EL CENTINELA
¿Pero qué te atormentan: los oídos ó el corazón?
¿Pero qué te atormentan: los oídos ó el corazón?
Antigone. Antonio G. Garbin. Madrid. 1889.
Table of Contents
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Current edition Experimental
Spanish (A. G. Garbin, 1889) (OCR draft) (Spanish) (Spanish (A. G. Garbin, 1889))
Provisional text from uncorrected OCR; expect errors.
Editions (12)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 55 focus
τρίτον δ᾽, ἀδελφὼ δύο μίαν καθ᾽ ἡμέραν
55
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 55 focus
τρίτον δ᾽ ἀδελφὼ δύο μίαν καθ’ ἡμέραν
55
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 55 focus
τρίτον δ᾽ ἀδελφὼ δύο μίαν καθ᾿ ἡμέραν
55
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 55 focus
τρίτον δ᾽ ἀδελφὼ δύο μίαν καθ' ἡμέραν
55
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 55 focus
τρίτον δ᾽ ἀδελφὼ δύο μίαν καθ᾽ ἡμέραν
55
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 55.mvp-line-55 focus
τρίτον δ’ ἀδελφὼ δύο μίαν καθ’ ἡμέραν
55
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 55 focus
τρίτον δ᾽ ἀδελφὼ δύο μίαν καθ' ἡμέραν
55
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 55 focus
τρίτον δ᾽ ἀδελφὼ δύο μίαν καθ' ἡμέραν
55
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 55 focus
τρίτον δ᾽ ἀδελφὼ δύο μίαν καθ᾽ ἡμέραν
55
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 55.mvp-line-55 focus
τρίτον δ᾽ ἀδελφὼ δύο μίαν καθ᾽ ἡμέραν
55
Antigone (OCR draft) Experimental (Antigone) — 55 focus
τρίτον δʼ ἀδελφὼ δύο μίαν καθʼ ἡμέραν
55
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 55 focus
τρίτον δ᾽ ἀδελφὼ δύο μίαν καθ᾽ ἡμέραν
55
Translations (10)
German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 55 focus
KREON
Erkennst du noch nicht, wie du mir unleidlich sprichst?
Erkennst du noch nicht, wie du mir unleidlich sprichst?
Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 55 focus
Creonte
¡Ay, qué charlatán manifiestas ser!
¡Ay, qué charlatán manifiestas ser!
Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 55 focus
Creon
At vafer certe deprehenderis. . . .
At vafer certe deprehenderis. . . .
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 55 focus
CR
Out on thee! thou art nothing but a tongue.
320
Out on thee! thou art nothing but a tongue.
320
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 69 focus
Nicht mehr verlang' ich's, möchte dich zur Helferin
Nicht mehr, erklärtest du dich auch bereit dazu.
70
Nein, wähle deinem Sinne nach: ihn werd' ich selbst
Bestatten; ruhmvoll ist der Tod für diese That.
Bei ihm, dem Lieben, werd' ich ruh'n, die Liebende,
Die frommen Frevel übte; muß ich länger doch
Den Todten dort gefallen, als den Lebenden.
75
Denn dort ja ruh' ich ewig; du, wenn dir's gefällt,
Entehre, was in Ehre selbst bei Göttern steht.
Ich acht' es auch der Ehre werth; indeß der Stadt
Zum Troz zu handeln, fühl ich mich nicht stark genug.
Nicht mehr verlang' ich's, möchte dich zur Helferin
Nicht mehr, erklärtest du dich auch bereit dazu.
70
Nein, wähle deinem Sinne nach: ihn werd' ich selbst
Bestatten; ruhmvoll ist der Tod für diese That.
Bei ihm, dem Lieben, werd' ich ruh'n, die Liebende,
Die frommen Frevel übte; muß ich länger doch
Den Todten dort gefallen, als den Lebenden.
75
Denn dort ja ruh' ich ewig; du, wenn dir's gefällt,
Entehre, was in Ehre selbst bei Göttern steht.
