ ὁ τλήμων ἔν τινι σχολῇ κακοῦ;
1285
ὦ δεινὸν ἰδεῖν πάθος ἀνθρώποις,
ὦ δεινότατον πάντων ὅσ᾽ ἐγὼ
προσέκυρσ᾽ ἤδη. τίς σ᾽, ὦ τλῆμον,
προσέβη μανία; τίς ὁ πηδήσας
1300
μείζονα δαίμων τῶν μακίστων
πρὸς σῇ δυσδαίμονι μοίρᾳ;
φεῦ, δύστανος·
ἀλλ᾽ οὐδ᾽ ἐσιδεῖν δύναμαί σ᾽, ἐθέλων
πόλλ᾽ ἀνερέσθαι, πολλὰ πυθέσθαι,
1305
πολλὰ δ᾽ ἀθρῆσαι·
τοίαν φρίκην παρέχεις μοι.
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1223-1312 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 1223 focus
O ye who in this land have ever held
Chief honour, what an object of dire woe
Awaits your eyes, your ears! What piercing grief
Your hearts must suffer, if as kinsmen should
1225
Ye still regard the house of Laius!
Not Phasis, nor the Danube’s rolling flood,
Can ever wash away the stain and purge
This mansion of the horror that it hides.
—And more it soon shall give to light, not now
Unconsciously enacted. Of all ill,
1230
Self-chosen sorrows are the worst to bear.
Her own determination. You are spared
The worst affliction, not being there to see.
Yet to the height of my poor memory’s power
The wretched lady’s passion you shall hear.
When she had passed in her hot mood within
1240
The vestibule, straight to the bridal room
She rushes, tearing with both hands her hair.
Then having entered, shutting fast the door,
She called aloud on Laius, long dead,
With anguished memory of that birth of old
1245
Whereby the father fell, leaving his queen
To breed a dreadful brood for his own son.
And loudly o’er the bed she wailed, where she,
In twofold wedlock, hapless, had brought forth
Husband from husband, children from a child.
1250
We could not know the moment of her death,
Which followed soon, for Oedipus with cries
Broke in, and would not let us see her end,
But held our eyes as he careered the hall,
Demanding arms, and where to find his wife,—
No, not his wife, but fatal mother-croft,
1255
Cropped doubly with himself and his own seed.
And in his rage some god directed him
To find her:—’twas no man of us at hand.
Then with a fearful shout, as following
His leader, he assailed the folding-doors;
1260
And battering inward from the mortised bolts
The bending boards, he burst into the room:
Where high suspended we beheld the queen,
In twisted cordage resolutely swung.
He all at once on seeing her, wretched king!
1265
Undid the pendent noose, and on the ground
Lay the ill-starred queen. Oh, then ’twas terrible
To see what followed—for he tore away
The tiring-pins wherewith she was arrayed,
And, lifting, smote his eyeballs to the root,
Saying, Nevermore should they behold the evil
1270
His life inherited from that past time,
But all in dark henceforth should look upon
Features far better not beheld, and fail
To recognize the souls he had longed to know.
Thus crying aloud, not once but oftentimes
1275
He drave the points into his eyes; and soon
The bleeding pupils moistened all his beard,
Nor stinted the dark flood, but all at once
The ruddy hail poured down in plenteous shower.
Thus from two springs, from man and wife together,
Rose the joint evil that is now o’erflowing.
1280
And the old happiness in that past day
Was truly happy, but the present hour
Hath pain, crime, ruin:—whatsoe’er of ill
Mankind have named, not one is absent here.
And finds the sufferer now some pause of woe?
1285
O horror of the world!
Too great for mortal eye!
More terrible than all I have known of ill!
What fury of wild thought
1300
Came o’er thee? Who in heaven
Hath leapt against thy hapless life
With boundings out of measure fierce and huge?
Ah! wretched one, I cannot look on thee:
No, though I long to search, to ask, to learn.
1305
Thine aspect is too horrible.—I cannot!
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 1223 focus
Ihr, die vor Andern allezeit dies Land verehrt,
Was werdet ihr vernehmen, was mit Augen seh'n,
Welch lautes Leid erheben, wenn ihr anders noch
Dem Haus der Labdakiden edle Liebe wahrt! 1
1200
Denn nicht der Istros, glaub' ich, noch der Phasis wäscht
Jemals die Gräuel sühnend ab, die dieses Haus
Verbirgt: ein andres selbsterwähltes Leiden wird
Es bald zum Lichte fördern, und am schmerzlichsten
