Oedipus Tyrannus. Sophocles. ed. Lewis Campbell. Oxford. 1879.
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Current edition Experimental
Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 463-511 focus
Χορός
τίς ὅντινʼ ἁ θεσπιέπεια Δελφὶς εἶπε πέτρα
ἄρρητʼ ἀρρήτων τελέσαντα φοινίαισι χερσίν;
465
ὥρα νιν ἀελλάδων
ἵππων σθεναρώτερον
φυγᾷ πόδα νωμᾶν.
ἔνοπλος γὰρ ἐπʼ αὐτὸν ἐπενθρῴσκει
πυρὶ καὶ στεροπαῖς ὁ Διὸς γενέτας,
470
δειναὶ δʼ ἅμʼ ἕπονται
κῆρες ἀναπλάκητοι
Χορός
ἔλαμψε γὰρ τοῦ νιφόεντος ἀρτίως φανεῖσα
φάμα Παρνασοῦ τὸν ἄδηλον ἄνδρα πάντʼ ἰχνεύειν.
φοιτᾷ γὰρ ὑπʼ ἀγρίαν
475
ὕλαν ἀνά τʼ ἄντρα καὶ
πέτρας ἰσόταυρος
μέλεος μελέῳ ποδὶ χηρεύων,
τὰ μεσόμφαλα γᾶς ἀπονοσφίζων
480
μαντεῖα· τὰ δʼ ἀεὶ
ζῶντα περιποτᾶται.
Χορός
δεινὰ μὲν οὖν, δεινὰ ταράσσει σοφὸς οἰωνοθέτας
οὔτε δοκοῦντʼ οὔτʼ ἀποφάσκονθʼ· ὅ τι λέξω δʼ ἀπορῶ.
485
πέτομαι δʼ ἐλπίσιν οὔτʼ, ἐνθάδʼ ὁρῶν οὔτʼ ὀπίσω.
τί γὰρ ἢ Λαβδακίδαις
ἢ τῷ Πολύβου νεῖκος ἔκειτʼ, οὔτε πάροιθέν ποτʼ ἔγωγʼ
490
ἔμαθον, πρὸς ὅτου δὴ βασανίζων βασάνῳ
ἐπὶ τὰν ἐπίδαμον φάτιν εἶμʼ Οἰδιπόδα Λαβδακίδαις
ἐπίκουρος ἀδήλων θανάτων.
495
Χορός
ἀλλʼ ὁ μὲν οὖν Ζεὺς ὅ τʼ Ἀπόλλων ξυνετοὶ καὶ τὰ βροτῶν
εἰδότες· ἀνδρῶν δʼ ὅτι μάντις πλέον ἢ ʼγὼ φέρεται,
500
κρίσις οὔκ ἔστιν ἀλαθής· σοφίᾳ δʼ ἂν σοφίαν
παραμείψειεν ἀνήρ.
ἀλλʼ οὔποτʼ ἔγωγʼ ἄν, πρὶν ἴδοιμʼ ὀρθὸν ἔπος, μεμφομένων ἂν καταφαίην.
505
φανερὰ γὰρ ἐπʼ αὐτῷ, πτερόεσσʼ ἦλθε κόρα
ποτέ, καὶ σοφὸς ὤφθη βασάνῳ θʼ ἁδύπολις τῷ ἀπʼ ἐμᾶς
510
φρενὸς οὔποτʼ ὀφλήσει κακίαν.
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 483 focus
Gräßliches, ach, Gräßliches weiſſagt
Uns der Prophet, was ich zu glauben
Nicht vermag, noch zu verneinen;
Mir versagt zweifelnd das Wort.
485
In der Angst harr' ich und düster
Liegt es vor mir, jezt und hinfort.
Denn ob Polybos' Sohn
1
Mit Labdakos' Haus je sich entzweit, hört' ich zuvor
Nimmer, vernahm's heute noch nicht, daß
490
Ich daran, wie am Probsteine, belehrt,
Den gefeierten Ruf unseres Herrn schmähte, den Mord
Nächend, an Labdakos' Sohn in der Nacht Dunkel verübt.
