Oedipus Tyrannus. Sophocles. ed. Lewis Campbell. Oxford. 1879.
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Current edition Experimental
Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 463-511 focus
Χορός
τίς ὅντινʼ ἁ θεσπιέπεια Δελφὶς εἶπε πέτρα
ἄρρητʼ ἀρρήτων τελέσαντα φοινίαισι χερσίν;
465
ὥρα νιν ἀελλάδων
ἵππων σθεναρώτερον
φυγᾷ πόδα νωμᾶν.
ἔνοπλος γὰρ ἐπʼ αὐτὸν ἐπενθρῴσκει
πυρὶ καὶ στεροπαῖς ὁ Διὸς γενέτας,
470
δειναὶ δʼ ἅμʼ ἕπονται
κῆρες ἀναπλάκητοι
Χορός
ἔλαμψε γὰρ τοῦ νιφόεντος ἀρτίως φανεῖσα
φάμα Παρνασοῦ τὸν ἄδηλον ἄνδρα πάντʼ ἰχνεύειν.
φοιτᾷ γὰρ ὑπʼ ἀγρίαν
475
ὕλαν ἀνά τʼ ἄντρα καὶ
πέτρας ἰσόταυρος
μέλεος μελέῳ ποδὶ χηρεύων,
τὰ μεσόμφαλα γᾶς ἀπονοσφίζων
480
μαντεῖα· τὰ δʼ ἀεὶ
ζῶντα περιποτᾶται.
Χορός
δεινὰ μὲν οὖν, δεινὰ ταράσσει σοφὸς οἰωνοθέτας
οὔτε δοκοῦντʼ οὔτʼ ἀποφάσκονθʼ· ὅ τι λέξω δʼ ἀπορῶ.
485
πέτομαι δʼ ἐλπίσιν οὔτʼ, ἐνθάδʼ ὁρῶν οὔτʼ ὀπίσω.
τί γὰρ ἢ Λαβδακίδαις
ἢ τῷ Πολύβου νεῖκος ἔκειτʼ, οὔτε πάροιθέν ποτʼ ἔγωγʼ
490
ἔμαθον, πρὸς ὅτου δὴ βασανίζων βασάνῳ
ἐπὶ τὰν ἐπίδαμον φάτιν εἶμʼ Οἰδιπόδα Λαβδακίδαις
ἐπίκουρος ἀδήλων θανάτων.
495
Χορός
ἀλλʼ ὁ μὲν οὖν Ζεὺς ὅ τʼ Ἀπόλλων ξυνετοὶ καὶ τὰ βροτῶν
εἰδότες· ἀνδρῶν δʼ ὅτι μάντις πλέον ἢ ʼγὼ φέρεται,
500
κρίσις οὔκ ἔστιν ἀλαθής· σοφίᾳ δʼ ἂν σοφίαν
παραμείψειεν ἀνήρ.
ἀλλʼ οὔποτʼ ἔγωγʼ ἄν, πρὶν ἴδοιμʼ ὀρθὸν ἔπος, μεμφομένων ἂν καταφαίην.
505
φανερὰ γὰρ ἐπʼ αὐτῷ, πτερόεσσʼ ἦλθε κόρα
ποτέ, καὶ σοφὸς ὤφθη βασάνῳ θʼ ἁδύπολις τῷ ἀπʼ ἐμᾶς
510
φρενὸς οὔποτʼ ὀφλήσει κακίαν.
Translations (3)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 422 focus
OED
1446
Not only so. But I will charge thee too,
With urgent exhortation, to perform
The funeral rite for her who lies within—
She is thy kinswoman—howe’er thou wilt.
But never let this city of my sires
Claim me for living habitant! There, there
1450
Leave me to range the mountain, where my nurse,
Cithaeron, echoeth with my name,—Cithaeron,
Which both my parents destined for my tomb.
So my true murderers will be my death.
Yet one thing I can tell. Mine end will come
1455
Not by disease nor ordinary chance
I had not lived when at the point to die,
But for some terrible doom. Then let my fate
Run out its full career. But for my children
Thou, Creon, shalt provide. As for my sons,
1460
I pray thee burden not thyself with them.
They ne’er will lack subsistence—they are men.
