929-930.
mvp-comment-529-1
For the addition of αὑταί, see Essay on Language § 40. p. 75, 2, and for ψυχῆς, which is added to soften the metaphor (since the chorus are less bold in an anapaestic than in a purely lyric passage, supr. 137), see ib. 5.
930.
mvp-comment-530-1
τήνδε γ' γε gives a natural emphasis to τήνδε, and there is no ground for the conjecture τήνδ' ἐπέχουσιν.
931.
mvp-comment-531-1
τούτων, which is genitive of the cause, is not likely to have been interpolated. It is more probable that the second τοι arose from διττογραφία.
933-934.
mvp-comment-532-1
θανάτου ἀφίκται
This word is nearest death of all that have come. Cp. Thuc. 3. 59, χαλεπώτατον τοῖς ὧδε ἔχουσι λόγου τελευτᾶν, διότι καὶ τοῦ βίου ὁ κίνδυνος ἐγγὺς μετ᾿ αὐτοῦ. The adverb of place is supplementary predicate; see Essay on Language § 24. p. 40. 935-936. μὴ οὐ follows the rule laid down in Essay on Language § 29. p. 49, 3 a. Böckh and Dindorf, taking a hint from the Scholia, give these lines to the chorus, on the ground that Creon has already withdrawn all hope. But the word κατακυροῦσθαι is characteristic of Creon, who may be thought not unlikely, even superfluously. to have made this final assertion of his will.
938.
mvp-comment-533-1
θεοὶ προγενεῖς
My divine ancestry, including Cadmus and Harmonia, and their parents. Cp. supr. 199, θεοὺς τοὺς ἐγγενεῖς, and note: Hdt. 2.143, Ἑκαταίῳ . . ἀναδήσαντι τὴν πατριὴν εἰς ἑκκαιδέκατον θεών.
940.
mvp-comment-534-1
O royal line of Thebè!' This has usually been explained as an address to the chorus. But Antigone expects no more sympathy from them (least of all if ll. 935-936 are rightly given to the chorus). It is rather an apostrophe to the members of the princely family living and dead, including the θεοὶ προγενεῖς. Cp. Aesch. Cho. 800-802, οἱ τ' ἔσω δωμάτων πλουτογαθῆ μυχὸν νομίζετε | κλῦτε, σύμφρονες θεοί.
941.
mvp-comment-535-1
*βασιλειδᾶν is Seyffert's ingenious emendation, based on Hesychius' βασιλείδης· ὁ τοῦ βασιλέως. Ismene is throughout only thought of as a foil for Antigone, and there is no more impropriety in Antigone speaking of herself as the last of her race than in the chorus (supr. 599 ff.) singing of the extinction of the light that was spreading over the last remaining shoot of the Labdacidae.
942.
mvp-comment-536-1
πρὸς οἴων ἀνδρῶν As a princess, she speaks with scorn of Creon, who is not of royal birth. The words may also contain an allusion to the ἦθος of his (or the chorus'?) last speech.