Ich acht' es auch der Ehre werth; indeß der Stadt
Zum Troz zu handeln, fühl ich mich nicht stark genug.
Antigone.
So wende du das vor; doch ich geh' unverweilt,
80
Und schütt' ein Grab dem heißgeliebten Bruder auf.
So wende du das vor; doch ich geh' unverweilt,
80
Und schütt' ein Grab dem heißgeliebten Bruder auf.
Ismene.
Tollkühne, weh mir! Ha, wie fürcht' ich deinethalb!
Tollkühne, weh mir! Ha, wie fürcht' ich deinethalb!
Antigone.
Sei nicht um mich bang; sich're du nur dein Geschick!
Sei nicht um mich bang; sich're du nur dein Geschick!
Ismene.
Doch offenbare ja zuvor Niemand die That;
Im Dunkel birg' sie; gerne schweig' auch ich davon.
85
Doch offenbare ja zuvor Niemand die That;
Im Dunkel birg' sie; gerne schweig' auch ich davon.
85
Antigone.
Ha, laut verkünd' es! Viel verhaßter wirst du mir
Durch Schweigen, offenbarst du's nicht vor aller Welt.
Ha, laut verkünd' es! Viel verhaßter wirst du mir
Durch Schweigen, offenbarst du's nicht vor aller Welt.
Ismene.
Dir wallt der Busen glühend, wo mich Schauder faßt.
Dir wallt der Busen glühend, wo mich Schauder faßt.
Antigone.
Doch weiß ich hold mir, deren Huld mein Höchstes iſt.
Doch weiß ich hold mir, deren Huld mein Höchstes iſt.
Ismene.
Wenn du's vermöchtest; doch du willst Unmögliches.
90
Nun freilich, wenn ich's nicht vermag, so lass' ich ab.
Auch nicht von Anfang jage nach Unmöglichem.
Wenn du's vermöchtest; doch du willst Unmögliches.
90
Nun freilich, wenn ich's nicht vermag, so lass' ich ab.
Auch nicht von Anfang jage nach Unmöglichem.
Antigone.
Durch solche Reden wirst du billig mir verhaßt,
Und billig hassen wird dich auch der Todte dort.
Nein, laß du mich und meines Sinnes Unverstand
95
Dies Grauenvolle dulden. Was ich Schweres auch
1
Erleiden möge, bleibt mir doch ein schöner Tod.
Durch solche Reden wirst du billig mir verhaßt,
Und billig hassen wird dich auch der Todte dort.
Nein, laß du mich und meines Sinnes Unverstand
95
Dies Grauenvolle dulden. Was ich Schweres auch
1
Erleiden möge, bleibt mir doch ein schöner Tod.
Ismene.
Nun, wenn dir's gut dünkt, ziehe hin: ächt schwesterlich
Als Schwester fühlend gehst du, wenn als Thörin auch.
(Sie gehen nach verschiedenen Seiten ab. Der Chor tritt auf.)
Erste Strophe.
Nun, wenn dir's gut dünkt, ziehe hin: ächt schwesterlich
Als Schwester fühlend gehst du, wenn als Thörin auch.
Der Chor.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 55 focus
Creon
Thou hast sold
Thy life for gain.
Thou hast sold
Thy life for gain.
German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 55 focus
KREON
O mir! welch furchtbarer Sprechart bist du geboren?
O mir! welch furchtbarer Sprechart bist du geboren?
English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 55 focus
Creon
Ah, thou art a born babbler, ’tis well scen.
Ah, thou art a born babbler, ’tis well scen.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 55 focus
Antigone
It is no shame
To reverence a brother,
It is no shame
To reverence a brother,
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 100-160 focus
Enter the Chorus on the right.
110
Chorus
Shaft of the sun, fairest light of all that have dawned on
Thebes
of the seven gates, you have shone forth at last, eye of golden day, advancing over Dirce’s streams!
100
You have goaded with a sharper bit the warrior of the white shield, who came from
Argos
in full armor, driving him to headlong retreat.