Sind jene Qualen, die man frei sich selbst erschuf.
1205
Sie starb von eignen Händen. Doch das Schmerzlichste
Der That entging euch; denn der Anblick mangelt euch.
So viel indeß mir haftet im Gedächtnisse,
Vernehmt vom lezten Leidenskampf der Armen dort.
Denn als in wildem Schmerze sie hineingelangt
1215
Zur Halle, stürmt sie sonder Rast in's Brautgemach,
Und rauft mit beiden Händen sich die Locken aus.
Dann warf sie drinnen hinter sich die Thüre zu,
Und rief dem längst entschlaf'nen Laïos, eingedenk
Der alten Ehe, deren Sprößling ihn erschlug,
1220
Indeß er sie, die Mutter als Erzeugerin
Unsel'ger Kinder hinterließ dem eignen Sohn.
Sie flucht dem Lager, wo sie (zwiefach herbe Schmach!)
Den Mann vom Manne, Kinder sich vom Kind gebar.
Doch wie sie dann geendet, weiß ich weiter nicht.
1225
Denn schreiend kam jezt Dedipus hereingestürzt,
Was uns den Ausgang ihres Leids zu schau'n verwehrt:
Auf ihn allein, der wild umherlief, blickten wir.
Denn stürmend bat er um ein Schwert und fragte, wo
Die Gattin, ach! nicht Gattin, wo die Mutter sei,
1230
Aus deren Schooße sein Geschlecht und er entsproß.
Und wie er tobte, zeigt' ein Gott den Weg ihm an:
Kein Mann ja, der ihm nahe stand, vermochte dies.
Mit grausem Heulen sprang er los auf's Doppelthor,
Geführt von unsichtbarer Hand; vom Grunde bog
1235
Er aus der hohlen Schlösser Band und stürzt hinein
Zum Brautgemache, wo wir hängen sah'n die Frau,
Geknüpft an's hochgewundne Seil. Doch als er so
Sie sah, der Arme, brüllt er gräßlich auf und läßt
Die Schlinge nieder. Wie die Jammervolle nun
1240
Dalag am Boden, gräßlich war's, was hier geschah.
Denn goldgetriebne Spangen, die vordem zum Schmuck 2
Ihr dienten, riß er aus der Frau Gewanden los,
Erhob sie, traf der Augen beide Kreise sich,
Und rief das Wort: sie sollten, weil sie nicht geseh'n,
1245
Was er geduldet Grauses; noch was er gethan,
Hinfort in Nacht schau'n, die zu schau'n ihm Sünde war,
Und die er kennen möchte, nicht erkennen mehr!
Und also fluchend hob er oft, nicht Einmal nur,
Die Wimpern hoch und traf sich, und die blutigen
1250
Augäpfel nezten roth die Wang' und sandten nicht
Des Blutes Naß in Tropfen, nein, zugleich ergoß
Ein Regen sich in blutig schwarzem Strom herab.
So brach das Unheil über Zwei vereint herein;
Verstrickt in Eines Leides Fall ward Mann und Weib.
1255
Wohl war in frühern Tagen noch das alte Glück
Ein Glück in Wahrheit; aber nun, an diesem Tag,
Blüht Jammer, Elend, Schande, Tod; von allem Leid,
Soviel es irgend Namen hat, fehlt keines hier.
Ogräßliches Leid für Menschen zu schau'n!
Ogräßlichstes, das von allen bis jezt
Mein Auge geseh'n! Welch Rasen ergriff,
Unglücklicher, dich? Welch zürnender Gott
Stürmt' heftiger noch, denn der wildeste Sturm,
1275
Auf dein unseliges Schicksal?
Weh, Unglückssohn! Ich kann dich ja nicht
Anschau'n, und möchte dich fragen so viel,
Mich erkundigen viel und erwägen so viel!
So weckst du mir Schauder und Grauen.
1280
Weh, weh, weh, weh!
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 1237 focus
Sages of Thebes, most honoured and
revered,
If e'er the house of Labdacus was dear
And precious to you, what will be your grief
CEDIPUS TYRANNUS. 227
When I shall tell the most disastrous tale
You ever heard, and to your eyes present
A spectacle more dreadful than they yet
Did e'er behold : not the wide Danube's waves
Nor Phasis' streams can wash away the stains
Of this polluted palace ; the dire crimes
Long time concealed at length are brought to light ;
But those which spring from voluntary guilt
Are still more dreadful.
To be brief, the queeUj
Divine Jocasta's dead.
Jocasta dead ! Say, by what hand ?
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 1223 focus
But thee th' all-seeing eye of time hath found,
And these unhallow'd rites abhorrent shows.
O son of Laius, ne'er again,
Ne'er could my sorrowing heart thy sight sustain :
Yet I lament in mournful strains thy woes,
By thee 'twas mine to life, to light, to rise;
What soonest may be spoken, soonest heard,
Take briefly, the revered Jocasta's dead.
Unhappy queen! And what the fatal cause?
1285
And hath he yet no respite from his ills ?