But my poor maidens, hapless and forlorn,
Who never had a meal apart from mine,
But ever shared my table, yea, for them
1465
Take heedful care, and grant me, though but once.
Yea, I beseech thee, with these hands to feel,
Thou noble heart! the forms I love so well,
And weep with them our common misery.
Oh, if my arms were round them, I might seem
1470
To have them as of old when I could see—
What! Am I fooled once more, or do I hear
My dear ones weeping! And hath Creon sent,
Pitying my sorrows, mine own children to me
Whom most I love? Can this be truth I utter?
1475
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 429 focus
Noch lange sollt' ich dulden, was der Mann mir beut?
430
Tod über dich! Was säumst du? Wirst du nicht sofort
Zurück dich wenden, eilend flieh'n von diesem Haus?
Teiresias.
Wenn du mir nicht gerufen, kam ich wahrlich nicht.
Oedipus.
Mir ahnte nicht, du werdest Unsinn schwazen; denn
Sonst hätt' ich dich zu meinem Hause nicht bestellt.
435
Teiresias.
Ein Thor bin ich geworden, so bedünkt es dich;
Den Eltern, die dich zeugten, galt ich weise wohl.
(will gehen.)
Oedipus.
Wie? Welchen? - Bleibe! - Welcher Mensch erzeugte mich?
Teiresias.
Dich zeugt und dich vernichtet heut der eine Tag.
Oedipus.
Wie dunkel Alles, was du sagst, wie räthselhaft!
440
Teiresias.
Nun, wärst du, das zu lösen, nicht der Tüchtigste?
Oedipus.
Verhöhne das nur, wo du groß mich finden kannst!
Teiresias.
Doch dieser Glücksfall eben war dein Untergang.
1
Oedipus.
Hab' ich gerettet diese Stadt, sei's immerhin!
Teiresias.
So will ich geh'n; du, Knabe, führe mich hinweg.
445
Oedipus.
Ja, laß hinweg dich führen! Deine Gegenwart
Verwirrt nur; gehend wirst du nicht mehr lästig sein.
Teiresias.
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 463-510 focus
Chorus
Who is he of whom the divine voice from the Delphian rock has said
to have wrought with blood-red hands horrors that no tongue can tell? It is time that he ply in flight a foot stronger than the feet of storm-swift steeds.
465
The son of Zeus is springing upon him with fiery lightning, and with him come the dread unerring Fates.
470
Chorus
Recently the message has flashed forth from snowy
Parnassus
ordering all to search for the unknown man. He wanders under cover of the wild wood, among caves and rocks, fierce as a bull, wretched and forlorn on his joyless path, still seeking to separate himself from the doom revealed at the central shrine of the earth.
475
But that doom lives forever, forever flits around him.
480
Chorus
The wise augur moves me, neither approving nor denying, with dread, with dread indeed.
I am at a loss what to say. I am flustered in my expectations, seeing neither the present nor the future clearly. Never in past days or in these have I heard how the house of Labdacus or the son of Polybus had any quarrel with one another that
485
I could bring as proof in assailing the public reputation of Oedipus, seeking to avenge the line of Labdacus
490
for the undiscovered murder.
495
Chorus
Zeus and Apollo indeed are keen of thought and know the affairs of the earth.
But there is no sure test of whether a mortal seer attains more knowledge than I do, though man may surpass man in wisdom. But until I see the word made good, I will never assent when men blame Oedipus. Before all eyes the winged maiden came against him once upon a time, and he was seen to be wise,
500
and bore the test in welcome service to the state. Never, therefore, will he be adjudged guilty of evil.
510
Commentary
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
422. mvp-comment-257-1 The favorite image of a haven, already present to the mind in another connection (420), is applied to the marriage of Oedipus with the queen. Cp. infr. 1208 foll. The marriage and the marriage-song are identified. as elsewhere. When thou hast learnt the nature of that marriage, into which in yonder halls thou wast carried with full sail, to find no shelter there. δόμοις is added to indicate the meaning of the image that follows. Cp. Tr. 538. (Others take öv as cogn. accus., not = λιμένα but πλοῦν, and δόμοις as = εἰς δόμους. For this cp. Eur. H. F. 242.) 425. 'Which will show you in your true relation to yourself and to your children: i. e. Which will show you what you are, and that you are the brother of your children.