στυγνὸς μὲν εἴκων δῆλος εἶ, βαρὺς δ᾽, ὅταν
Oedipus Tyrannus. Sophocles. ed. Lewis Campbell. Oxford. 1879.
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Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 649-698 focus
Χορός
πιθοῦ θελήσας φρονήσας τʼ, ἄναξ, λίσσομαι.
πιθοῦ θελήσας φρονήσας τʼ, ἄναξ, λίσσομαι.
Οἰδίπους
τί σοι θέλεις δῆτʼ εἰκάθω;
650
τί σοι θέλεις δῆτʼ εἰκάθω;
650
Χορός
τὸν οὔτε πρὶν νήπιον νῦν τʼ ἐν ὅρκῳ μέγαν καταίδεσαι.
τὸν οὔτε πρὶν νήπιον νῦν τʼ ἐν ὅρκῳ μέγαν καταίδεσαι.
Οἰδίπους
οἶσθʼ οὖν ἃ χρῄζεις;
οἶσθʼ οὖν ἃ χρῄζεις;
Χορός
οἶδα.
οἶδα.
Οἰδίπους
φράζε δὴ τί φής.
φράζε δὴ τί φής.
Χορός
τὸν ἐναγῆ φίλον μήποτʼ ἐν αἰτίᾳ
655
σὺν ἀφανεῖ λόγῳ σʼ ἄτιμον βαλεῖν.
τὸν ἐναγῆ φίλον μήποτʼ ἐν αἰτίᾳ
655
σὺν ἀφανεῖ λόγῳ σʼ ἄτιμον βαλεῖν.
Οἰδίπους
εὖ νυν ἐπίστω, ταῦθʼ ὅταν ζητῇς, ἐμοὶ
ζητῶν ὄλεθρον ἢ φυγὴν ἐκ τῆσδε γῆς.
εὖ νυν ἐπίστω, ταῦθʼ ὅταν ζητῇς, ἐμοὶ
ζητῶν ὄλεθρον ἢ φυγὴν ἐκ τῆσδε γῆς.
Χορός
οὐ τὸν πάντων θεῶν θεὸν πρόμον
660
Ἅλιον· ἐπεὶ ἄθεος ἄφιλος ὅ τι πύματον
ὀλοίμαν, φρόνησιν εἰ τάνδʼ ἔχω.
ἀλλά μοι δυσμόρῳ γᾶ φθινὰς
665
τρύχει ψυχάν, τάδʼ εἰ κακοῖς κακὰ
προσάψει τοῖς πάλαι τὰ πρὸς σφῷν.
οὐ τὸν πάντων θεῶν θεὸν πρόμον
660
Ἅλιον· ἐπεὶ ἄθεος ἄφιλος ὅ τι πύματον
ὀλοίμαν, φρόνησιν εἰ τάνδʼ ἔχω.
ἀλλά μοι δυσμόρῳ γᾶ φθινὰς
665
τρύχει ψυχάν, τάδʼ εἰ κακοῖς κακὰ
προσάψει τοῖς πάλαι τὰ πρὸς σφῷν.
Οἰδίπους
ὁ δʼ οὖν ἴτω, κεἰ χρή με παντελῶς θανεῖν
ἢ γῆς ἄτιμον τῆσδʼ ἀπωσθῆναι βίᾳ.
670
τὸ γὰρ σόν, οὐ τὸ τοῦδʼ, ἐποικτίρω στόμα
ἐλεινόν· οὗτος δʼ ἔνθʼ ἂν ᾖ στυγήσεται.
ὁ δʼ οὖν ἴτω, κεἰ χρή με παντελῶς θανεῖν
ἢ γῆς ἄτιμον τῆσδʼ ἀπωσθῆναι βίᾳ.
670
τὸ γὰρ σόν, οὐ τὸ τοῦδʼ, ἐποικτίρω στόμα
ἐλεινόν· οὗτος δʼ ἔνθʼ ἂν ᾖ στυγήσεται.