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-752-1 A messenger comes forth from the house. An ἐξάγγελος is one who announces τὰ ἔσω γεγονότα τοῖς ἔξω (Hesych.), while the ἄγγελος (924) brings news from a distance: in Thuc. 8.51

(τῷ στρατεύματι ἐξάγγελος γίγνεται ὡς, κ.τ.λ.),
one who betrays secrets.

mvp-comment-753-1 ὅσον δ’ 1

mvp-comment-753-2 ἀρεῖσθε 2

mvp-comment-753-3 ἐγγενῶς 3

mvp-comment-754-1 Ἴστρον 4

mvp-comment-754-2 Φᾶσιν 5

mvp-comment-755-1 καθαρμῷ, modal dat., “by way of purification, ” so as to purify.

mvp-comment-755-2 νίψαι 6

mvp-comment-755-3 ὅσα 7

mvp-comment-756-1 The construction is ὅσα κακὰ 8 κεύθει, τὰ δὲ αὐτίκα ἐς τὸ φῶς φανεῖ 9 κεύθει 10 φανεῖ 11 ἑκόντα 12 ἄκοντἀ. ἑκόντα … ἄκοντα 13

mvp-comment-757-1 μάλιστα 14 λυποῦσι 15

mvp-comment-757-2 αἳ 16

mvp-comment-758-1 λείπει 17

mvp-comment-758-2 μὴ οὐ 18 οὐδὲ 19 λείπει 20 τὸ 21 λείπει 22

mvp-comment-759-1 θεῖον 23

mvp-comment-760-1 For πρὸς 24

mvp-comment-761-1 οὐ πάρα 25

mvp-comment-762-1 κἀν ἐμοὶ 26 ἐν—ἔνι 27

mvp-comment-763-1 We are to suppose that, when she rushed from the scene in her passionate despair (1072), Iocasta passed through the central door of the palace (βασίλειος θύρἀ into the θυρών, a short passage or hall, opening on the court (αὐλή) surrounded by a colonnade (περίστυλον). Across this court she hurried to the θάλαμος or bedroom of the master and mistress of the house, and shut herself into it. Presently Oedipus burst into the court with that cry of which we heard the first accents (1182) as he fled from the scene ( βοων εἰσέπαισεν 28 ἐνήλατο 29

mvp-comment-764-1 εὐθὺ 30

mvp-comment-765-1 ἀμφιδεξίοις 31 ἀκμαῖς 32

mvp-comment-766-1 ἐπιρράξασ’ 33

mvp-comment-767-1 τὸν ἤδη Λ. πάλαι νεκρόν 34

mvp-comment-768-1 παιδουργίαν 35 λίποι | τοῖς οἷσιν αὐτοῦ 36

mvp-comment-769-1 γοᾶτο 37

mvp-comment-769-2 διπλοῦς 38

mvp-comment-770-1 The order (instead of ἀπόλλυται, οὐκέτ’ οἶδα 39

mvp-comment-771-1 φοιτᾷ, 40

mvp-comment-772-1 πορεῖν 41 ἐξαιτῶν 42 τε ὅπου κίχοι 43

mvp-comment-773-1 ἄρουραν 44

mvp-comment-774-1 οὐδεὶς γὰρ ἀνδρῶν 45

mvp-comment-775-1 ὡς ὑφηγ 46

mvp-comment-776-1 πύλαις διπλαῖς 47

mvp-comment-776-2 πυθμένων 48 κοῖλα 49

mvp-comment-777-1 αἰώραισιν 50 αἰωρα 51

mvp-comment-777-2 ἐμπεπληγμένεν 52

mvp-comment-778-1 γῇ, 53

mvp-comment-779-1 δεινὰ δ’ 54

mvp-comment-780-1 περόνας 55

mvp-comment-781-1 ἄρθρα 56 κύκλων 57

mvp-comment-782-1 οὐκ ὄψοιντο 58 ἔπασχεν … ἔδρα 59

mvp-comment-783-1 ἐν σκότῳ … ὀψοίαθ’, i.e. οὐκ ὄψονται: see on 997. The other verbs being plural (with κύκλοι for subject), the subject to ἔχρῃζεν cannot be ἄρθρα κύκλων, but only Oed. He had craved to learn his true parentage (782 ff.). ὀψοίατο, γνωσοίατο 60

mvp-comment-784-1 ἐφυμνῶν 61

mvp-comment-785-1 Cp. Soph. Ant. 52

ὄψεις ἀράξας αὐτὸς αὐτουργῷ χερί
. ὁμοῦ 62 ἔτεγγον 63

mvp-comment-786-1 The best choice lies between Heath's ὄμβρος χαλάζης αἱματοῦς 64 ὄμβρος χάλαζά θ’ αἱματοῦσσ’ 65 χαλάζης 66 αἵματος 67 μέλας ὄμβρος αἱματοῦς χαλάζης 68

mvp-comment-787-1 Soph. cannot have written these two verses as they stand; and the fault is doubtless in 1280. Porson's οὐχ ἑνὸς μόνου 69 οὐ μόνου κάτα 70

mvp-comment-788-1 ὁ πρὶν 71 παλαιὸς 72

mvp-comment-789-1 δικαίως 73

mvp-comment-790-1 Instead of κακὰ πάντα, ὅσα ὀνομάζεται, πάρεστιν, we have ὅσ’ ἐστὶ πάντων ὀνόματα 74 οὐδέν ἐστ’ ἀπόν 75

