Sophocles Antigone 236

τὸ μὴ παθεῖν ἂν ἄλλο πλὴν τὸ μόρσιμον.

Antigone. Sophocles. Cambridge, UK. 1906.

Sponsored by Perseus Project, Tufts University.

Funding provided by Tufts University.

Current edition Experimental

Greek (R. C. Jebb, 1906) (OCR draft) (Greek) (Greek (R. C. Jebb, 1906))

Provisional text from uncorrected OCR; expect errors.

Editions (11)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 236 focus
τί δ᾽ ἔστιν, ἀνθ᾽ οὗ τήνδ᾽ ἔχεις ἀθυμίαν;
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 236 focus
οὐδ᾽ ἂν δικαίως ἐς κακὸν πέσοιμί τι.
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 236 focus
φράσαι θέλω σοι πρῶτα τἀμαυτοῦ· τὸ γὰρ
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 236 focus
τὸ μὴ παθεῖν ἂν ἄλλο πλὴν τὸ μόρσιμον.
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 236 focus
τὸ μὴ παθεῖν ἂν ἄλλο πλὴν τὸ μόρσιμον
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 236.mvp-line-236 focus
τὸ μὴ παθεῖν ἂν ἄλλο πλὴν τὸ μόρσιμον.
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 236 focus
τὸ μὴ παθεῖν ἂν ἄλλο πλὴν τὸ μόρσιμον.
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 236 focus
τὸ μὴ παθεῖν ἂν ἄλλο πλὴν τὸ μόρσιμον.
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 236.mvp-line-236 focus
τὸ μὴ παθεῖν ἂν ἄλλο πλὴν τὸ μόρσιμον.
Antigone (OCR draft) Experimental (Antigone) — 236 focus
τὸ μὴ παθεῖν ἂν ἄλλο πλὴν τὸ μόρσιμον.
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 236 focus
τὸ μὴ παθεῖν ἂν. ἄλλο πλὴν τὸ μόρσιμον.
Translations (10)
German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 236 focus
CHOR.
O Sohn Menökeus' Menökeus’ Kreon, noth thut weiser Rath.
Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 236 focus
CORO
1115 ¡Oh dios de muchos nombres, que de la ninfa Cadmea eres orgullo, y del altitonante Júpiter hijo; que te complaces de vivir en la inclita ínclita Italia y reinas en los valles, comunes a todos, de Ceres Eleusinia! ¡Oh Baco, que habitas en Tebas, metrópoli de las bacantes, junto a la liquida líquida corriente del Ismeno, donde fueron sembrados los dientes del feroz dragón! 1126 Hacia ti se dirige la llama que brilla sobre este monte de dos cimas, por donde corren las Coricias ninfas bacantes y la fuente de Castalia. Y a ti, las escarpadas alturas de los montes de Nisa, cubiertos de hiedra, y la verde falda en que abunda la vid, envian envían, resonando los inmortales himnos evohé, evohé, a visitar las calles de Tebas, a la cual 1137 extraordinariamente honras sobre todas las ciudades, con tu madre, la herida del rayo. Y ahora que toda nuestra ciudad está infestada de violenta pestilencia, ven con saludable pie por encima del monte Parnaso y el resonante estrecho. 1146 ¡Oh jefe del coro de los astros que respiran fuego, inspector de las nocturnas músicas, niño hijo de Júpiter, hazte presente, ¡oh rey!, junto con tus compañeras las Tiadas, que enfurecidas celebran en coros todas las noches a Baco su señor!
Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 236 focus
Nuntius
1155 Cadmi Amphionisque aedium incolae, nulla est hominis vita superstes, quam vel laudare vel culpare velim: Fortuna enim erigit, et Fortuna deprimit felicem et infelicem semper: meque de vita, quae agitur, mortalium licetaugurari. Quippe Creon, si quisquam alius, ne iudice, beatus erat, qui terram hanc quidem Cadmeam ab hostibus liberaverat, imperioque totius terrae potitus eam regebat, florens generosa liberorum prole: at nunc dilapsa sunt omnia. Voluptates autem siquis vir amiserit, haud equidem puto illum vivere, sed animatum esse mortuum. Opibus enim polleas quaniumvis domi, et vivas regio splendore; tamen si absit his gaudium, cetera ego fumi umbra haud emerim viro prae voluptate.
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 236 focus
CH
The slayer, who?
And who the slain? Declare.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 237 focus
Was ist's, warum befiel dich solche Bangigkeit?
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 236 focus
Chorus
Touching our royal master, bringst thou news
Of sorrow to us?
Spanish (A. G. Garbin, 1889) (OCR draft) Experimental (Spanish (A. G. Garbin, 1889)) — 236 focus
CREONTE
No conseguirás de ninguna manera enga- ñarmoe.
German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 236 focus
DER BOTE
Hämon ist hin, von eignen Händen blutend.
English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 236 focus
Chorus
And what is this new grief that thou hast to tell for our princes?
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 162-330 focus

Commentary

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

223-330. mvp-comment-136-1 The half-comic or rustic character of the watchman in this play is an extension of the common character of the messenger, whose natural rudeness of speech and thought brings into greater prominence the horror or pathos of the events he describes. The grotesqueness disappears when he speaks of the action of Antigone in 407-440. The employment of this artifice by Sophocles arises from the same motive to which Shakespeare gave a far wider range in such creations as the gravediggers in Hamlet, and the rural fellow in Antony and Cleopatra. The Messenger in the Trachiniae, the Corinthian in the Oedipus Tyrannus, Menelaus in the Ajax, the pretended Shipmaster in the Philoctetes, afford the same sort of contrast to the more tragic personages: and the superstition of the Coloniatae may be compared with the cowardice of the Phrygian slave in the Orestes of Euripides.

223-330. mvp-comment-136-2 The vulgarity of the common-place Athenian of the fifth century в.с. takes the form of misplaced subtlety of wit. Cp. Shak. Hamlet, 5. 1 ,

We must speak by the card, or equivocation will undo us. The age is grown so picked, that the toe of the peasant comes so near the heel of the courtier, he galls his kibe.

236. mvp-comment-145-1 That I cannot suffer anything but what is fated for me. Cp. Aesch. S. c. Τ. 263, πείσομαι τὸ μόρσιμον.