Sophocles Antigone 982

ἄντασ᾽ Ἐρεχθεϊδᾶν, 4

Antigone. Sophocles. Cambridge, UK. 1906.

Sponsored by Perseus Project, Tufts University.

Funding provided by Tufts University.

Current edition Experimental

Greek (R. C. Jebb, 1906) (OCR draft) (Greek) (Greek (R. C. Jebb, 1906))

Provisional text from uncorrected OCR; expect errors.

Editions (11)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 982 focus
δύ᾽ 1 ἐξ ἑνὸς βλέποντε. τοῖς τυφλοῖσι γὰρ
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 982 focus
αὐθαδία τοι σκαιότητ᾽ ὀφλισκάνει.
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 982 focus
ἀγνῶτ᾽ ἀκούω φθόγγον ὀρνίθων, κακῷ
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 982 focus
ἄντασ᾽ Ἐρεχθεϊδᾶν,
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 982 focus
ἄντασ᾽ Ἐρεχθειδᾶν,
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 982.mvp-line-967 focus
ἄντασ’ Ἐρεχθειδᾶν,
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 982 focus
ἄντασ᾽ Ἐρεχθειδᾶν,
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 982 focus
ἔχω πεπονθὼς μαρτυρεῖν ὀνήσιμα.
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 982.mvp-line-970 focus
ἄντασ᾽ Ἐρεχθεϊδᾶν,
Antigone (OCR draft) Experimental (Antigone) — 982 focus
ἄντασʼ Ἐρεχθεϊδᾶν,
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 982 focus
ἄντασ᾽ Ἐρεχθεϊδᾶν,
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 977 focus
Unglück, daß sie der Mutter im Unglücksbund entsprossen,
Die doch an dem uralten Geschlecht
955
Des Erechtheus Theil hatte,
Und von des Vaters Stürmen
Umtost, heranwuchs in fernen Grotten,
Die rosseschnelle Boread' auf steilen Höh'n,
Ein Gottkind: doch auch sie bestürmte
960
Die Macht der uralten Moira, Tochter!
Teiresias, von einem Knaben geleitet. Kreon. Der Chor.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 988-1110 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-4-1 Paley ( Journ. Ph. 10. 16) regards these three verses as interpolated, because (1) Antigone, like Ismene, should have only seven verses: (2) the words only repeat vv. 2, 3: (3) the double negative offends. But we have no warrant for requiring such a correspondence; and this is not repetition, but development. On (3), see below.

mvp-comment-5-1 οὔτ’ ἄτης ἄτερ 1 ἄτης ἄτερ 2 οὐδ’ 3 οὔτ’ 4

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1-17. mvp-comment-1-1 The opening speeches reveal the contrast between the sisters, while the affectionate address of Antigone in l. 1 gives greater emphasis to her violent outbreak in l. 69. Cp. О. Т. 85, and note.

4. mvp-comment-5-1 ἄτης †ἄτερ Neither the defence of these words by Böckh, who places them between commas, Calamity apart, i.e. no disgrace, not to speak of calamity, (cp. Dem. de Cor. p. 255); nor that of Wecklein, who treats the privative as a redundant negative, i. e.

4. mvp-comment-5-2 ἄτερ = οὐ πλέων, nor Linwood's, who makes ἀλγεινὸν οὔτ᾽ ἄτης ἄτερ = άλγεινὸν ἀτηρόν τε, is satisfactory. Yet Didymus knew of no other reading, and interlinear glosses before the Christian era can hardly be assumed. Else there is much plausibility in Porson's conjecture that a gloss ἀτηρ', i. e. ἀτηρόν, has taken the place of ἔχον (sc. μετέχον), or some other word. The corruption occurring at such an early period is more probably due to the confusion to which all negative expressions are liable (Essay on Language § 29. 2, p. 49), but which in the present instance cannot be attributed to the poet; i. e. οὐδὲν ἀτηρόν ἐσθ᾽ ὁποῖον οὐκ ὄπωπα, has become confused in the mind of some early interpreter with οὐδέν ἐσθ᾽ ὁποῖον οὐκ ἀτηρόν = οὐδέν ἐστ᾽ ἄτης ἄτερ. Qy. ἄτης πλέων? The emphasis culminates on ἄτιμον, which pointedly refers to the dishonour she is now to speak of.