Sophocles Antigone 377

τί ποτ᾽; οὐ δή που σέ γ᾽ ἀπιστοῦσαν

Antigone. Sophocles. Fleischer. 1830.

Sponsored by Perseus Project, Tufts University.

Funding provided by Tufts University.

Current edition Experimental

Greek (G. Hermann, 1830) (OCR draft) (Greek) (Greek (G. Hermann, 1830))

Provisional text from uncorrected OCR; expect errors.

Editions (11)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 377 focus
πατρὸς Οἰδιπόδα, τί ποτ᾽ ; οὐ δή που
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 377 focus
σχολῇ γ᾽ ἂν ἥξειν δεῦρ᾽ ἂν ἐξηύχουν ἐγώ,
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 377 focus
ἥδ᾽ ἔστ᾽ ἐκείνη τοὔργον ἡ ᾿ξειργασμένη!
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 377 focus
τόδε, πῶς εἰδὼς ἀντιλογήσω
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 377 focus
τόδε· πῶς εἰδὼς ἀντιλογήσω
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 377.mvp-line-374 focus
τόδε· πῶς εἰδὼς ἀντιλογήσω
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 377 focus
τήνδ᾽ οὐκ εἶναι παῖδ᾽ Ἀντιγόνην;
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 377 focus
τόδε· πῶς εἰδὼς ἀντιλογήσω
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 377.mvp-line-374 focus
τὸ δὲ πῶς εἰδὼς ἀντιλογήσω
Antigone (OCR draft) Experimental (Antigone) — 377 focus
τόδε· πῶς εἰδὼς ἀντιλογήσω
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 377 focus
τόδε· πῶς εἰδὼς ἀντιλογήσω
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 376 focus
Was seh' ich? Erscheint, von den Göttern gesandt,
Dies Wunder? Ich weiß, wie läugnet' ich's noch,
375
Daß die Jungfrau dort Antigone sei?
Unglückliches Kind
Von dem Unglücksvater, dem Dedipus, ach!
Was ahnt mir? Wie? Dich führen sie her,
Weil kühn du verlezt die Gebote des Herrn,
380
Und ergriffen dich über der Thorheit?
Der Wächter. Antigone. Der Chor. Bald darauf Kreon.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 384-580 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-203-1 πῶς εἰδὼς 1

mvp-comment-203-2 ἀντιλογήσω 2

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

332-383. mvp-comment-190-1 Most wonderful of wondrous things is man, Who traverses the surging brine, And wearies mighty earth with yearly furrow. His craft ensnares the finny produce of the seas And taketh captive beast and bird. He compasseth a way to master the monster of the wilds, And brings under his yoke the horse with flowing mane And the never-wearied mountain bull. Selftaught in speech and thought and civil ways, And in providing shelter from the cold and rain, There is no end to his devices. Nothing but death ever finds him unprepared. Even diseases, not to be avoided, are escaped by him. Inventive beyond hope, he moveth now to evil, and again to good. When weaving with his wit the law of justice and piety He is exalted in the city, but outcast when he harbours wickedness for deeds of crime. May I never live with such an one, and may he never share my counsels. 332. Aesch. Cho. 585, πολλὰ μὲν γὰ τρέφει δεινὰ δειμάτων ἄχη,.. ἀλλ᾽ ὑπέρτολμον ἀνδρὸς φρόνημα τίς λέγοι; Troch. Iamb. Troch.

332-383. mvp-comment-190-2 δεινά = ' wonderful,' or mighty, is in transition from the earlier sense of fearful to the later sense of clever. Cp.

332-383. mvp-comment-190-3 ὀλοόφρων.

376-378. mvp-comment-215-1 ἐς δαιμόνιον τέρας .. Ἀντιγόνην] I stand in doubt at this strange marvel, how to gainsay what I know, and say that this is not the maid Antigone. The resumption is suitable to the chorus' perturbed state of feeling. Seyffert's ἐς δαιμόνιον τέρας ἀμφινοῶν τότε, referring to the previous scene (1. 278), is without the directness and simplicity of these short anapaestic passages, in which the chorus announce the entrance of a new person on the stage. Cp. 526 ff., 626 ff.