151-215.
mvp-comment-104-1
Outstretched in fear we listen awfully for thy propitious voice, oh sweet-tongued utterance of Heaven. Paean, be our speed! What thing new or old in season due dost thou disclose? Tell us, thou voice, child of bright Hope divine. Athena, Goddess, daughter of the Highest, first hear our cry; thou, Artemis, on thine encircled throne, and archer Phoebus, come in threefold might to save! if ever heretofore ye banished sorrow from our state, now too appear! For, oh! I am overwhelmed; all my host is in disarray; and there is no thought to save; Earth's buds are nipped, and human births prevented by the pains of death: soul after soul takes flight with fearful speed, and poor uncared-for corpses choke with pestilence our unpeopled clime. Wives, mothers, sadly suppliant, at various altars groan; the voice of lamentation mingles with the thrilling hymn. Athena, send us help. and cause yon flaming author of destruction, who with dire noise advances, quickly to reverse his speed and fly our land, whether to Ocean or the restless Pontic sea. Day ruins what night spares. O Father, blast the plague-god with thy lightning. Let thine arrows, O Apollo, be showered to protect us, and Artemis' bright torches from the Lycian hills; and thou, O ruddy crowned Bacchus of the joyous rout, with trooping Maenads, patron of Thebes, draw near. and flash thy brand against the god whom gods disown.' The opening of this parodos is of the nature of a paean (1. 186), or hymn to Apollo as the god of victory or salvation. The stately dactylic measures, corresponding in strophe and antistrophe even to the division of the words (cp. 153, 162, 158, 166), are only once interrupted, as the chorus march towards the altar, by the more meditative iambic rhythm (11. 152, 160), and by the anacrusis in ll. 154, 163. The increasing excitement of the chorus is shown in the second strophe and antistrophe, by iambic and trochaic rhythms with resolution of the arsis, by the union of dactyls and trochees in logaoedic lines, and by the more frequent anacruses. The bright Paean notes give way to tones of sadness, echoing the στονόεσσα γήρυς (11. 186-187). The scheme of στρ. and ἀντ. β'. is the following (ll. 167-178=11. 179-189) :- LÚC CCC CICI lúc Ca CICICCICCICCIK ICC ICC ICC ICC 기 100 100 100 CUCCICCIC CICCICCIC LUCCICCICC ICICII In the concluding strophe and antistrophe (γ'.) there is only one dactylic line, just as there was one iambic in the first. The other rhythms are iambic and trochaic, with occasional syncope of the thesis (or change to the cretic rhythm). The movement, though still full of excitement, becomes more energetic and determined towards the close. The scansion is as follows:- C CCICICICIC- 기 つ つ 기 00 ト KCICICI トー 1くらいCICICII The rhythm of the whole ode, which is unusually wild and full of transitions, shows a progress from flowing dactylic numbers to iambics and trochaics, which are interrupted here and there by syncope of the thesis, or in other words, by an antispastic effect, corresponding to the distraction of the thought.
188.
mvp-comment-129-1
ὧν ὕπερ Either (1)
in whose behalf, or (2) for the relief of all which woe.' The latter is preferable, because including a reference to the immediate context, and because if persons were meant, the simple dative would be the more natural expression. Cp. Thuc. 5. 69, ὑπὲρ ἀρχῆς ἅμα καὶ δουλείας.
188.
mvp-comment-129-2
θύγατερ Διός Ἀθήνα.
189.
mvp-comment-130-1
εὐῶπα Cp. Ant. 100-101, ἀκτὶς ἀελίου τὸ κάλλιστον ἑπταπύλῳ φανὲν Θήβᾳ τῶν προτέρων φάος: Aesch. Cho. 484, εὔμορφον κράτος.
190.
mvp-comment-131-1
Ἄρεα Ἀρσα. Any hostile and deadly influence is personified as "Apns. Cp. Aj. 706, where the madness of Ajax is so named. The plague, already personified as θεός (27). here receives a more distinct personality.
190.
mvp-comment-131-2
μαλερόν The Homeric epithet of fire, extended by Aeschylus to other destructive things (πύθῳ μαλερῷ, Pers. 62), is here given to the pestilence which is represented under the image of fire.
190.
mvp-comment-131-3
ἄχαλκος ἀσπίδων
Without brazen shield. Ἄρης ἄχαλκος ἀσπίδων,
The god of war without the weapons of war. Cp. οἴστρου ἄρδις .. ἄπυρος in Aesch. Prom. 880. For similar oxymora, see Essay on Language § 37. p. 70.
191.
mvp-comment-132-1
φλέγει με The πυρφόρος θεός is imagined as kindling the flame of calamity.
191.
mvp-comment-132-2
περιβόατος
With loud cries. The paeans and groans arising from the plague are compared to the shouts and cries which attend the onset of the god of battles. Cp. Aesch. Suppl. 682, λοιγὸς .. βοὰν ἕνδημον ἐξοπλίζων.
191.
mvp-comment-132-3
ἀντιάζων
Confronting, in the hostile sense. Cp. Hdt. 2. 141, ἀντιάζων τὸν Αραβίων στρατόν.
