Sophocles Antigone 1294

mvp-comment-780-1 ὁρᾶν πάρεστιν ¹

mvp-comment-780-2 three or four persons; and was low enough to admit of an actor stepping off it with ease. It was pushed on through the central stage entrance, and was usually brought sufficiently far forward to allow of actors entering or making their exit behind it. Here, the corpse of Eurydicè is evidently in full view of the house ( cp. 1299 ). Soph. has used the

in two other plays: El. 1458 (the corpse of Clytaemnestra, with Orestes and Pylades beside it); and in Ai. 344 (Ajax in his tent among his victims). See Albert Müller, Gr. Bühnenalterthümer, pp. 142 ff. (1886).

mvp-comment-780-3 Recent explorations in the Dionysiac theatre at Athens have given rise to a theory that there was no permanent raised stage or proscenium before the Roman age. Even if this could be proved, it would still, however, remain certain that some such expedient as the

was used in the fifth century. This is proved by the texts of Aesch. , Soph. , and Eur. , as well as by the two scenes of Ar. where the tragic is parodied ( Ar. Ach. 408 —479; Thesm. 95—238). Ar. has the words and . Wecklein thinks that the was employed when a part of the interior of the house was to be disclosed, but the when merely a single object was to be shown; and that the was used here ( N. Jahrb. 1870, vol. 101, p. 572: Philol. 31. 451). The meaning of is, however, doubtful.

mvp-comment-781-1 χείρεσσιν ²

mvp-comment-782-1 ἔναντα ³

mvp-comment-783-1 ἥδ’ ⁴ βωμία ⁵ βωμία ⁶

mvp-comment-783-2 ξίφει ⁷

mvp-comment-783-3 Next to Arndt's, the best conjecture seems that of Blaydes, ἥδ’ ὀξυθήκτῳ σφαγίδι βωμίᾳ πέρι ⁸

mvp-comment-784-1 λύει κελαινὰ βλέφαρα ⁹ μύει ¹⁰

mvp-comment-785-1 Μεγαρέως ¹¹

mvp-comment-785-2 κλεινὸν λάχος ¹² λάχος ¹³ λέχος ¹⁴

mvp-comment-786-1 κακὰς πράξεις ¹⁵

mvp-comment-786-2 ἐφυμνής. ¹⁶

1296. mvp-comment-722-1 τίς ἄρα .. περιμένει; The same fearful looking for of further woe is still more finely given in the OО. Т. 1456, 7, οὐ γὰρ ἂν | θνήσκων ἐσώθην, μὴ πί τῳ δείνῳ κακ.

1301. mvp-comment-723-1 ἡ δέ δέ opposes the case of Eurydice to that of Haemon, whose dead body is in the arms of Creon.

1301. mvp-comment-723-2 ὀξύθηκτος Infuriated (ὀργῇ χρω μένη, Ο. Τ. 1241). Cp. Aesch. S. c. T. 715, τεθηγμένον τοί μ᾽ οὐκ ἀπαμβλυνεῖς λόγῳ. The Scholion, ὀξεῖαν λαβούσα πληγήν, seems to imply a v. τ. ὀξύπληκτος (or ὀξύδηκτος, a vox nihili), which, however, gives a poorer sense.

1301. mvp-comment-723-3 ἥδε Pointing to the corpse, which has just been rolled into view by the ἐκκύκλημα.

1301. mvp-comment-723-4 βωμία At, or on the altar,' as in Eur. Suppl. 93, μητέρα γεραίαν βωμίαν ἐφημένην. Cp. Tr. 904, where Deianira, before her suicide, falls on the altar, βωμοῖσι προσπίπτουσα.

1301. mvp-comment-723-5 †πέριξ, if not spurious, must be explained as an epexegesis of βωμία = περιπετής. No satisfactory emendation has been proposed. Arndt suggested ἡ δ' ὀξυθήκτῳ βωμία περὶ ξίφει. Others, reading πτέρυξ, suppose the Exangelus to display the altar-knife which had given the wound. See L. and S. s. v.

1301. mvp-comment-723-6 πτέρυξ, 11. 5.

1302. mvp-comment-724-1 λύει κελαινὰ βλέφαρα Relaxes her darkened eye. λύειν is used here as in λῦσε δὲ γυῖα and the like expressions in Homer. κελαινά might quite well be used proleptically = σκοτεινά = ἐν σκότῳ. But this, like other words of colour in Sophocles, has usually a picturesque force, and here is probably intended to suggest the darkness of passionate grief and despair which oppressed her eyes in their last looks before the final darkness of death.

1303. mvp-comment-725-1 It has been suggested that the λέχος of Megareus and Haemon is the place which received each of them in death. Euripides speaks of Menoeceus, who flung himself into the serpent's lair, σηκὸν ἐς μελαμβαθῆ δράκοντος δράκοντος (Phoen. 1017), as θαλάμαις .. σφαγέντα VOL. I. 00 (ib. 938 ff.). If Megareus is Menoeceus, as would appear from Aesch. S. c. T. 474 ff., and if the body was left in the deep cavern where it lay. Eurydice may speak of this as at once her son's grave and bride-bed (for he was ἠθεος): and as κλεινόν, because earning him his country's gratitude. And although Haemon was not buried in the cell where he died, the word borrowed from the preceding clause may be less exact in its application to him. Bothe's conj. λάχος is accepted by Dindorf.

1304-1305. mvp-comment-726-1 λοίσθιον δὲ . . παιδοκτόνῳ And lastly uttering a strain of calamitous import against thee, the slayer of thy children. The expression signifies rather a prophecy than a mere imprecation of woe.