Antigone. Sophocles. Godesberg. 1949.
Sponsored by Perseus Project, Tufts University.
Funding provided by Tufts University.
Antigone. Sophocles. Godesberg. 1949.
Sponsored by Perseus Project, Tufts University.
Funding provided by Tufts University.
Greek (K. Reinhardt, 1949) (OCR draft) (Greek) (Greek (K. Reinhardt, 1949))
Provisional text from uncorrected OCR; expect errors.
mvp-comment-4-1 Paley ( Journ. Ph. 10. 16) regards these three verses as interpolated, because (1) Antigone, like Ismene, should have only seven verses: (2) the words only repeat vv. 2, 3: (3) the double negative offends. But we have no warrant for requiring such a correspondence; and this is not repetition, but development. On (3), see below.
1-17. mvp-comment-1-1 The opening speeches reveal the contrast between the sisters, while the affectionate address of Antigone in l. 1 gives greater emphasis to her violent outbreak in l. 69. Cp. О. Т. 85, and note.
4. mvp-comment-5-1 ἄτης †ἄτερ Neither the defence of these words by Böckh, who places them between commas, Calamity apart, i.e. no disgrace, not to speak of calamity, (cp. Dem. de Cor. p. 255); nor that of Wecklein, who treats the privative as a redundant negative, i. e.
4. mvp-comment-5-2 ἄτερ = οὐ πλέων, nor Linwood's, who makes ἀλγεινὸν οὔτ᾽ ἄτης ἄτερ = άλγεινὸν ἀτηρόν τε, is satisfactory. Yet Didymus knew of no other reading, and interlinear glosses before the Christian era can hardly be assumed. Else there is much plausibility in Porson's conjecture that a gloss ἀτηρ', i. e. ἀτηρόν, has taken the place of ἔχον (sc. μετέχον), or some other word. The corruption occurring at such an early period is more probably due to the confusion to which all negative expressions are liable (Essay on Language § 29. 2, p. 49), but which in the present instance cannot be attributed to the poet; i. e. οὐδὲν ἀτηρόν ἐσθ᾽ ὁποῖον οὐκ ὄπωπα, has become confused in the mind of some early interpreter with οὐδέν ἐσθ᾽ ὁποῖον οὐκ ἀτηρόν = οὐδέν ἐστ᾽ ἄτης ἄτερ. Qy. ἄτης πλέων? The emphasis culminates on ἄτιμον, which pointedly refers to the dishonour she is now to speak of.