mvp-comment-791-1 ἔν τινι 76

mvp-comment-792-1 μητέρ’ 77

mvp-comment-793-1 δόμοις ἀραῖος 78 ὡς ἠράσατο 79 μενῶν δόμοις 80

mvp-comment-794-1 ἢ φέρειν 81

mvp-comment-795-1 The subject to δείξει 82

mvp-comment-796-1 οἷον ἐποικτίσαι 83 καὶ στυγοῦντα 84

mvp-comment-797-1 A κομμός (see p. 9). The Chorus begin with anapaests (1297 -1306). The first words uttered by Oedipus are in the same measure (1307 -1311). Then, after a single iambic trimeter spoken by the Chorus (1312), (1) 1st strophe 1313-1320 = (2) 1st antistrophe 1321-1328; (3) 2nd strophe 1329 -1348 = (4) 2nd antistrophe 1349-1368. Oedipus here speaks in dochmiac measures blended with iambic; the Chorus, in iambic trimeters or dimeters only. The effect of his passionate despair is thus heightened by metrical contrast with a more level and subdued strain of sorrow. Compare Soph. Aj. 348-429 , where the κομμός has in this sense a like character. Some regard the κομμός as beginning only at 1313; less correctly, I think. Its essence is the antiphonal lament rather than the antistrophic framework.

mvp-comment-798-1 ὅσα … προσέκυρσα 85

mvp-comment-799-1 ὁ πηδήσας … μοίρᾳ; 86 μείζονα τῶν μακίστων 87 μακίστων 88

mvp-comment-800-1 πρὸς 89

mvp-comment-801-1 The Attic δύστην’ 90

mvp-comment-802-1 The fate of Oedipus is a dark and dreadful mystery into which they are fain to peer ( ἀνερέσθαι, πυθέσθαι 91 ἀθρῆσαι 92

mvp-comment-803-1 διαπέταται 93 διαπωτᾶται 94 πέτεται 95 πέταται 96

mvp-comment-803-2 φοράδην 97 φοράδην 98

mvp-comment-804-1 ἐξήλου 99 ἐξήλου 100 ἐξήλω 101 ἐξάλω 102 ἐξήλλου 103 ἵν’ ἐξήλου 104

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1224-1225. mvp-comment-693-1 ὅσον δ᾽ ἀρεῖσθε πένθος What mourning will be yours! αἴρεσθαι πένθος is to assume the burden of grief.

1225. mvp-comment-694-1 ἐγγενῶς i. e. πρεπόντως τοῖς ἐν γένει, with the feeling of kindred. Cp. Thuc. 2.60, οὐκ ἂν ὁμοίως τι οἰκείως φρά- Coi. The Theban elders are closely allied by descent to the royal house of Cadmus. Cp. supr. 911, χώρας ἄνακτες : Ant. 988, Θήβης άνακτες.

1227. mvp-comment-695-1 Cp. Aesch. Cho. 72, πόροι τε πάντες ἐκ μιᾶς ὁδοῦ βαίνοντες τὸν χερομυσῆ φόνον καθαίροντες ῥέουσιν μάτην: Ant. 1284, δυσκάθαρτος Ἅιδου λιμήν.

1228. mvp-comment-696-1 καθαρμῷ Dative of manner used proleptically = ὥστε καθαρὸν εἶναι. Cp. Shak. Macbeth, 2. 1,

Will all great Neptune's ocean wash this blood | Clean from this hand?-no, this my hand will rather | The multitudinous seas incarnadine, | Making the greenone red.
The Greeks exaggerated the size of distant rivers.

1228. mvp-comment-696-2 ὅσα κεύθει Of all that it hides. Cp. Aesch. Ag. 1189, κῶμος ἐν δόμοις μένει | δύσπεμπτος ἔξω, συγγόνων Ἐρινύων.

1229. mvp-comment-697-1 τὰ δ' And fresh evils, not this time involuntary, it will now disclose. The messenger first referred generally to the horrors of the house of Laius; he now speaks of the suicide of Jocasta and the self-inflicted blindness of Oedipus. Cp. Ant. 1279-1280, τὰ μὲν πρὸ χειρῶν τάδε φέρων, τὰ δ' ἐν δόμοις | ἔοικας ἥκειν καὶ τάχ᾿ ὄψεσθαι κακά. For τὰ δέ without τὰ μέν preceding, see Essay on Language § 39. p. 74. And for ἑκόντα = ἑκούσια, ib. § 50. 3. p. 94. Cp. Ο. C. 977, τό γ' ἶκον πρᾶγμα.

1231. mvp-comment-698-1 αἱ φανῶσ' Which are seen to be. For the poetical omission of av, see Essay on Language § 27. p. 45.

1234. mvp-comment-699-1 The word soonest spoken and soonest heard is this.' λόγος is placed by anticipation in apposition with the clause, τέθνηκε θεῖον Ιοκάστης κάρα. See Essay on Language § 33. P. 57.

