Antonio G. Garbin, Antigone, 209

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CORO

966 No lejos de las aguas Cyancas, que corren entre ambos mares, junto á las playas del Bósforo y del hospitalario Salsmydesso de Tracia, el dios Marte, adorado en aquellos lugares, vió á los hijos de Fineo execrablemente vulnerados por su cruel madrastra con los ojos fuera de sus órbitas, pidiendo venganza, arrancados no con la lanza, sino por sangrientas manos con la aguda punta de la lanzadera.

Antigone. Antonio G. Garbin. Madrid. 1889.

Current edition Experimental

Spanish (A. G. Garbin, 1889) (OCR draft) (Spanish) (Spanish (A. G. Garbin, 1889))

Provisional text from uncorrected OCR; expect errors.

Editions (12)

Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 209 focus

καὶ ζῶν ὁμοίως ἐξ ἐμοῦ τιμήσεται ¹.

Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 209 focus

νόμῳ δὲ χρῆσθαι παντί πού γ᾽ ἔνεστί σοι

Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 209 focus

σοὶ ταῦτ᾽ ἀρέσκει, παῖ Μενοικέως, Κρέον,

Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 209 focus

ἀλλ᾽ ὅστις εὔνους τῇδε τῇ πόλει, θανὼν

Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 209 focus

ἀλλ’ ὅστις εὔνους τῇδε τῇ πόλει, θανὼν

Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 209.mvp-line-209 focus

ἀλλ’ ὅστις εὔνους τῇδε τῇ πόλει, θανὼν

Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 209 focus

ἀλλ᾽ ὅστις εὔνους τῆιδε τῆι πόλει, θανὼν

Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 209 focus

ἀλλ᾽ ὅστις εὔνους τῇδε τῇ πόλει, θανὼν

Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 209 focus

ἀλλ᾽ ὅστις εὔνους τῇδε τῇ πόλει, θανὼν

Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 209.mvp-line-209 focus

ἀλλ᾽ ὅστις εὔνους τῇδε τῇ πόλει, θανὼν

Antigone (OCR draft) Experimental (Antigone) — 209 focus

ἀλλʼ ὅστις εὔνους τῇδε τῇ πόλει, θανὼν

Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 209 focus

ἀλλ᾽ ὅστις εὔνους τῆιδε τῆι πόλει, θανὼν

Translations (9)

German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 209 focus

TEIRESIAS.

Ich werd' es lehren; und dem Seher folge du.

Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 209 focus

TIRESIAS

¡Huy! ¿Acaso sabe algún hombre, acaso piensa...

Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 209 focus

Creon

Quidnam? qualem hanc communem sententiam crepas?

English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 209 focus

TI

Yet thou art sick of that same pestilence.

German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 211 focus

Dir, Sohn Menökeus', Kreon, ist es so genehm

Mit dieses Landes Gegner und mit seinem Freund.

Denn jede Sazung anzuordnen steht dir frei,

So für die Todten, wie für uns, die Lebenden.

Kreon.

Seid ihr die Hüter dessen nun, was ich gebot!
215

Der Chor.

Der Jüngern Einem lege dies zu tragen auf.

Kreon.

Die, so den Leichnam hüten, steh'n ja schon bereit.

Der Chor.

Warum denn einem Andern noch gebeutst du dies?

Kreon.

Daß Keinem Nachsicht werde, der dawider thut.

Der Chor.

Wer ist so thöricht, daß er sich zu sterben sehnt?
220

Kreon.

Und dieses wäre, traun, der Lohn; doch Vielen ja

Hat schon die Hoffnung auf Gewinn den Tod gebracht.

Ein Wächter. Die Voriger.

Der Wächter.

Herr, ich will nicht sagen, daß ich athemlos

Vor Eile komme mit behend erhob'nem Fuß;

Denn viel Bedenken schus mir manchen Aufenthalt,
225

Und oft zur Rückkehr wandt' ich unterwegs mich um.

Denn meine Seele sprach zu mir und warnte viel:

„Was willst du dorthin, Armer, wo dir Strafe droht?

Elender, säumst du? Doch erfährt es Kreon dann

Von einem Andern, würde dir's nicht schlimm ergeh'n?"
230

In solchem Grübeln ging ich langsam schnell voran,

Und also streckt sich lange hin der kurze Weg.

Doch siegt' am Ende der Entschluß, hieher zu geh'n,

Zu dir; und sag' ich dir auch Nichts, ich sag' es doch.