Zweite Gegenstrophe.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 463-510 focus
Chorus
Who is he of whom the divine voice from the Delphian rock has said
to have wrought with blood-red hands horrors that no tongue can tell? It is time that he ply in flight a foot stronger than the feet of storm-swift steeds.
465
The son of Zeus is springing upon him with fiery lightning, and with him come the dread unerring Fates.
470
Chorus
Recently the message has flashed forth from snowy
Parnassus
ordering all to search for the unknown man. He wanders under cover of the wild wood, among caves and rocks, fierce as a bull, wretched and forlorn on his joyless path, still seeking to separate himself from the doom revealed at the central shrine of the earth.
475
But that doom lives forever, forever flits around him.
480
Chorus
The wise augur moves me, neither approving nor denying, with dread, with dread indeed.
I am at a loss what to say. I am flustered in my expectations, seeing neither the present nor the future clearly. Never in past days or in these have I heard how the house of Labdacus or the son of Polybus had any quarrel with one another that
485
I could bring as proof in assailing the public reputation of Oedipus, seeking to avenge the line of Labdacus
490
for the undiscovered murder.
495
Chorus
Zeus and Apollo indeed are keen of thought and know the affairs of the earth.
But there is no sure test of whether a mortal seer attains more knowledge than I do, though man may surpass man in wisdom. But until I see the word made good, I will never assent when men blame Oedipus. Before all eyes the winged maiden came against him once upon a time, and he was seen to be wise,
500
and bore the test in welcome service to the state. Never, therefore, will he be adjudged guilty of evil.
510
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
463-511. mvp-comment-280-1 Where is the accursed one, whom Apollo has marked as the perpetrator of the terrible deed? Now should he fly far away, with a step swifter than that of steeds, the daughters of the wind. For the son of Zeus, clothed in armour, leaps upon him with flashing fire, and the inevitable Fates are following him. He is roaming in forests and amongst desert caves, but he shall find no refuge. The forlorn man cannot put away from him the oracles that come from the centre of the earth.
463-511. mvp-comment-280-2 I tremble to think of the answer which the seer has given; and I hover in uncertainty, seeing neither what is, nor what will be. I neither know nor have known any strife between the house of Labdacus and the son of Polybus, and without proof, I will not give up Oedipus on an uncertain surmise. There is no knowing whether the voice of the prophet is the voice of God. But one man may be wiser than another. And of mortals who so wise as Oedipus? We have proof of this and of his good- Ist strophe and antistr. logaoedic or glyconic, ness to our state. Therefore I will think no harm of him.
463-511. mvp-comment-280-3 The first strophe and antistrophe refer to the proclamation of Oedipus reporting the answer of the oracle; the second to the words of Teiresias, which contained the only answer yet given to the question which the oracle left obscure. The differing metres of the first and second strophe and antistrophe contrast the eager resolution of the chorus to find the murderer, with the wavering excitement which the words of Teiresias have awakened, distracting them between their loyalty to Oedipus and their reverence for the seer. The first strophe commences with a strain half grave, half light, which is stirred into a quicker motion in the glyconics (lines 466-468), where the flight of the fugitive is described and grows faster and also weightier in the description of the tramp of his pursuers (lines 469 ff.). In the second strophe the alternation of the mind of the Chorus is indicated in the uneven Ionic rhythm. followed by rapid anapaestic clcclcc dimeters marking the climax of feeling. 2nd str. and antistr. Ionic a minore with anacrusis and pauses. 100- D 100–110)|10) 10)||10)|[110)]110) 463. The διορθωτής of the Laurentian MS. has written εἶπε over another word (ειδε?) and Flor. Γ. gives εἶδε, above 100which a later hand has written εἶπε as a v. r. Both readings are noticed by the Scholiast. The construction with the participle is at first sight rather in favour of εἶδε (or οἶδε). But cp. El. 318, О. С. 1580, ξυντομωτάτως μὲν ἂν τύχοιμι λέξας Οἰδίπουν ὀλωλότα, and infr. 1214, δικάζει .. τεκνοῦντα, εἶπε is much better suited to the context. The voice which the Pythia interpreted came from the rock.