Oedipus Tyrannus. Sophocles. ed. Lewis Campbell. Oxford. 1879.
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Current edition Experimental
Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 649-698 focus
Χορός
πιθοῦ θελήσας φρονήσας τʼ, ἄναξ, λίσσομαι.
Οἰδίπους
τί σοι θέλεις δῆτʼ εἰκάθω;
650
Χορός
τὸν οὔτε πρὶν νήπιον νῦν τʼ ἐν ὅρκῳ μέγαν καταίδεσαι.
Οἰδίπους
οἶσθʼ οὖν ἃ χρῄζεις;
Χορός
οἶδα.
Οἰδίπους
φράζε δὴ τί φής.
Χορός
τὸν ἐναγῆ φίλον μήποτʼ ἐν αἰτίᾳ
655
σὺν ἀφανεῖ λόγῳ σʼ ἄτιμον βαλεῖν.
Οἰδίπους
εὖ νυν ἐπίστω, ταῦθʼ ὅταν ζητῇς, ἐμοὶ
ζητῶν ὄλεθρον ἢ φυγὴν ἐκ τῆσδε γῆς.
Χορός
οὐ τὸν πάντων θεῶν θεὸν πρόμον
660
Ἅλιον· ἐπεὶ ἄθεος ἄφιλος ὅ τι πύματον
ὀλοίμαν, φρόνησιν εἰ τάνδʼ ἔχω.
ἀλλά μοι δυσμόρῳ γᾶ φθινὰς
665
τρύχει ψυχάν, τάδʼ εἰ κακοῖς κακὰ
προσάψει τοῖς πάλαι τὰ πρὸς σφῷν.
Οἰδίπους
ὁ δʼ οὖν ἴτω, κεἰ χρή με παντελῶς θανεῖν
ἢ γῆς ἄτιμον τῆσδʼ ἀπωσθῆναι βίᾳ.
670
τὸ γὰρ σόν, οὐ τὸ τοῦδʼ, ἐποικτίρω στόμα
ἐλεινόν· οὗτος δʼ ἔνθʼ ἂν ᾖ στυγήσεται.
Κρέων
στυγνὸς μὲν εἴκων δῆλος εἶ, βαρὺς δʼ, ὅταν
θυμοῦ περάσῃς· αἱ δὲ τοιαῦται φύσεις
αὑταῖς δικαίως εἰσὶν ἄλγισται φέρειν.
675
Οἰδίπους
οὔκουν μʼ ἐάσεις κἀκτὸς εἶ;
Κρέων
πορεύσομαι,
σοῦ μὲν τυχὼν ἀγνῶτος, ἐν δὲ τοῖσδʼ ἴσος.
Χορός
γύναι, τί μέλλεις κομίζειν δόμων τόνδʼ ἔσω;
Ἰοκάστη
μαθοῦσά γʼ ἥτις ἡ τύχη.
680
Χορός
δόκησις ἀγνὼς λόγων ἦλθε, δάπτει δὲ καὶ τὸ μὴ ʼνʼδικον.
Ἰοκάστη
ἀμφοῖν ἀπʼ αὐτοῖν;
Χορός
ναίχι.
Ἰοκάστη
καὶ τίς ἦν λόγος;
Χορός
ἅλις ἔμοιγʼ, ἅλις, γᾶς προπονουμένας,
685
φαίνεται ἔνθʼ ἔληξεν αὐτοῦ μένειν.
Οἰδίπους
ὁρᾷς ἵνʼ ἥκεις, ἀγαθὸς ὢν γνώμην ἀνήρ,
τοὐμὸν παριεὶς καὶ καταμβλύνων κέαρ;
Χορός
ὦναξ, εἶπον μὲν οὐχ ἅπαξ μόνον,
690
ἴσθι δὲ παραφρόνιμον, ἄπορον ἐπὶ φρόνιμα
πεφάνθαι μʼ ἄν, εἴ σʼ ἐνοσφιζόμαν,
ὅς τʼ ἐμὰν γᾶν φίλαν ἐν πόνοις
ἀλύουσαν κατʼ ὀρθὸν οὔρισας,
695
τανῦν τʼ εὔπομπος, ἂν γένοιο.
Ἰοκάστη
πρὸς θεῶν δίδαξον κἄμʼ, ἄναξ, ὅτου ποτὲ
μῆνιν τοσήνδε πράγματος στήσας ἔχεις.
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 616 focus
Sein Wort beachte, wer sich vor dem Falle scheut,
König; denn die Schnellentschloss'nen straucheln leicht.
610
Oedipus.
Kommt Einer, der mir heimlich nachstellt, schnell daher,
So muß auch ich schnell wider ihn entschlossen sein.
Denn wollt' ich sorglos harren, ist, was jener sinnt,
Zum Ziel gelangt, und mein Beginnen ist umsonst.
Kreon.
Was also willst du? Treibst du mich zum Land hinaus?
615
Oedipus.
Mit nichten: sterben sollst du, nicht von hinnen flieh'n.
Kreon.
Sobald du zeigtest, was du so mir grollen darfst.
Oedipus.
Nicht unterwerfen willst du dich und glaubst mir nicht?
Kreon.
Nicht klug ja bist du, seh' ich wohl.
Nicht minder mußt du mir es sein.
620
Und wenn du irrtest? Für mich gewiß.
Du bist ein Schalk!
Oedipus.
Doch gehorchen mußt du mir.
Kreon.
Dem ungerechten Herrscher nie!
Oedipus.
Stadt, o Stadt!
Kreon.
Theilnahme gönnt auch mir die Stadt, nicht dir allein.
Der Chor.
