463-511.
mvp-comment-280-1
Where is the accursed one, whom Apollo has marked as the perpetrator of the terrible deed? Now should he fly far away, with a step swifter than that of steeds, the daughters of the wind. For the son of Zeus, clothed in armour, leaps upon him with flashing fire, and the inevitable Fates are following him. He is roaming in forests and amongst desert caves, but he shall find no refuge. The forlorn man cannot put away from him the oracles that come from the centre of the earth.
463-511.
mvp-comment-280-2
I tremble to think of the answer which the seer has given; and I hover in uncertainty, seeing neither what is, nor what will be. I neither know nor have known any strife between the house of Labdacus and the son of Polybus, and without proof, I will not give up Oedipus on an uncertain surmise. There is no knowing whether the voice of the prophet is the voice of God. But one man may be wiser than another. And of mortals who so wise as Oedipus? We have proof of this and of his good- Ist strophe and antistr. logaoedic or glyconic, ness to our state. Therefore I will think no harm of him.
463-511.
mvp-comment-280-3
The first strophe and antistrophe refer to the proclamation of Oedipus reporting the answer of the oracle; the second to the words of Teiresias, which contained the only answer yet given to the question which the oracle left obscure. The differing metres of the first and second strophe and antistrophe contrast the eager resolution of the chorus to find the murderer, with the wavering excitement which the words of Teiresias have awakened, distracting them between their loyalty to Oedipus and their reverence for the seer. The first strophe commences with a strain half grave, half light, which is stirred into a quicker motion in the glyconics (lines 466-468), where the flight of the fugitive is described and grows faster and also weightier in the description of the tramp of his pursuers (lines 469 ff.). In the second strophe the alternation of the mind of the Chorus is indicated in the uneven Ionic rhythm. followed by rapid anapaestic clcclcc dimeters marking the climax of feeling. 2nd str. and antistr. Ionic a minore with anacrusis and pauses. 100- D 100–110)|10) 10)||10)|[110)]110) 463. The διορθωτής of the Laurentian MS. has written εἶπε over another word (ειδε?) and Flor. Γ. gives εἶδε, above 100which a later hand has written εἶπε as a v. r. Both readings are noticed by the Scholiast. The construction with the participle is at first sight rather in favour of εἶδε (or οἶδε). But cp. El. 318, О. С. 1580, ξυντομωτάτως μὲν ἂν τύχοιμι λέξας Οἰδίπουν ὀλωλότα, and infr. 1214, δικάζει .. τεκνοῦντα, εἶπε is much better suited to the context. The voice which the Pythia interpreted came from the rock.
465.
mvp-comment-281-1
For ἄρρητ' ἀρρήτων, see Essay on Language § 40, 4. p. 75.
466.
mvp-comment-282-1
ἀελλάδων Said to be = ἀελλαίων. But may not some of the force of the patronymic be retained, = 'Swift daughters of the storm'? See the fable in II. 20. 223.
467.
mvp-comment-283-1
σθεναρώτερον is better taken as an adjective agreeing with πόδα than as an adverb. Cp. Il. 10.358, λαιψηρὰ δὲ γούνατ' ἐνώμα. Ε. on L. § 9. p. 13.
470.
mvp-comment-284-1
πυρὶ καὶ στεροπαῖς Το follow ἔνοπλος ἐπενθρώσκει.
The son of Zeus leaps armed upon him, with fiery bolts. The avenging power of Phoebus is referred to his father Zeus (the πυρφόρος ἀστεροπητής, Phil. 1198), whose lightning he hurls, and by whose prophetic power he is inspired. Cp. supr. 151.
