Sophocles Antigone 673

ed. Francis Storr

αὕτη πόλεις ὄλλυσιν, ἥδʼ ἀναστάτους

Antigone. Sophocles. ed. Francis Storr. London. 1912.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Experimental

Ἀντιγόνη (Greek) (Sophocles, Volume 1. Storr, Francis, editor. London; New York: William Heinemann Ltd.; The Macmillan Company, 1912.)

Provisional text from uncorrected OCR; expect errors.

Editions (11)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 673 focus
σώζει τὰ πολλὰ σώμαθ᾽ ἡ πειθαρχία.
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 673 focus
ἥτις τὸν αὑτῆς αὐτάδελφον ἐν φοναῖς
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 673 focus
λέγειν φρονούντως ὧν λέγεις δοκεῖς πέρι.
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 673 focus
αὕτη πόλεις τ᾿ ὄλλυσιν, ἥδ᾽ ἀναστάτους
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 673 focus
αὕτη πόλεις ὄλλυσιν, ἥδ᾽ ἀναστάτους
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 673.mvp-line-666 focus
αὕτη πόλεις ὄλλυσιν, ἥδ’ ἀναστάτους
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 673 focus
αὕτη πόλεις ὄλλυσιν, ἥδ᾽ ἀναστάτους
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 673 focus
οὕτως ἀμυντέ᾽ ἐστὶ τοῖς κοσμουμένοις,
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 673 focus
αὕτη πόλεις ὄλλυσιν, ἥδ᾽ ἀναστάτους
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 673.mvp-line-665 focus
αὕτη πόλεις τ᾽ ὄλλυσιν, ἥδ᾽ ἀναστάτους
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 673 focus
αὕτη πόλεις ὄλλυσιν, ἥδ᾽ ἀναστάτους
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 681 focus
Uns dünkt, wofern uns Alter nicht den Sinn berückt,
675
Mit viel Verstand gesprochen, was du sprichst, o Herr.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 631-780 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-392-1 πόλεις ὄλλυσιν, ἥδ’ 1 πόλεις τ’ … ἥδ’ 2

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

635-765. mvp-comment-375-1 Haemon professes obedience to his father, but with the implied condition that his father commands what is right. Not heeding this, Creon welcomes his general profession, and enlarges on the blessings that follow from obedience in public and private. He urges Haemon to renounce Antigone. Haemon replies by repeating the praise of her which he has heard in the city (Ar. Rhet. 3. 17, ἕτερον χρὴ λέγοντα ποιεῖν.. ὡς Σοφοκλῆς τὸν Αἴμονα ὑπὲρ τῆς Ἀντιγόνης πρὸς τὸν πατέρα, ὡς λεγόντων ἑτέρων), and begs his father not to be deaf to all opinions but his own. Creon is impatient at this, and, after an altercation, in which both speakers become exasperated, Creon orders Antigone to be brought for immediate execution, and Haemon breaks away in sullen anger. This episode interposes a necessary pause between the condemnation of Antigone and its results, i. e, between the two chief crises of the action, and assists the main impression by bringing the light of natural affection and common opinion to bear on the situation.

673. mvp-comment-397-1 αὕτη .. τίθησιν The anacoluthon (for which see Essay on Language p. 65) has been avoided in two ways, (1) by omission of τε, (2) by reading ἠδ' for ἥδ'. This Homericism is defended by comparing ὥσει τε in l. 653. There is slight MS. authority for both these changes (see v. rr.). But strong reasons are required for the introduction of a particle not used elsewhere by Sophocles, and after the regularly balanced τε.. ἠδέ, the asyndeton in the next line would be too abrupt. If any change were necessary, the omission of τ' would be preferable, but the lines are more expressive as they are.