Laßt ab, Gebieter! Ganz gelegen seh' ich euch
Iokasten aus dem Hause nah'n, mit welcher ihr
625
Den jezt erhobnen Hader wohl vermitteln müßt.
Jokaste. Die Vorigen.
Jokaste.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 649-698 focus
Chorus
Consent, reflect, listen, my king, I beg you.
Oedipus
What would you have me grant you?
650
Chorus
Respect him who was in the past not foolish, and who now is strong in his oath.
Oedipus
Do you understand what you crave?
Chorus
I do.
Oedipus
Tell me, then, what you mean.
655
Chorus
That you should never use an unproved rumor to cast a dishonoring charge on the friend who has bound himself with a curse.
Oedipus
Then be quite aware that when you seek this you are seeking death or exile from this land for me.
Chorus
No, by the god that stands at the head of all the host of the gods, no, by the sun. Unblest, unbefriended, may I die the worst possible death, if I have this thought!
660
But my unhappy soul is worn by the withering of the land, as well as by the thought that our old sorrows should be crowned by new ones arising from the two of you.
665
Oedipus
Then let him go, though I am surely doomed to be killed
or thrust dishonored from the land. Your words, not his, move me to compassion; but he, wherever he be, shall be hated.
670
Creon
You are truly sullen in yielding, as you are vehement in the excesses of your wrath. But such natures are
justly most difficult for themselves to bear.
675
Oedipus
Will you not be gone and leave me in peace?
Creon
I will go on my way. I have found you undiscerning, but in the view of these men I am just.
He exits.
Chorus
Lady, why do you hesitate to take this man into the house?
Iocasta
I will, when I have learned what has happened.
680
Chorus
Blind suspicion, bred of talk, arose, and injustice inflicts wounds.
Iocasta
On both sides?
Chorus
Yes.
Iocasta
And what was the story?
Chorus
It is enough, I think, enough, when our land is already vexed, that the matter should rest where it stopped.
685
Oedipus
Do you see to what you have come, for all your noble intent, in seeking to slacken and blunt my zeal?
Chorus
King, I have said it more than once—
be sure that I would have proved myself a madman, bankrupt in sane counsel, if I forsook you—you, who gave a true course to my beloved country when it was
690
distraught with troubles, and who now are likely to prove our prospering guide.
695
Iocasta
In the name of the gods, tell me, king, the reason that you have conceived this steadfast wrath.
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
mvp-comment-399-1 ταχύς τις χωρῇ 1
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
618. mvp-comment-366-1 When my secret enemy is one who advances swiftly.' ταχύς τις is supplementary predicate after χωρῇ. Cp. Αj. 1266, φεῦ, τοῦ θανόντος ὡς ταχεῖά τις βροτοῖς | χάρις διαρρεῖ καὶ προδοῦσ᾽ ἁλίσκεται: Phil. 519, μὴ νῦν μέν τις εὐχερὴς παρῇς. And for the article with the subject in such a connection, cp. Ant. 951, ὁ μοιριδία τις δύνασις δεινά. 624-625. The text of these lines is probably defective. Two things seem clear; (1) that line 625 is more appropriate to Creon than to Oedipus, You speak as if you would not relent nor believe me. (MS. Farn. had upe. before this line by p. m.) Cp. infr. 646, πίστευσον, Οἰδίπους, τάδε: 650, τί σοὶ θέλεις δῆτ᾽ εἰκάθω; Αj. 371, ὦ πρὸς θεῶν ὕπεικε καὶ φρόνησον εὖ: and (2) that line 624 is addressed by Oedipus to Creon, and conveys a threat: When you have given an example of the crime of envy. Cp. Ant. 308, πρὶν ἂν | ζῶντες κρεμαστοὶ τήνδε δηλώσηθ ὕβριν: ib. 325-326, έξερεῖθ᾽ ὅτι | τὰ δειλὰ κέρδη πημονὰς ἐργάζεται: Τr. 1110-1111, ἵν᾽ ἐκδιδαχθῇ πᾶσιν ἀγγέλλειν ὅτι | καὶ ζῶν κακούς γε καὶ θανὼν ἐτισάμην: Ant. 1242-1243, δείξας ἐν ἀνθρώποισι τὴν ἀβουλίαν, | ὅσῳ μέγιστον ἀνδρὶ πρόσκειται κακόν (ⅰ.e. προδείξας οἷόν ἐστι τὸ κακῶς βουλεύειν) : Pind. P. 2. 42. By transposing 624-625, as Haase suggested, a kind of meaning may be brought out. My desire for you is death, not banishment. You speak as if you would not relent. I will relent when you are made an example of the sin of envy (and not before). (My envy is) that I see you to be unwise. But the transitions are too violent. Again, 623-624, may be read continuously, and the loss of a single line supposed after 625. I would have you be (not banished but) slain, when you have first been made an example of the crime of envy (in the manner of your death). You speak as if you would not relent nor believe me. ['And you speak like a rebel.'] Because I see you blind. But the insertion (διὰ μέσου) οἱ οὐ φυγεῖν, and the abruptness of ὅταν προδείξῃς, may be thought to prevent the two lines from coalescing into a harmonious sentence. In this case the most probable inference would be that one or more lines have been lost before 624 and after 625. The old explanations of the Scholiast, When you have shown the nature of the grudge I bear you,' sc. oἷός ἐστιν ὁ ἐμὸς πρὸς σὲ φθόνος (cp. supr. 605 ff.), or of Hermann, When you have shown the nature of your grudge against me, or of the ancient gloss, When you have first explained:-oh! what a thing envy is!' are untenable, especially because they afford no natural explanation of l. 625. The broken lines (626 foll.) mark the climax of the altercation. Cp. O. C. 832, 885.