1235. mvp-comment-700-1 θεῖον, Royal, viz, of the goddescended race of kings. Cp. Hom. Od. 4.691, θείων βασιλήων: also δῖος, διογενής, διοτρεφής, in Epic Greek. 1237 foll. The worst of the calamity is not here, for you do not see it. But still, as far as memory serves me, you shall learn what befel that unhappy lady.' The meaning is, You cannot feel the pain of the event as we did, who saw what passed.' In the description which follows, Jocasta is seen first passing through the hall or peristyle to the inner chamber, which she enters and closes the doors after her. Then in cries which resound through the hall (while she remains unseen of any one), she calls the spirit of Laius to witness the horrors consequent on their nuptial. The household would have followed her, but their attention is arrested by the entrance of Oedipus: who ranges through the hall with loud cries, calling for a weapon, and for the mother-wife. The sound of his approach precipitates the fatal purpose of the queen, who hangs herself in the chamber. Suddenly Oedipus bethinks him that she is there, and with a single effort, he bursts open the bolted doors. He undoes the noose by which she is hanging, and when she is fallen dead, he pulls the buckles from her garments and dashes the points into his eyes.

1239. mvp-comment-701-1 καν ἐμοί i. e. As far as my poor memory serves. καί adds emphasis to ἐν ἐμοί. Cp. supr. 1112 and note: O. C. 53, ὅσ᾽ οἶδα κἀγὼ πάντ᾽ ἐπιστήσει κλύων.

1242. mvp-comment-702-1 ἵετ᾽.. λέχη So of Deianira in Trach. 912 foll. ἐξαίφνης σφ᾽ ὁρῶ τὸν Ἡράκλειον θάλαμον εἰσορμωμένην, κ.τ.λ.

1242. mvp-comment-702-2 εὐθύ The o in L. is correctly erased by the διορθωτής, in accordance with the usual distinction between the adverbs of time and place.

1243. mvp-comment-703-1 ὀμφιδεξίοις ἀκμαῖς With the fingers of both hands at once. For ἀμφιδεξίοις, see Essay on Language p. 101, and ср. О. С. 112, πλευρὸν ἀμφιδέξιον. The word here marks the equal energy with which both hands were used.

1244. mvp-comment-704-1 πύλας. ἔσω And after she had entered within the gates, and had shut them violently. This prepares the way for 1261. (1) The house must be supposed of a simple construction, consisting of a court, or αὐλή, with the θάλαμος at the further end secured by folding doors. ἐπιρράσσω like ἐπαράττω in Plat. Prot. 314 D, τὴν θίραν πάνυ προθύμως . . ἐπήραξεν. πύλας, primarily governed by εἰσῆλθε, is to be resumed with ἐπιρρ., which is proleptic, and ἔσω is added to complete the sense of εἰσῆλθε. Otherwise (2) πύλας ἐπιρράξασα, ὅπως εἰσῆλθ᾽ ἔσω, having violently closed the gate when she had entered within. For such an alternation between the words of different clauses, see Essay on Language § 41. p. 77. Or (3) joining πύλας ἐπιρράξασα ἔσω, having slammed the door inwards after entering. (1) is best.

1245. mvp-comment-705-1 The imperfect κάλει without augment (cf. infr. 1249) is retained from the MSS, and agrees with ἵστο and γοᾶτο better than καλεί. Cp. Τr. 904, βρυχάτο. For καλεῖ, which may be thought more vivid. cp. O. С. 1630.

1246. mvp-comment-706-1 σπερμάτων i. e. παιδοποιϊῶν. For this use of the verbal noun, see Essay on Language § 54. p..99, and cp Plat Legg. 8. 841 D, Polit. 272 E. And for the meaning, Aesch. S. c. T. 750-751.

1247. mvp-comment-707-1 (1) And left the mother of his children for his own son to breed from her an unhappy race. This interpretation gives most force to the expression, although supposing an extreme use of abstract for concrete; for which cp. Αj. 1297, ἐφῆκεν ἐλλοῖς ἰχθύσιν διαφθοράν. Or (2), making a pause at τοῖς οἶσιν αὐτοῦ, δύστεκνον παιδουργίαν may be taken in apposition to the sentence, And left the mother to his own son, an unhappy way of begetting children. Or (3), making τήν demonstrative and παιδουργίαν cognate accus., left her to bring forth for his own son a wretched progeny.

1249. mvp-comment-708-1 The construction is changed, and τέκοι substituted for another verb, i. e. διπλοῦς ἄνδρας σχοίη, ἄνδρα ἐξ ἀνδρὸς τεκοῦσα καὶ τέκνα ἐκ τέκνου.

1249. mvp-comment-708-2 γοᾶτο The augment is dropt Epicè, as in O. C. 1624, with a consonant preceding.

1251. mvp-comment-709-1 And after this she perishes, in what way, indeed, I cannot further tell, for Oedipus broke in with cries, and prevented us from seeing out her fatal act.' ἐκθεάσασθαι is to see out the tragedy. Cp. Tr. 929-931.

1256. mvp-comment-710-1 ὅπου κίχοι, to be joined with ἐξαιτῶν. It is oratio obliqua of ποῦ κίχω.

1257. mvp-comment-711-1 Her who was the parent earth that had borne himself and his children.'

1260. mvp-comment-712-1 ὡς ὑφηγητοῦ τινός ‘As if he had some one leading him. Viz. τοῦ δαίμονος. ὑφηγητοῦ, sc. ὄντος: see Essay on Language § 9. §. a. p. 14.

