Antonio G. Garbin Antigone 239

CREONTE
También yo lo reconozco... Mi espiritu se turba... Me es ingrato ceder;... pero si resisto veré también ingratamente castigada mi resistencia con la desgracia.

Antigone. Antonio G. Garbin. Madrid. 1889.

Current edition Experimental

Spanish (A. G. Garbin, 1889) (OCR draft) (Spanish) (Spanish (A. G. Garbin, 1889))

Provisional text from uncorrected OCR; expect errors.

Editions (12)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 239 focus
οὐδ᾽ ἂν δικαίως ἐς κακὸν πέσοιμί τι.
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 239 focus
τὰ δεινὰ γάρ τοι προστίθησ᾽ ὄκνον πολύν.
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 239 focus
εὖ γε στοχάζει, κἀποφράγνυσαι κύκλῳ
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 239 focus
πρᾶγμ᾽ οὔτ᾽ ἔδρασ᾽ οὔτ᾽ εἶδον ὅστις ἦν ὁ δρῶν,
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 239 focus
πρᾶγμ᾽ οὔτ᾽ ἔδρασ᾽ οὔτ᾽ εἶδον ὅστις ἦν ὁ δρῶν,
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 239.mvp-line-239 focus
πρᾶγμ’ οὔτ’ ἔδρασ’ οὔτ’ εἶδον ὅστις ἦν ὁ δρῶν,
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 239 focus
πρᾶγμ᾽ οὔτ᾽ ἔδρασ᾽ οὔτ᾽ εἶδον ὅστις ἦν ὁ δρῶν,
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 239 focus
πρᾶγμ᾽ οὔτ᾽ ἔδρασ᾽, οὔτ᾽ εἶδον ὅστις ἦν ὁ δρῶν·
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 239 focus
πρᾶγμ᾽ οὔτ᾽ ἔδρασ᾽ οὔτ᾽ εἶδον ὅστις ἦν ὁ δρῶν,
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 239.mvp-line-239 focus
πρᾶγμ᾽ οὔτ᾽ ἔδρασ᾽ οὔτ᾽ εἶδον ὅστις ἦν ὁ δρῶν,
Antigone (OCR draft) Experimental (Antigone) — 239 focus
πρᾶγμʼ οὔτʼ ἔδρασʼ οὔτʼ εἶδον ὅστις ἦν ὁ δρῶν,
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 239 focus
πρᾶγμ᾽ οὔτ᾽ ἔδρασ᾽ οὔτ᾽ εἶδον ὅστις ἦν ὁ δρῶν,
Translations (9)
German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 239 focus
KREON.
Und dieses räthst du? meinest, dafs daß ich weichen soll?
Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 239 focus
EL MENSAJERO
Han muerto; y los que viven son, culpables de la muerte.
Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 239 focus
Chorus
Et quis peremit? quis veró peremtus est? ede.
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 239 focus
MESS
By his own hand, impelled with violent wrath
At Creon for the murder of the maid.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 237 focus
Was ist's, warum befiel dich solche Bangigkeit?
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 239 focus
Chorus
O proijhet ! thy predictions
Were bnt too true !
German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 239 focus
CHOR
Wie führtest du ein richtig Wort, o Seher!
DER BOTE
So stehtes. Anderes ist zu bedenken.
English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 239 focus
Messenger
Haemon hath perished; his blood hath been shed by no stranger.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 162-330 focus

Commentary

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

223-330. mvp-comment-136-1 The half-comic or rustic character of the watchman in this play is an extension of the common character of the messenger, whose natural rudeness of speech and thought brings into greater prominence the horror or pathos of the events he describes. The grotesqueness disappears when he speaks of the action of Antigone in 407-440. The employment of this artifice by Sophocles arises from the same motive to which Shakespeare gave a far wider range in such creations as the gravediggers in Hamlet, and the rural fellow in Antony and Cleopatra. The Messenger in the Trachiniae, the Corinthian in the Oedipus Tyrannus, Menelaus in the Ajax, the pretended Shipmaster in the Philoctetes, afford the same sort of contrast to the more tragic personages: and the superstition of the Coloniatae may be compared with the cowardice of the Phrygian slave in the Orestes of Euripides.

223-330. mvp-comment-136-2 The vulgarity of the common-place Athenian of the fifth century в.с. takes the form of misplaced subtlety of wit. Cp. Shak. Hamlet, 5. 1 ,

We must speak by the card, or equivocation will undo us. The age is grown so picked, that the toe of the peasant comes so near the heel of the courtier, he galls his kibe.

239. mvp-comment-147-1 ὅστις ἦν ὁ δρῶν i. e. τὸν δρῶντα, ὅστις ἦν, The unknown doer of the deed.