Sophocles Oedipus Tyrannus 248

Thomas Francklin (Translator)

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Messenger
Her own i
And what 's more dreadful, no one saw the deed.
What I myself beheld you all shall hear.
Inflamed with rage, soon as she reached the palace,
Instant retiring to the nuptial bed.
She shut the door, then raved and tore her hair,
Called out on Lai us dead, and bade him think
On that unhappy son who murdered him
And stained his bed ; then turning her sad eyes
Upon the guilty couch, she cursed the place
Where she had borne a husband from her husband,
And children from her child ; what followed then
I know not, by the cries of CEdipus
Prevented, for on him our eyes were fixed
Attentive ; forth he came, beseeching us
To lend him some sharp weapon, and inform him
Where he might find his mother and his wife,
His children's wretched mother and his own.
Some ill-designing power did then direct him
Forcing the bolt, he rushed into the bed,
And found Jocasta, where we all beheld her,
1310
Entangled in the fatal noose, which soon
1310
As he perceived, loosing the pendant rope,
1310
Deeply he groaned, and casting on the ground
1310
His wretched body, showed a piteous sight
1310
To tlie beholders; on a sudden, thence
1310
Starting, he phicked from oft* the robe she wore
1310
A golden buckle that adorned her side.
1310
And buried in his eyes the sliai-pened point,
1310
Crying, he ne'er again would look on her,
1310
Never would see his crimes or miseries more,
Or those whom guiltless he could ne'er behold,
Or those to whom he now must sue for aid.
His hfted eyelids then, repeating still
These dreadful plaints, he tore ; whilst down his cheek
Fell showers of blood ! Such fate the wretched pair
Sustained, partakers in calamity.
Fallen from a state of happiness (for none
Were happier once than they) to groans and death,
Reproach and shame, and every human woe.

Oedipus Tyrannus. Sophocles. Thomas Francklin (Translator). London. 1758–1759.

Current edition Experimental

English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 248 focus
κακὸν κακῶς νιν *ἄμορον ἐκτρῖψαι βίον.
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 216-462 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 248 focus
JO
He comes from Corinth, to make known to thee
955
That Polybus, thy father, is no more.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 255 focus
Denn traun, geböte solches Werk auch nicht der Gott,
Es ungesühnt zu lassen ziemt' euch dennoch nicht,
Daß so des Todes Opfer ward der beste Fürst:
Ihr müßt es ausspäh'n. Aber mun ward mir das Amt
Des Oberherrschers, welches er zuvor besaß,
260
Ward mein die Gattin, die an seiner Seite lag,
Und unsre Kinder würden sich Geschwister sein,
Hätt' ihm ein Unstern nicht mißgönnt der Kinder Glück:
Nun aber brach dies Schicksal auf sein Haupt herein.
Deßwegen will ich diesen Kampf für ihn besteh'n,
265
Wie für den eignen Vater, Alles will ich thun,
Den Frevler auszuspüren, der den Mord verübt
Am Labdakiden, der von Polydoros stamunt, 1
Vom Ahn, dem Kadmos, aus Agenors altem Blut.
Die Götter aber fleh' ich an: wer nicht gehorcht,
270
Dem spende niemals eine Saat der Erde Schooß,
Noch schenk' ihm Kinder sein Gemahl; nein, dies Geschick
Von heut verderb' ihn und ein noch graunvolleres!
Doch euch, ihr Andern, welchen dies, wie mir, gefällt,
Ihr Kadmossöhne, bleibe stets der Dike Schuz, 2
275
Und seien alle Götter hold auf immerdar!
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 248 focus
Oedipus
Was I purchased with thy gold,
Or to thee born?
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 216-460 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-803-1 διαπέταται 1 διαπωτᾶται 2 πέτεται 3 πέταται 4

mvp-comment-803-2 φοράδην 5 φοράδην 6

mvp-comment-804-1 ἐξήλου 7 ἐξήλου 8 ἐξήλω 9 ἐξάλω 10 ἐξήλλου 11 ἵν’ ἐξήλου 12

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1297-1311. mvp-comment-733-1 The form of the paroemiac 1311 shows that these anapaests are of the freer kind, which are admitted in laments, and are thought to have been sung to Lydian music (Aesch. Persae, 938). Compare lines 983 ff. of the Trachiniae, where Heracles awakes in agony, on being brought in. In both places the rhythm suits a faltering, interrupted movement. This tends to justify the scansion of 1303, φευ δυστᾶvõs, where a pause may be supposed; and the resolution of the arsis in διαπέταται in 1310, which is suited to express the agitation of the moment. (Cp. Aesch. Pers. 930, αἰνῶς, αἰνῶς ἐπὶ γόνυ κέκλιται.) Also the two successive catalectic verses 1310-1311; cp. El. 86-89. The commos which follows is arranged in two strophes and antistrophes, presenting a highly wrought example of that alternation of dochmiacs and senarii, which is often employed in the μέλη ἀπὸ σκήνης. The dochmiacs express agitation, to which the senarius adds a cadence of regret. The Chorus speak in senarii, except in 1336=1356, which is iambic dimeter. The long syllables of the dochmiacs are frequently resolved. See esp. 11. 1314, 1322, 1340, 1345, 1365. In 1332, 1352, a spondee is added at the end of the senarius, giving the effect of a prolonged wailing note. Cp. 1316, 1324. D つ β΄. 1329-1348 =1349-1368. トト トー ​トー 1CICICC しかし 10 ・トー 스 기 D つ 1

1308. mvp-comment-738-1 The words φεῦ φεῦ in the MS. reading interfere with the metre, and are probably a gloss on alaῖ.

1309-1310. mvp-comment-739-1 Which way is my voice dispersed abroad?' The words express the first bewilderment of one suddenly blind, hearing his own voice but seeing no one.

1310. mvp-comment-740-1 1310 is a paroemiac with a resolution of the second arsis. Fr. Bellermann conj.

1310. mvp-comment-740-2 διαπεπόταται. But if the line were acatalectic it must have caesura of some kind.

1311. mvp-comment-741-1 Ἡ μεταφορὰ ἀπὸ τῶν ἀγωνιζομένων πένταθλον καὶ ἁλλομένων, Schol.