1261. mvp-comment-713-1 ἐκ δὲ πυθμένων ἔκλινε κοίλα κλήθρα And he uprooted and forced down the yielding doors. κλῆθρα are probably the doors with their fastenings.

1261. mvp-comment-713-2 ἐκ πυθμένων implies that the door was torn from its hinges or the bolts from their staples. κοῖλα, hollowing in. is a proleptic epithet suggesting the ease with which the obstruction gave way to Oedipus in his paroxysm. κοίλος is a favourite word with Sophocles, who extends the application of this as of some other epithets beyond the common use. Essay on Language p. 103. Cp. Tr. 901, κοίλα δέμνια: Il. 20.446, ἠέρα τύψε βαθείαν. For ἐκ πυθμένων, cp Aesch. Prom. 1047, χθόνα δ᾽ ἐκ πυθμένων | αὐταῖς ῥίζαις πνεῦμα κραδαίνοι. And for the use of κλίνω, cp. Hdt. 9. 9, μεγάλαι κλισιάδες ἀναπεπτέαται. The alliteration of κ, λ, is suggestive of the successful effort. on

1264. mvp-comment-714-1 ἐμπεπλεγμένην The Laur. MS. reads πλεκταῖσ᾽ ἐώραις ἐμπεπληγμένην ὁ δὲ | ὅπωσδ', in which the form ἐώραις and the meaning of ἐμπεπληγμένην are doubtful, and the second dé in ὅπως δ' is manifestly wrong. Better with MM² πλεκταῖσιν αἰώραισιν ἐμπεπλεγμένην, and either ὁ δε omitted, or the words ὁ δὲ ὅπως δ᾽ ὁρᾷ νιν corrected into ὁ δ᾽ ὡς ὁρᾷ νιν. The tautology of πλεκταῖσιν αἰώραισιν ἐμπεπλεγμένην is not unlike Sophocles (Essay L. § 44. p. 83) and ἐμπεπληγμένην, which is the reading of LE Ven. 617 pr. Vat. 1363, Vat. be. K., although more expressive of the violence of the act, where she had been dashed into the noose, seems hardly appropriate as a description not of Jocasta hanging herself, but of the dead body already hanging. But for ἐμπλήσσω in this connection, cp. Od. 22. 468 foll.

1264. mvp-comment-714-2 ὡς δ᾽ ὅταν ἢ κίχλαι τανυσίπτεροι ἠὲ πέλειαι | ἕρκει ἐνιπλήξωσι: and see Hesych.

1264. mvp-comment-714-3 ἐμπλῆξαι· ἐμπεσεῖν : and for the tense, Il. 16.660, ἐπεὶ βασιλῆα ἴδον βεβλαμμένον ἦτορ. ὁ δέ, with a pause following as well as preceding, cp. supr. 1252, makes a less suitable rhythm than the end-stopt line. The gloss in Trin. shows the doubtfulness of ἐώρα: ἑώρα διὰ τοῦ ἐ ψιλοῦ, ὅθεν καὶ μετέωρος.

1265. mvp-comment-715-1 ὁ δ᾽ *ὡς ὁρᾷ νιν Cp. El. 736: Ant. 1226, ὁ δ᾽ ὡς ὁρᾷ σφε.

1266. mvp-comment-716-1 ἐπεὶ δὲ γῇ The reading ἐπί, ἐκειτ᾿ ἡ Pal. 6 ἐμπεπληγμένην Ε.

1266. mvp-comment-716-2 ὅπωσ AV3 Trin.

1267. mvp-comment-717-1 ἔκειτο ἔκειθ' ὁ LAEF. for which cp. supr. 258 (ἐπικυρῶ for ἐπεὶ κυρῶ), has arisen from not recognizing the dative of place.

1267. mvp-comment-717-2 δεινὰ δ᾽ ἦν The δέ in apodosi adds emphasis. Then what followed was terrible to see.' Triclinius read γ'.

1268. mvp-comment-718-1 foll. For when he had plucked away from her person the clasps of gold with which her robes were fastened, he lifted them and smote his eye-balls to the root, saying aloud, "That they should not see the evils of which he was the victim, and the cause, but in darkness henceforth should look upon those whom he ought never to have seen, and fail to know those whom he had desired to know."' Herm.'s conjecture, ὄψαιντο, because they had not seen him, derives considerable plausibility (notwithstanding the doubtfulness of the form) from ἔπασχεν and ἔδρα. But these imperfects, as well as ἔδει and ἔχρηζεν, are to be explained by the implied reference to the past, when his eyes had seen his father in the triple way and his mother in Thebes, whom it would have been better for him never to have seen, and had failed to recognize them, whom he had so longed to know, when the recognition might have saved all. With sharp pathos he now says that in the future his eyes shall not do as in the past. They shall indeed look on those it were best not to have seen (his children, the citizens, his father and mother in Hades, 1371 foll.), but without having sight, and not know those whom he once desired to know (with a double reference to his desire to see his parents and the natural wish to see the faces of his children). For a similar oxymoron in threatening language, cp. Ant. 310 foll., ἵν᾽ εἰδότες τὸ κέρδος ἔνθεν οἰστέον | τὸ λοιπὸν ἁρπάζητε. And for the feeling in oὓς ἔχρηζε, cp. Εl. 1235, εἴδεθ᾽ οὓς ἐχρήζετε. The imperfects indicative in 1273-1274 are in the same construction as those in 1271, and they are not affected by the proposed emendation.

