Κασταλίας τε νᾶμα.
4
1130
Antigone. Sophocles. Cambridge, UK. 1906.
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Table of Contents
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Current edition Experimental
Greek (R. C. Jebb, 1906) (OCR draft) (Greek) (Greek (R. C. Jebb, 1906))
Provisional text from uncorrected OCR; expect errors.
Editions (11)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 1130 focus
τὰν ἐκ πασᾶν
1130
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 1130 focus
χαλῶσα, καί με φθόγγος οἰκείου κακοῦ
1130
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 1130 focus
τὸν ταμίαν Ἴακχον.
1130
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 1130 focus
Κασταλίας τε νᾶμα.
1130
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 1130 focus
Κασταλίας τε νᾶμα.
1130
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 1130.mvp-line-1114 focus
Κασταλίας τε νᾶμα.
1130
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 1130 focus
Κασταλίας τε νᾶμα
1130
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 1130 focus
καθαρσίῳ ποδὶ Παρνησσίαν
1130
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 1130.mvp-line-1117 focus
Κασταλίας τε νᾶμα.
1130
Antigone (OCR draft) Experimental (Antigone) — 1130 focus
Κασταλίας τε νᾶμα.
1130
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 1130 focus
Κασταλίας τε νᾶμα·
1130
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 1126 focus
Thebä, wohnend am hellen Strom Ismenos,
Wo die Saat aussproß des wilden Drachen!
1
Erste Gegenstrophe.
Dich sieht von dem doppelten Felshaupt hell erblizend
2
Feuer, wo korykische Nymphen sich
3
1100
In Jubelreih'n ergeh'n,
Dich der Kastalia Quellborn;
Dich geleiten nysischer Berg'
4
Anhöh'n voll Epheu's;
Ihr grünes Ufer, traubenumkränzt, feiert,
1105
Und gottvolle Gesänge schallen festlich,
Wenn du Thebä's Gassen fröhlich heimsuchst,
Zweite Strophe.
Thebä, wohnend am hellen Strom Ismenos,
Wo die Saat aussproß des wilden Drachen!
1
Dich sieht von dem doppelten Felshaupt hell erblizend
2
Feuer, wo korykische Nymphen sich
3
1100
In Jubelreih'n ergeh'n,
Dich der Kastalia Quellborn;
Dich geleiten nysischer Berg'
4
Anhöh'n voll Epheu's;
Ihr grünes Ufer, traubenumkränzt, feiert,
1105
Und gottvolle Gesänge schallen festlich,
Wenn du Thebä's Gassen fröhlich heimsuchst,
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 1115-1150 focus
Chorus
God of many names, glory of the Cadmeian bride and offspring of loud-thundering Zeus, you who watch over far-famed
Italy
and reign
1115
in the valleys of Eleusinian Deo where all find welcome! O Bacchus, denizen of
Thebes
, the mother-city of your Bacchants, dweller by the wet stream of Ismenus on the soil
1120
of the sowing of the savage dragon’s teeth!
1125
God of many names, glory of the Cadmeian bride and offspring of loud-thundering Zeus, you who watch over far-famed
Italy
and reign
1115
in the valleys of Eleusinian Deo where all find welcome! O Bacchus, denizen of
Thebes
, the mother-city of your Bacchants, dweller by the wet stream of Ismenus on the soil
1120
of the sowing of the savage dragon’s teeth!
1125
Chorus
The smoky glare of torches sees you above the cliffs of the twin peaks, where the Corycian nymphs move inspired by your godhead,
and Castalia’s stream sees you, too. The ivy-mantled slopes of
Nysa
’s hills and the shore green with many-clustered vines send you, when accompanied by the cries of your divine words,
1130
you visit the avenues of
Thebes
.
1135
The smoky glare of torches sees you above the cliffs of the twin peaks, where the Corycian nymphs move inspired by your godhead,
and Castalia’s stream sees you, too. The ivy-mantled slopes of
Nysa
’s hills and the shore green with many-clustered vines send you, when accompanied by the cries of your divine words,
1130
you visit the avenues of
Thebes
.
1135
Chorus
Thebes
of all cities you hold foremost in honor, together with your lightning-struck mother.
And now when the whole city is held subject to a violent plague, come, we ask, with purifying feet over steep
Parnassus
,
1140
or over the groaning straits!
1145
Thebes
of all cities you hold foremost in honor, together with your lightning-struck mother.
And now when the whole city is held subject to a violent plague, come, we ask, with purifying feet over steep
Parnassus
,
1140
or over the groaning straits!
1145
Chorus
O Leader of the chorus of the stars whose breath is fire, overseer of the chants in the night, son begotten of Zeus,
appear, my king, with your attendant Thyiads, who in night-long frenzy dance and sing you as Iacchus the Giver!
1150
O Leader of the chorus of the stars whose breath is fire, overseer of the chants in the night, son begotten of Zeus,
appear, my king, with your attendant Thyiads, who in night-long frenzy dance and sing you as Iacchus the Giver!
1150
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
mvp-comment-4-1 Paley ( Journ. Ph. 10. 16) regards these three verses as interpolated, because (1) Antigone, like Ismene, should have only seven verses: (2) the words only repeat vv. 2, 3: (3) the double negative offends. But we have no warrant for requiring such a correspondence; and this is not repetition, but development. On (3), see below.
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
1-17. mvp-comment-1-1 The opening speeches reveal the contrast between the sisters, while the affectionate address of Antigone in l. 1 gives greater emphasis to her violent outbreak in l. 69. Cp. О. Т. 85, and note.
4. mvp-comment-5-1 ἄτης †ἄτερ Neither the defence of these words by Böckh, who places them between commas, Calamity apart, i.e. no disgrace, not to speak of calamity, (cp. Dem. de Cor. p. 255); nor that of Wecklein, who treats the privative as a redundant negative, i. e.
4. mvp-comment-5-2 ἄτερ = οὐ πλέων, nor Linwood's, who makes ἀλγεινὸν οὔτ᾽ ἄτης ἄτερ = άλγεινὸν ἀτηρόν τε, is satisfactory. Yet Didymus knew of no other reading, and interlinear glosses before the Christian era can hardly be assumed. Else there is much plausibility in Porson's conjecture that a gloss ἀτηρ', i. e. ἀτηρόν, has taken the place of ἔχον (sc. μετέχον), or some other word. The corruption occurring at such an early period is more probably due to the confusion to which all negative expressions are liable (Essay on Language § 29. 2, p. 49), but which in the present instance cannot be attributed to the poet; i. e. οὐδὲν ἀτηρόν ἐσθ᾽ ὁποῖον οὐκ ὄπωπα, has become confused in the mind of some early interpreter with οὐδέν ἐσθ᾽ ὁποῖον οὐκ ἀτηρόν = οὐδέν ἐστ᾽ ἄτης ἄτερ. Qy. ἄτης πλέων? The emphasis culminates on ἄτιμον, which pointedly refers to the dishonour she is now to speak of.