944-987.
mvp-comment-537-1
The chorus, in the manner of Pindar, moralise on the fate of Antigone through examples drawn from the circle of mythology and legend; and thus suggest the same cold comfort as in their mention of Niobe. The effect of this ode is to repress the excitement and solemnize the thoughts of the spectator. 'Danaë, though of royal lineage, and entrusted with the golden shower, was bound by all-constraining destiny in her brazen cell. 'Bound, too, in a prison of rock, was Lycurgus, who provoked the God. He knew his madness when it was too late.
And on the Thracian promontory Phineus sons, blinded by their father's wife (Idothea), bewailed their rejected mother Cleopatra's hapless lot, who, descended from an ancient line, and endowed with swiftness by her divine sire, was notwithstanding overtaken by the long-lived fates.' Danae and Cleopatra were, like Antigone, of royal birth, and, like Antigone, were bound in a living tomb. So also was the son of Dryas, himself a king: and this, in his case, was the penalty of an impetuous and defiant spirit. Sophocles seems to have followed one version of the obscure and variable legend of Phineus, according to which Cleopatra did not die, but was rejected by Phineus for Idothea, and imprisoned in a cave, from which she was afterwards released by Heracles. The sons were blinded by their step-mother. The first strophe and antistrophe are choriambic with an iambic close; the second, logaoedic. The choriambi here were probably chanted slowly, so as to have a weighty, solemn effect. The scheme is as follows: a'. First strophe and antistrophe. IILUCI LUCILー LUCILIITUCICートに IICClluclトー IIICCILUCIトに ICICICI KLCICICI CトートUICIK β'. Second strophe and antistrophe. UCCTCCICCI IICCICCII!یں ILU TUCI くいくいトCICIK Cトートしーーー ―トビトCICIK CÚCCICICICC
966-968.
mvp-comment-555-1
And hard by Cyanean rocks that divide the seas, are the cliffs of the Bosphorus and the Thracian promontory of Salmydessus, where,' etc. The genitive gives indefiniteness to the notion of place, and παρά implies neighbouring extent.
966.
mvp-comment-556-1
πελαγέων, see v. rr., although metrically allowable (πελᾶγεων), is condemned by the vagueness of the meaning and the tautology in πελαγέων .. ἁλός. The ingenious conjecture of Wieseler is therefore adopted. It is confirmed by the gloss πετρῶν. The 1st syllable of Ἄρης is long in arsi supr. 139.
969.
mvp-comment-557-1
The lost cretic has been differently supplied: ἄξevos Boeckh, ήτων Meineke. A verb is more wanted, e. g.
969.
mvp-comment-557-2
ἵσταται, κλήζεται.
970.
mvp-comment-558-1
ἀγχίπτολις Ἄρης This can only mean
The War-god whose temple is near the city (of Salmydessus). Cp. Aesch. S. c. T. 501. The details of the legend as accepted by Sophocles are unknown to us, and hence we can hardly judge of the appropriateness of the epithet. The Thracian worship of Ares is well known.
971.
mvp-comment-559-1
δισσοῖσι Φινεΐδαις Dative of direct reference depending on τυφλωθέν. Essay on Language § 12. p. 18.
972.
mvp-comment-560-1
ἀρατόν
Accursed; i.e. Bringing a curse on Phineus and Idothea.
972.
mvp-comment-560-2
ἕλκος τυφλωθέν. The blinding wound inflicted.' The 'cognate verb᾽ τυφλωθέν is substituted for ποιηθέν or the like. Essay on Language § 17. p. 25, c.
973.
mvp-comment-561-1
ἐξ ἀγρίας δάμαρτος For the preposition, see Essay on Language $ 19. p. 28, 2.
973.
mvp-comment-561-2
δάμαρτος Idothea, who had been made the wife of Phineus through the repudiation of Cleopatra. 974- ἀλαὸν ἀλαστόροισιν ὀμμάτων κύκλοις] Sightless (i. e. producing blindness) on the vengeful orbits of their eyes. For the causative use of ἀλαόν, see Essay on Language §. 53. p. 98.
973.
mvp-comment-561-3
ἀλαστόροισιν Bringing vengeance,' i. e. Pleading successfully though silently for retribution. The dative is partly dative of place and partly of direct reference.
Causing blindness in or to the eyes.
975.
mvp-comment-562-1
*ἀραχθέντων Lachmann's conjecture for ἀραχθὲν ἐγχέων.
When they were smitten. Another is ἄτερθ' ἐγχέων.
976.
mvp-comment-563-1
κερκίδων ἀκμαῖσιν A woman's weapon. The shuttle was sharpened at the point, so as to be inserted between the threads, in order to regulate the density of the web. This process was called κερκίζειν, and the art is named by Plato κερκιστική. Plat. Polit. 282 B, C: Sophist. 226 B: Crat. 388 A.