Κρέων
στυγνὸς μὲν εἴκων δῆλος εἶ, βαρὺς δʼ, ὅταν
θυμοῦ περάσῃς· αἱ δὲ τοιαῦται φύσεις
αὑταῖς δικαίως εἰσὶν ἄλγισται φέρειν.
675
στυγνὸς μὲν εἴκων δῆλος εἶ, βαρὺς δʼ, ὅταν
θυμοῦ περάσῃς· αἱ δὲ τοιαῦται φύσεις
αὑταῖς δικαίως εἰσὶν ἄλγισται φέρειν.
675
Οἰδίπους
οὔκουν μʼ ἐάσεις κἀκτὸς εἶ;
οὔκουν μʼ ἐάσεις κἀκτὸς εἶ;
Κρέων
πορεύσομαι,
σοῦ μὲν τυχὼν ἀγνῶτος, ἐν δὲ τοῖσδʼ ἴσος.
πορεύσομαι,
σοῦ μὲν τυχὼν ἀγνῶτος, ἐν δὲ τοῖσδʼ ἴσος.
Χορός
γύναι, τί μέλλεις κομίζειν δόμων τόνδʼ ἔσω;
γύναι, τί μέλλεις κομίζειν δόμων τόνδʼ ἔσω;
Ἰοκάστη
μαθοῦσά γʼ ἥτις ἡ τύχη.
680
μαθοῦσά γʼ ἥτις ἡ τύχη.
680
Χορός
δόκησις ἀγνὼς λόγων ἦλθε, δάπτει δὲ καὶ τὸ μὴ ʼνʼδικον.
δόκησις ἀγνὼς λόγων ἦλθε, δάπτει δὲ καὶ τὸ μὴ ʼνʼδικον.
Ἰοκάστη
ἀμφοῖν ἀπʼ αὐτοῖν;
ἀμφοῖν ἀπʼ αὐτοῖν;
Χορός
ναίχι.
ναίχι.
Ἰοκάστη
καὶ τίς ἦν λόγος;
καὶ τίς ἦν λόγος;
Χορός
ἅλις ἔμοιγʼ, ἅλις, γᾶς προπονουμένας,
685
φαίνεται ἔνθʼ ἔληξεν αὐτοῦ μένειν.
ἅλις ἔμοιγʼ, ἅλις, γᾶς προπονουμένας,
685
φαίνεται ἔνθʼ ἔληξεν αὐτοῦ μένειν.
Οἰδίπους
ὁρᾷς ἵνʼ ἥκεις, ἀγαθὸς ὢν γνώμην ἀνήρ,
τοὐμὸν παριεὶς καὶ καταμβλύνων κέαρ;
ὁρᾷς ἵνʼ ἥκεις, ἀγαθὸς ὢν γνώμην ἀνήρ,
τοὐμὸν παριεὶς καὶ καταμβλύνων κέαρ;
Χορός
ὦναξ, εἶπον μὲν οὐχ ἅπαξ μόνον,
690
ἴσθι δὲ παραφρόνιμον, ἄπορον ἐπὶ φρόνιμα
πεφάνθαι μʼ ἄν, εἴ σʼ ἐνοσφιζόμαν,
ὅς τʼ ἐμὰν γᾶν φίλαν ἐν πόνοις
ἀλύουσαν κατʼ ὀρθὸν οὔρισας,
695
τανῦν τʼ εὔπομπος, ἂν γένοιο.
ὦναξ, εἶπον μὲν οὐχ ἅπαξ μόνον,
690
ἴσθι δὲ παραφρόνιμον, ἄπορον ἐπὶ φρόνιμα
πεφάνθαι μʼ ἄν, εἴ σʼ ἐνοσφιζόμαν,
ὅς τʼ ἐμὰν γᾶν φίλαν ἐν πόνοις
ἀλύουσαν κατʼ ὀρθὸν οὔρισας,
695
τανῦν τʼ εὔπομπος, ἂν γένοιο.
