859.
mvp-comment-506-1
καλῶς νομίζεις
A wise persuasion. ὅμως] i.e. Let not your disregard of the oracles prevent your doing what is necessary to relieve me about the question of fact. The confidence of Oedipus, when once shaken, is never again
whole as the marble, founded as the rock.
862.
mvp-comment-507-1
This is said in order to calm the excitement of Oedipus. Cp. 914. φίλον, sc. ἐστὶ πραχθῆναι. 863 foll. As in the first stasimon of the Oedipus Coloneus, the second of the Trachiniae, and the first of the Antigone, the chorus in a pause of the action pour forth a strain, the interest of which, though in harmony with feelings suggested by the dramatic situation, is almost wholly lyrical. The second antistrophe returns to the circumstances of the drama, but in the earlier stanzas the thought of the impiety of the King and Queen is lost in the reflections which it has awakened. This is in so far dramatically appropriate, as the chorus could not openly express their censure. And while a momentary rest is thus interposed before the chief περιπέτεια, Ist str. and antistr. the love of purity and abhorrence of unholiness which are here expressed suggest the leading motive' of the whole tragedy. See Introduction. This ode is composed of iambic, trochaic, and dactylic measures, of which the iambic and dactylic predominate in the first strophe and antistrophe, and the trochaic in the second. The stateliness of the movement in the first strophe and antistrophe is shown by the prevalence of the heavy trochee and epitritus (------), and generally by the frequency of long syllables. This effect is, however, lightened in the fourth and fifth lines by the resolution of a long syllable in the opening dipodia of each. CートCIC The scansion is as follows:- I 2nd str. and antistr. トー D トリートー トリートー つ D ک トー ト
862.
mvp-comment-507-2
1-12, Iambotrochaic. 1 D 0110 DI [qld] トー 2 3 4 3 5 6 567 5 7 8 9 10 9 10 3 11 3 12 13 2 14 2, 8, 10, 13, Trochaic. 3, 11, Iambic. 6, 7, Choriambic. 4, 5, 9, 14, Logaoedic. 2nd stasimon. 'May I never break the sanctity of the unwritten laws! Heaven-born, they live and move on high, and are not made by man, nor shall they ever sleep or be forgotten. In them is a Divine power which grows not old. How dangerous is pride; which heaves men high and dashes them below, to depths in which no foot may stir. Not so the noble ardour for the city's weal, which may God, who protects me, still uphold! But may an evil fate overtake the proud impious one, who tramples on justice and profanes holy things. How can he escape from vengeance? For if actions like his are honourable, what means my service in the dance? No longer will I worship unless the oracles be even now justified in the sight of men. But, O Zeus, thy power fails not; let thine eye behold the contempt which they are pouring on things Divine. For they heed not the oracles of Laius, and pay no honour to Apollo.' 863 foll. May I ever keep a holy purity, in all words and acts for which there are laws established on high, children of the sky, of whom Olympus is the only sire.' The participle φέροντι, where the infinitive might be expected, gives the notion of simultaneousness : ; May my lot be with me in keeping,' i.e. May it ever be my lot to keep. Cp. О. С. 648, Thuc. 3. 44, ξυμφέρον ἔσεσθαι.. προθεῖσι. See Essay on Language § 36. p. 63. For ei, which expresses a strong wish, cp. Eur. Hec. 836, εἴ μοι γένοιτο φθόγγος, κ.τ.λ. The use occurs in Homer, Il. 24. 74, ἀλλ᾽ εἴ τις καλέσειε θεῶν Θέτιν ἆσσον ἐμεῖο.