1270. mvp-comment-719-1 ἄρας – 1276. ἐπαίρων (1) Lifting the clasps in his hand (ἐπι = 'repeatedly'). Cp. II. 3. 362, πλῆξεν ἀνασχόμενος κόρυθος φάλον. According to others, (2) Lifting his eyes.'

1270. mvp-comment-719-2 ἄρθρα.. κύκλων The sockets of his eye-balls. For the periphrasis, cp. supr. 1032. And for κύκλων, Ant. 974, ὀμμάτων κύκλοις, Phil. 1354.

1275. mvp-comment-720-1 Uttering such a strain withal' (ἐπι = in accompaniment to the act, cp. Hdt. 1. 1,32, ἐπαείδει θεογονίην), he often and not once only lifted his hand again and smote his eyes. And the pupils all at once rained blood upon his beard, not letting fall moist drops of gore, but all at once was poured the shower of dark red hail. ὁμοῦ means, not in successive drops, but many coming together (ἀστακτί). Cp. Aesch. Pers. 401, (ὁ πᾶς στόλος ἐπεξεχώρει,) ὄψοιντο Α. 1270 1275 1280 1271. ὄψοιντο] 1274. ὀψοίαθ',.. ν

1275. mvp-comment-720-2 ἐφυμνῶν ἐφ᾽ ὑμῶν L. 0

1277. mvp-comment-721-1 ἀνίεσαν ἀνίεσσαν L.

1277. mvp-comment-721-2 ὄμμτ Μ. γρ. ὄμματα Γ mg. cp.

1277. mvp-comment-721-3 καὶ παρὴν ὁμοῦ (all at once) κλύειν | πολλὴν βοήν.

1279. mvp-comment-722-1 ὄμβρος χαλάζης αἱματοῦς The reading of M and that of I mg. suggesting ὀμμάτων, though plausible at first sight, is probably a corruption; cp. infr. 1400. αἱματοῦς is the least possible change from αἵματος. Cp. Hom. Il. 11.53, ἐέρσας αἵματι μυδαλέας. Pind. Isthm. 7.(6.) 27, ὅστις .. χάλαζαν αἵματος πρὸ φίλας πάτρας ἀμύνεται: Ib. 5. 49, Δτός ὄμβρῳ... χαλαζάεντι φόνῳ. 1280-1281. Cp. Tr. 941, ἐκ δυοῖν ἔσοιθ᾽ ἅμα.. ὠρφανισμένος βίου. The repetition of κακά having led to the omission of 1281 in a single MS. (Barocc.) this line was rejected by Elmsley, followed by Dindorf with the rejection of both lines. Porson and Hermann, with more probability, argue that the end of 1280 is corrupt. Pors. conj. οὐχ ἑνὸς μόνου. With respect to the omission of the lines it may be remarked that we must suppose not only an interpolation, but if the suspected verses are cut out, there will also be a lacuna. For 1279 does not connect with 1282. The fact is that such repetitions are not uncommon. Cp. Ο. C. 70, 71, μόλοι, 782-783, κακὰ, κακών, 1487-1488, φρένα, φρενί. For the datives in 1281, cp. Ant, 865, ἐμῷ πατρὶ δυσμόρῳ.

1282. mvp-comment-723-1 ἦν πάροιθε μέν Was once happiness in the true sense; but now all happiness is obliterated.' Cp. O. C. 1549, πρόσθε πού ποτ᾽ ἦσθ᾽ ἐμόν.

1283. mvp-comment-724-1 δικαίως In the true sense. Cp. Αj. 547, εἴπερ δικαίως ἔστ᾽ ἐμός.

1284. mvp-comment-725-1 κακῶν ὅσ᾽.. ὀνόματα A slight inversion for κακὰ ὅσων ἐστὶν ὀνόματα, arising from the frequent confusion be tween name and thing. See Essay on Language § 42. p. 80 β. The genitive κακῶν assists the transition to the negative expression, οὐδέν ἐστ᾽ ἀπόν.

1286. mvp-comment-726-1 The MSS. with hardly an exception have ἐν τίνι, which the Schol. explains οἷον ἐν ποίᾳ διατριβῇ; i. e. In what passage of woe? But σχολή in classical Greek will not bear this meaning. And In what pause of woe?implies an assumption which is out of place. The MSS. continually err in accenting τις, and the text, which Elmsley approved, has the advantage of laying a pathetic emphasis on σχολῇ. now has the unhappy man any respite from woe?' Cp. Τr. 1083, οὐδ᾽ ἀγύμναστόν μ᾿ ἐἂν ἔοικεν ἡ τάλαινα διαβόρος νόσος: Phil. 877-878, ἐπειδὴ τοῦδε 'And γε κλεῖθρα γὰρ Μ.