Ἰοκάστη
πρὸς θεῶν δίδαξον κἄμʼ, ἄναξ, ὅτου ποτὲ
μῆνιν τοσήνδε πράγματος στήσας ἔχεις.
πρὸς θεῶν δίδαξον κἄμʼ, ἄναξ, ὅτου ποτὲ
μῆνιν τοσήνδε πράγματος στήσας ἔχεις.
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 679 focus
Warum, o Frau, säumst du noch, führst den Mann nicht in's Haus?
Warum, o Frau, säumst du noch, führst den Mann nicht in's Haus?
Jokaste.
Erst möcht' ich wissen, was gescheh'n.
Erst möcht' ich wissen, was gescheh'n.
Der Chor.
Verdacht entspann sich ohne Grund;
Denn es kränkt auch das ungerechte Wort.
Verdacht entspann sich ohne Grund;
Denn es kränkt auch das ungerechte Wort.
Jokaste.
Durch Schuld der Beiden?
670
Durch Schuld der Beiden?
670
Der Chor.
Freilich.
Freilich.
Jokaste.
Und wie kam es so?
Und wie kam es so?
Der Chor.
Sei es genug, genug bei der gemeinen Noth!
Ruhe der Hader dort, wo er sein Ende fand!
Sei es genug, genug bei der gemeinen Noth!
Ruhe der Hader dort, wo er sein Ende fand!
Oedipus.
Sieh, wo du hinkommst, wenn du, Mann von edler Art,
Von mir dich abkehrst, meinen Zorn zu brechen suchst.
Sieh, wo du hinkommst, wenn du, Mann von edler Art,
Von mir dich abkehrst, meinen Zorn zu brechen suchst.
Der Chor.
Nicht Einmal nur, o König, sagt' ich es; wisse denn:
675
Ein sinnloser Thor müßt' ich sein,
Fürst, hielt' ich nicht an dir fest und treu,
Der du mein theures Land, das in Noth umhertrieb,
Unter guten Wind gelenkt:
Auch jezt führ' uns auf rechtem Pfade!
680
Nicht Einmal nur, o König, sagt' ich es; wisse denn:
675
Ein sinnloser Thor müßt' ich sein,
Fürst, hielt' ich nicht an dir fest und treu,
Der du mein theures Land, das in Noth umhertrieb,
Unter guten Wind gelenkt:
Auch jezt führ' uns auf rechtem Pfade!
680
Jokaste.
Bei allen Göttern, offenbar' auch mir, o Fürst,
Um welche That dir solcher Groll die Brust erfüllt.
Bei allen Göttern, offenbar' auch mir, o Fürst,
Um welche That dir solcher Groll die Brust erfüllt.
Oedipus.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 649-698 focus
Chorus
Consent, reflect, listen, my king, I beg you.
Consent, reflect, listen, my king, I beg you.
Oedipus
What would you have me grant you?
650
What would you have me grant you?
650
Chorus
Respect him who was in the past not foolish, and who now is strong in his oath.
Respect him who was in the past not foolish, and who now is strong in his oath.
Oedipus
Do you understand what you crave?
Do you understand what you crave?
Chorus
I do.
I do.
Oedipus
Tell me, then, what you mean.
655
Tell me, then, what you mean.
655
Chorus
That you should never use an unproved rumor to cast a dishonoring charge on the friend who has bound himself with a curse.
That you should never use an unproved rumor to cast a dishonoring charge on the friend who has bound himself with a curse.
Oedipus
Then be quite aware that when you seek this you are seeking death or exile from this land for me.
Then be quite aware that when you seek this you are seeking death or exile from this land for me.
Chorus
No, by the god that stands at the head of all the host of the gods, no, by the sun. Unblest, unbefriended, may I die the worst possible death, if I have this thought!
660
But my unhappy soul is worn by the withering of the land, as well as by the thought that our old sorrows should be crowned by new ones arising from the two of you.