105
Shaft of the sun, fairest light of all that have dawned on
Thebes
of the seven gates, you have shone forth at last, eye of golden day, advancing over Dirce’s streams!
100
You have goaded with a sharper bit the warrior of the white shield, who came from
Argos
in full armor, driving him to headlong retreat.
105
Chorus
He set out against our land because of the strife-filled claims of Polyneices, and like a screaming eagle he flew over into our land, covered by his snow-white wing,
110
with a mass of weapons and crested helmets.
115
He set out against our land because of the strife-filled claims of Polyneices, and like a screaming eagle he flew over into our land, covered by his snow-white wing,
110
with a mass of weapons and crested helmets.
115
Chorus
He paused above our dwellings; he gaped around our sevenfold portals with spears thirsting for blood; but he left
before his jaws were ever glutted with our gore, or before the Fire-god’s pine-fed flame had seized our crown of towers.
120
So fierce was the crash of battle swelling about his back, a match too hard to win for the rival of the dragon.
125
He paused above our dwellings; he gaped around our sevenfold portals with spears thirsting for blood; but he left
before his jaws were ever glutted with our gore, or before the Fire-god’s pine-fed flame had seized our crown of towers.
120
So fierce was the crash of battle swelling about his back, a match too hard to win for the rival of the dragon.
125
Chorus
For Zeus detests above all the boasts of a proud tongue. And when he saw them advancing in a swollen flood,
arrogant their clanging gold, he dashed with brandished fire one who was already starting to shout victory when he had reached our ramparts.
130
For Zeus detests above all the boasts of a proud tongue. And when he saw them advancing in a swollen flood,
arrogant their clanging gold, he dashed with brandished fire one who was already starting to shout victory when he had reached our ramparts.
130
Chorus
Staggered, he fell to the earth with a crash,
torch in hand, a man possessed by the frenzy of the mad attack, who just now was raging against us with the blasts of his tempestuous hate. But his threats did not fare as he had hoped, and to the other enemies mighty Ares dispensed each their own dooms with hard blows,
135
Ares, our mighty ally at the turning-point.
140
Staggered, he fell to the earth with a crash,
torch in hand, a man possessed by the frenzy of the mad attack, who just now was raging against us with the blasts of his tempestuous hate. But his threats did not fare as he had hoped, and to the other enemies mighty Ares dispensed each their own dooms with hard blows,
135
Ares, our mighty ally at the turning-point.
140
Chorus
For the seven captains, stationed against an equal number at the seven gates, left behind their brazen arms in tribute to Zeus the turner of battle—all but the accursed pair who, born of one father and one
mother, set against each other their spears, both victorious, and who now share in a common death.
145
For the seven captains, stationed against an equal number at the seven gates, left behind their brazen arms in tribute to Zeus the turner of battle—all but the accursed pair who, born of one father and one
mother, set against each other their spears, both victorious, and who now share in a common death.
145
Chorus
But since Victory whose name is glory has come to us, smiling in joy equal to the joy of chariot-rich
Thebes
,
let us make for ourselves forgetfulness after the recent wars, and visit all the temples of the gods with night-long dance and song. And may Bacchus, who shakes the earth of
Thebes
, rule our dancing!
150
But since Victory whose name is glory has come to us, smiling in joy equal to the joy of chariot-rich
Thebes
,
let us make for ourselves forgetfulness after the recent wars, and visit all the temples of the gods with night-long dance and song. And may Bacchus, who shakes the earth of
Thebes
, rule our dancing!
150
Chorus
But look, the king of the land is coming here, Creon, the son of Menoeceus, our new ruler in accordance with the new circumstances fated by the gods. What policy is he setting in motion,
155
that he has proposed this special conference of elders, and summoned it by a general mandate?
160
But look, the king of the land is coming here, Creon, the son of Menoeceus, our new ruler in accordance with the new circumstances fated by the gods. What policy is he setting in motion,
155
that he has proposed this special conference of elders, and summoned it by a general mandate?
160