Sophocles Oedipus Tyrannus 197

Thomas Francklin (Translator)

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Oedipus
It seems thou wert
A wandering shepherd.

Oedipus Tyrannus. Sophocles. Thomas Francklin (Translator). London. 1758–1759.

Current edition Experimental

English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))

Provisional text from uncorrected OCR; expect errors.

Editions (2)
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 197 focus
τοῦτ᾽ ἐπ᾽ ἦμαρ ἔρχεται·
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 216-462 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 197 focus
OED
Where was the scene of this unhappy blow?
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 203 focus
Dir fleh' ich, Lykerfürst! 1
Laß deine nie bezwungenen
205
Geschosse fliegen von der gold'nen Sehne,
Als Retter ausgesendet: flammt, ihr Fackeln, auch,
Womit die Höh'n Lykia's 2
Artemis hindurchſtürmt!
Auch dir mit dem goldenen Stirnband
210
Ruf' ich, unsers Landes
Sohn, Bacchos, dir mit dem trunk'nen Blick, 3
Dir, von Bacchen rings umschwärmt,
Ostürm' hellstrahlend an
Mit dem lichten Brand
215
Auf diesen Gott, den alle Götter hassen!
Dedipus (der während des Gesanges wiederum auf der Bithne erschienen ist). Der Chor.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 197 focus
Chorus
CORINTHIAN, JOCASTA, CHORUS.
The regal mansion this; the king is there;
The mother of his children here behold.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 216-460 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-638-1 τί δ’ ἄλγος 1 ἐν κακοῖς 2 ἐν καιροῖς 3

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1031. mvp-comment-593-1 Oedipus is touched with pity for his former self. Cp. Shak. Temp. 1.2, 'Miranda. Alack, for pity ! | I, not remembering how I cried out then, | Will cry it o'er again: it is a hint, | That wrings mine eyes to 't.' The question is suggested to Oedipus by the word σωτήρ; i. e. From what pain that I was suffering in my misfortunes did you rescue me? but is introduced by the poet, as the Scholiast properly observes, in order to lead to the mention of the personal mark (compare the scar of Ulysses in the Odyssey) by which the conviction of the truth is brought home to Jocasta. In his eagerness to delve to the root the mystery of his birth, Oedipus is wholly unconscious of the effect which the successive answers have upon the mind of the queen-the horror of whose discovery is the chief interest of this part of the play, and who may be supposed to remain immoveable until her outbreak in l. 1056. The same explanation applies to l. 1037, which adds poignancy to the stroke.