665
No, by the god that stands at the head of all the host of the gods, no, by the sun. Unblest, unbefriended, may I die the worst possible death, if I have this thought!
660
But my unhappy soul is worn by the withering of the land, as well as by the thought that our old sorrows should be crowned by new ones arising from the two of you.
665
Oedipus
Then let him go, though I am surely doomed to be killed
or thrust dishonored from the land. Your words, not his, move me to compassion; but he, wherever he be, shall be hated.
670
Then let him go, though I am surely doomed to be killed
or thrust dishonored from the land. Your words, not his, move me to compassion; but he, wherever he be, shall be hated.
670
Creon
You are truly sullen in yielding, as you are vehement in the excesses of your wrath. But such natures are
justly most difficult for themselves to bear.
675
You are truly sullen in yielding, as you are vehement in the excesses of your wrath. But such natures are
justly most difficult for themselves to bear.
675
Oedipus
Will you not be gone and leave me in peace?
Will you not be gone and leave me in peace?
Creon
I will go on my way. I have found you undiscerning, but in the view of these men I am just.
He exits.
I will go on my way. I have found you undiscerning, but in the view of these men I am just.
He exits.
Chorus
Lady, why do you hesitate to take this man into the house?
Lady, why do you hesitate to take this man into the house?
Iocasta
I will, when I have learned what has happened.
680
I will, when I have learned what has happened.
680
Chorus
Blind suspicion, bred of talk, arose, and injustice inflicts wounds.
Blind suspicion, bred of talk, arose, and injustice inflicts wounds.
Iocasta
On both sides?
On both sides?
Chorus
Yes.
Yes.
Iocasta
And what was the story?
And what was the story?
Chorus
It is enough, I think, enough, when our land is already vexed, that the matter should rest where it stopped.
685
It is enough, I think, enough, when our land is already vexed, that the matter should rest where it stopped.
685
Oedipus
Do you see to what you have come, for all your noble intent, in seeking to slacken and blunt my zeal?
Do you see to what you have come, for all your noble intent, in seeking to slacken and blunt my zeal?
Chorus
King, I have said it more than once—
be sure that I would have proved myself a madman, bankrupt in sane counsel, if I forsook you—you, who gave a true course to my beloved country when it was
690
distraught with troubles, and who now are likely to prove our prospering guide.
695
King, I have said it more than once—
be sure that I would have proved myself a madman, bankrupt in sane counsel, if I forsook you—you, who gave a true course to my beloved country when it was
690
distraught with troubles, and who now are likely to prove our prospering guide.
695
Iocasta
In the name of the gods, tell me, king, the reason that you have conceived this steadfast wrath.
In the name of the gods, tell me, king, the reason that you have conceived this steadfast wrath.
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
673. mvp-comment-391-1 You show yourself to be sullen in yielding. ὤν is dropped dropped or absorbed in the participle. στυγνός echoes στυγήσεται and has a neuter meaning = tristis, morose.
673. mvp-comment-391-2 βαρὺς δ', ὅταν θυμοῦ περάσῃς And intolerable when you exceed in wrath. θυμοῦ is genitive of place, like σοφίας in πόρρω σοφίας ἐλαύνειν (Plat. Crat. 410 E). Essay on Language p 16, 3, d. βαρύς expresses the something dangerous in a passionate man. Cp. 546, Ant. 767, νοῦς δ᾽ ἐστὶ τηλικοῦτος ἀλγήσας βαρύς. The other explanation: You are dangerous even when you come to an end of your wrath (ὅταν ἐπὶ πέρας ἔλθῃς τῆς ὀργῆς Schol.)-is objectionable on two grounds-(1) because presenting a mere repetition under the form of antithesis; (2) because θυμοῦ περᾶν, in the sense of to pass out of anger, is too harsh for Sophocles. Also (3) because some Greek word is needed to give the sense of even. The use of περâν in either case is metaphorical. For περᾶν, to go far, cp. О. С. 155, περῖς γάρ, περᾷς.