192.
mvp-comment-133-1
παλίσσυτον δράμημα νωτίσαι
192.
mvp-comment-133-2
πάτρας
Το turn his course backward from my land. The infinitive is governed by the general notion of causing implied in πέμψον, and the accusative παλίσσυτον δράμημα is cognate, at first probably intended to follow some verb of motion (such as δραμεῖν), for which
νωτίσαι is substituted in order to add force to παλίσσυτον. Ε. on L. § 40, 5. p. 75. Cp. Eur. Andr. 1141, οἱ δ᾽ ὅπως πελειάδες | ἱέρακ᾿ ἰδοῦσαι πρὸς φυγὴν ἐνώτισαν. πάτρας is ablative gen.
And let the fiery War-god, who now, without brazen arms, amidst loud cries advances to destroy me, turn away from my fatherland and speed back again.
194.
mvp-comment-134-1
ἔπουρον
Carried by the breeze. The word occurs actively, Tr. 954, ἔπουρος ἑστιῶτις αὔρα, ἥτις μ' ἀποικίσειεν ἐκ τόπων. But the passive use is found in Clem. Alex. (130, ἔπουρος πνεύματι ἀληθείας), who probably had some earlier authority for this use of the word. Cp.
194.
mvp-comment-134-2
ἐπουρίζω. The special meaning of oὗρος, a
favouring wind, is not here used ironically, as in Tr. 815-816, οὗρος ὀφθαλμῶν ἐμῶν | αὐτῇ γένοιτ' ἄπωθεν ἑρπούσῃ καλός, but is lost in the compound. See Essay on Language p. 90, and cp. Tr. 467, 8, ταῦτα μὲν .. ῥείτω κατ' οὗρον. This reading (which is slightly confirmed by the gloss ταχύν in L³) is preferable to ἄπουρον, (1) because yielding a more natural rhythm, (2) because ἄπουρον, though an early reading, acknowledged by the Scholiast, is probably an emendation. It occurs nowhere else, and may have arisen from the apparent necessity of connecting the adj. with πάτρας, which was supposed to begin the new line (p. 145, note), and seemed to want a construction.
195.
mvp-comment-135-1
θάλαμον Ἀμφιτρίτας Cp. infr. 1411; 2, θαλάσσιον | ἐκρίψατ᾽. The Atlantic rather than the Mediterranean is meant. The Atlantic and Euxine were known as the two farthest seas. Cp. Eur. Hipp. 3, ὅσοι τε πόντου, τερμόνων τ' Ἀτλαντικῶν ναίουσιν εἴσω.
196.
mvp-comment-136-1
ἀπόξενος is stronger than ἄξενος:
Repelling strangers. Cp. ἀπότιμος, ἀπόμισθος. For the expression, cp. Phil. 217, ναὸς ἄξενον ὅρμον; and for this epithet of the Pontus, Pind P. 4. 203, σὺν νότου δ᾽ αὔραις ἐπ᾿ ἀξείνου στόμα πεμπόμενοι ἤλυθον . φοίνισσα δὲ Θρηϊκίων ἀγέλα ταύρων ὑπᾶρχεν.
196.
mvp-comment-136-2
ὅρμον It has been proposed to read ὅρμων. But the change is unnecessary, and rather weakens the verbal contrast.
196.
mvp-comment-136-3
ὅρμος is a place of anchorage. Cp. Eur. Hec. 450, τῷ πρὸς οἶκον ἀφίξομαι, ἢ Δωρίδος ὅρμον αἴαs; The article is more idiomatic if ὅρμον is retained. The difficulty has been occasioned hy the apposition of an abstract to a concrete word. Essay on Language p. 56 a.
198.
mvp-comment-137-1
τέλει γὰρ εἴ τι νὺξ ἀφῇ
For if night at her close leave anything unharmed, this day assails (ἐπέρχεται). For ei with subj., see Essay on Language § 27. p. 44. And for the personification of the words of time, cp. Tr. 29-34, νὺξ γὰρ εἰσάγει καὶ νὺξ ἀπωθεῖ .. τοιοῦτος αἰών ..
198.
mvp-comment-137-2
ἀεὶ τὸν ἄνδρ᾽ ἔπεμπε. It has been proposed to read τελεῖ γάρ' εἴ τι, κ.τ.λ.
For the destruction is complete: etc. (Cp. Εl. 1417, τελοῦσ᾽ ἀραί : Tr. 825-826, ἀναδοχὰν τελεῖν πόνων τῷ Διὸς αὐτόπαιδι.) But the asyndeton and the break in the rhythm of the short iambic line are against this. One Scholiast makes τέλει adverbial, and connects it with ἐπέρχεται in the sense of
finally or
completely, and some would render,
If night leaves aught of the work undone, day goes thoroughly at this. Others propose τελεῖν,
If night omit to finish any work. An improvement on this last suggestion would be to read τεμεῖν (aor., cp. Plat. Prot. 338 A).
For if night leave aught unravaged. Cp. Eur. Hec. 1204, ἢ σῆς ἔμελλον γῆς τεμεῖν βλαστήματα; But the Scholiast of L is perhaps right in rendering, εἰ γάρ τι νὺξ ἀφῇ .. ἐπὶ τῷ ἑαυτῆς τέλει ἀβλαβές, μὴ φθάσασα αὐτὸ ἀπολέ σαι. For this use of the dative, cp. El. 194, οἰκτρὰ μὲν νόστοις αὐδά : Pind. Pyth. 1.35, τελευτᾷ φερτέρου νόστου τυχεῖν.
200.
mvp-comment-138-1
τόν As in Hom. Il. 18. 89, etc.
200.
mvp-comment-138-2
໖ (-) Herm. proposed râv for the missing syllable, and this receives some confirmation from the variant in F.