1286. mvp-comment-726-2 τοῦ κακοῦ δοκεῖ | λήθη τις εἶναι κἀνάπαυλα δή, τέκνον.

1289. mvp-comment-727-1 τὸν μητρὸς.. μοι 'His mother's.. and there he utters what I may not repeat.' For the abrupt introduction of the participle. cp. Phil. 64. ἀλλ' αὔτ᾽ Ὀδυσσεῖ παρέδοσαν· λέγων, κ.τ.λ. Oedipus is still passionately bent on carrying out the consequences of his acts. Cp. supr. 1271.

1290-1291. mvp-comment-728-1 And will no longer remain in the palace under such a curse as he invoked. Cp. infr. 1378 foll. 1449-1451.

1292. mvp-comment-729-1 He needs some one to lend him strength and guidance, for his calamity is greater than can be borne.

1293. mvp-comment-730-1 μεῖζον ἢ φέρειν For the infinitive, cp. Eur. Suppl. 844, κρείσσον᾽ ἡ λέξαι λόγῳ | τολμήματα.

1294. mvp-comment-731-1 δείξει (1) As you will see: sc. τὸ νόσημα δείξει μέγα ὄv: cp. the common phrase, αὐτὸ δείξει, sc. τὸ πρᾶγ μα: or (2) As he will make you see' For the latter, cp. Ο. C. 1145, δείκνυμι δ᾽: Thuc. 3. 84, ἐδήλωσεν.. οὖσα, κ.τ.λ. The former (1) is best.

1294. mvp-comment-731-2 τάδε For, look, the gates are opening.

1296. mvp-comment-732-1 (1) Such as even while hating the sight, one cannot choose but pity, (cp. infr. 1306, τοίαν φρίκην παρέχεις μοι): or (2) Such as even one who hates him might pity. Cp. Aj. 924. ὡς καὶ παρ᾿ ἐχθροῖς ἄξιος θρήνων τυχεῖν. But this is less in keeping here.

1297-1311. mvp-comment-733-1 The form of the paroemiac 1311 shows that these anapaests are of the freer kind, which are admitted in laments, and are thought to have been sung to Lydian music (Aesch. Persae, 938). Compare lines 983 ff. of the Trachiniae, where Heracles awakes in agony, on being brought in. In both places the rhythm suits a faltering, interrupted movement. This tends to justify the scansion of 1303, φευ δυστᾶvõs, where a pause may be supposed; and the resolution of the arsis in διαπέταται in 1310, which is suited to express the agitation of the moment. (Cp. Aesch. Pers. 930, αἰνῶς, αἰνῶς ἐπὶ γόνυ κέκλιται.) Also the two successive catalectic verses 1310-1311; cp. El. 86-89. The commos which follows is arranged in two strophes and antistrophes, presenting a highly wrought example of that alternation of dochmiacs and senarii, which is often employed in the μέλη ἀπὸ σκήνης. The dochmiacs express agitation, to which the senarius adds a cadence of regret. The Chorus speak in senarii, except in 1336=1356, which is iambic dimeter. The long syllables of the dochmiacs are frequently resolved. See esp. 11. 1314, 1322, 1340, 1345, 1365. In 1332, 1352, a spondee is added at the end of the senarius, giving the effect of a prolonged wailing note. Cp. 1316, 1324. D つ β΄. 1329-1348 =1349-1368. トト トー ​トー 1CICICC しかし 10 ・トー 스 기 D つ 1

1298. mvp-comment-734-1 ὅσ᾽ ἐγὼ προσέκυρσα For the accusative, see Essay on Language § 16. p. 23.

1301. mvp-comment-735-1 What deity hath leapt beyond all limit insulting thy wretched lot? Cp. 1311, ἰὼ δαῖμον, ἵν᾽ ἐξήλλου, and for the same metaphor in Aeschylus, Pers. 515-516, ὦ δυσπόνητε | δαῖμον, ὡς ἄγαν βαρὺς | ποδοῖν ἐνήλλου παντὶ Περσικῷ γένει. μήκιστος often in tragedy = μέγιστος.

1302. mvp-comment-736-1 πρὸς σῇ Cp. Αj. 97, ἢ καὶ πρὸς Ατρείδαισιν ἤχμασας χέρα;

1303. mvp-comment-737-1 φεῦ, δύστανος The short syllable of δύστανός, has been thought to indicate some fault in the text, and the words may have crept in from 1: 1307: Lut see the note on the metre on p. 241.

1308. mvp-comment-738-1 The words φεῦ φεῦ in the MS. reading interfere with the metre, and are probably a gloss on alaῖ.

1309-1310. mvp-comment-739-1 Which way is my voice dispersed abroad?' The words express the first bewilderment of one suddenly blind, hearing his own voice but seeing no one.

1310. mvp-comment-740-1 1310 is a paroemiac with a resolution of the second arsis. Fr. Bellermann conj.

1310. mvp-comment-740-2 διαπεπόταται. But if the line were acatalectic it must have caesura of some kind.

1311. mvp-comment-741-1 Ἡ μεταφορὰ ἀπὸ τῶν ἀγωνιζομένων πένταθλον καὶ ἁλλομένων, Schol.