1180.
mvp-comment-667-1
A few touches now reveal the whole secret. The herdsman is not required to give the information for which he was at first summoned. There is no need to explain the horror further.
1182.
mvp-comment-668-1
The despair of Oedipus, which was kept under restraint until he had drawn out every link in the chain of discovery, now bursts forth uncontrolled. For ἰοὺ ἰού, cp. 1071, and note.
1182.
mvp-comment-668-2
τὰ πάντ᾽ ἂν ἐξήκοι σαφή
So then all is certain. For this use of av with the optative, expressing certain inference in present time, ср. О. С. 1768-1769, ἀλλ᾿ εἰ τάδ ἔχει κατὰ νοῦν κείνῳ, ταῦτ᾽ ἂν ἀπαρκοῖ: El. 797-798, πολλῶν ἂν ἥκοις, ὦ ξέν᾽, ἄξιος τυχεῖν, εἰ τήνδ᾽ ἔπαυσας τῆς πολυγλώσσου βοῆς:-ib. 1372-1373, οὐκ ἂν .. λόγων | .. τόδ' εἴη τοὔργον.
1183.
mvp-comment-669-1
ὦ φῶς This exclamation is wholly general, although suggesting the motive of his sudden act; infr. 1271-1274.
1184.
mvp-comment-670-1
φύς τ᾿ ἀφ᾽ ὧν οὐ χρῆν This is said partly with reference to the oracle given to Laius, and partly with the same general feeling of horror with which he speaks of himself afterwards, infr. 1383, ας ἐκ θεῶν φανέντ᾽ ἄναγνον καὶ γένους τοῦ Λαΐου. The pauses in this line and in supr. 1179, viz. ---|-cl ||, mark the difficulty with which the horror finds expression.
1186-1203.
mvp-comment-671-1
Man walketh in a vain shadow, he appears, and is not. What lot could seem more blest than Oedipus'? who slew the monster, saved our state and took the kingdom for his own? € ἰὼ CA. γενεαί] γεναὶ L. ἰὼὡς γενεαὶ C6. But now what woe is like to his; plunged by reverse of fortune in cruel misery? O glorious Oedipus! how art thou sunk into an abyss of infamy, too long concealed. Time that sees all hath found thee. And I, unblest in knowing thee, must weep thy fall. Yet thou wast he that gave me respite and repose.' The rhythms of this ode are less elaborate than those of the three former, and convey a more direct utterance of feeling. α'. β'. } } 5 } ICCICI IICCICI ICCICI IICCICI IにトCCICI にートCCICI UILCCICI ICCII CCしトC!CICI CCICーしー ILCICIC lulca LUICI いいーしに CCLCIC LUCICICLICCICICI LCCLCICIC. 5 10 The first strophe and antistrophe, expressing solemn regret, consist each of three regular glyconic logaoedic systems, the second, giving vent to a more passionate mournfulness, are iambic and trochaic, returning to the smoother logaoedic rhythm in the last three lines. Syncope of thesis' occurs in ll. 1, 4, 9, 10, of β'.