Denn an die Hoffnung klammr' ich unverrückt mich an,
235

Nichts könne sonst mich treffen, als bestimmtes Loos.

Kreon.

English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 209 focus

Creon

What meanst thou by that question ? Askst

thou who ?

German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 209 focus

TIRESIAS

Von dieser Krankheit aber bist du voll.

English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 209 focus

Teiresias

How precious, above all wealth, is good counsel.

English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 162-330 focus

Enter Creon, with two attendants.

Creon

My fellow citizens! First, the gods, after tossing the fate of our city on wild waves, have once more righted it. Second, I have ordered you through my messengers to come here

apart from all the rest, because I knew, first of all, how constant was your reverence for the power of the throne of Laius; how, again, you were reverent, when Oedipus was guiding our city; and lastly, how, when he was dead, you still maintained loyal thoughts towards his children.
165

Since, then, these latter have fallen in one day by a twofold doom—each striking, each struck, both with the stain of a brother’s murder—I now possess all the power and the throne according to my kinship with the dead.
170

Now, it is impossible to know fully any man’s character, will, or judgment, until he has been proved by the test of rule and law-giving. For if anyone who directs the entire city does not cling to the best and wisest plans,
175

but because of some fear keeps his lips locked, then, in my judgment, he is and has long been the most cowardly traitor. And if any man thinks a friend more important than his fatherland, that man, I say, is of no account. Zeus, god who sees all things always, be my witness—
180

I would not be silent if I saw ruin, instead of safety, marching upon the citizens. Nor would I ever make a man who is hostile to my country a friend to myself, because I know this, that our country is the ship that bears us safe, and that only when
185

we sail her on a straight course can we make true friends. Such are the rules by which I strengthen this city. Akin to these is the edict which I have now published to the citizenry concerning the sons of Oedipus: Eteocles, who fell fighting
190

in behalf of our city and who excelled all in battle, they shall entomb and heap up every sacred offering that descends to the noblest of the dead below. But as for his brother, Polyneices, I mean, who on his return from exile wanted to burn to the ground
195

the city of his fathers and his race’s gods, and wanted to feed on kindred blood and lead the remnant into slavery—it has been proclaimed to the city that no one shall give him funeral honors or lamentation,
200

but all must leave him unburied and a sight of shame, with his body there for birds and dogs to eat. This is my will, and never will I allow the traitor to stand in honor before the just. But whoever has good will to Thebes ,
205

he shall be honored by me in death as in life.
210

211

Chorus

That is your will, Creon, towards this city’s enemy and its friend. And the power is yours, I believe, to make use of every law whatsoever, both concerning the dead and all us who live.

Creon

See, then, that you be guardians of my commands.
215

Chorus

Lay the weight of this task on some younger man.

Creon

That is not what I meant—the guards for the corpse are already in place.

Chorus

Then what is this other command that you would give?

Creon

That you not give way to the breakers of my commands.

Chorus

There is no one so foolish as to crave death.
220

Creon

I assure you, that is the wage for disobedience. Yet by just the hope of it, money has many times corrupted men.

Enter Guard.

Guard

My king, I will not say that I arrive breathless because of speed, or from the action of a swift foot.

For often I brought myself to a stop because of my thoughts, and wheeled round in my path to return. My mind was telling me many things: Fool, why do you go to where your arrival will mean your punishment? Idiot, are you dallying again? If Creon learns it from another, must you not suffer for it?
225

So debating, I made my way unhurriedly, slow, and thus a short road was made long. At last, however, the view prevailed that I should come here—to you. Even if my report brings no good, still will I tell you,
230

since I come with a good grip on one hope, that I can suffer nothing except what is my fate.
235

237

Creon

And what is it that so disheartens you?

Guard

I want to tell you first about myself—I did not do the deed, nor did I see the doer,

so it would be wrong that I should come to any harm.
240

Creon

Like a bowman you aim well at your target from a distance, and all around you hedge yourself off well from the deed. It is clear that you have some unheard-of thing to tell.

Guard

That I do, for terrible news imposes great hesitation.

Creon

Then tell it, will you, and so unburdened go away?

Guard

Well, here it is. The corpse—some one has just given it burial and disappeared after sprinkling thirsty dust on the flesh and performing the other rites that piety demands.
245

Creon

What are you saying? What man dared do this?

Guard

I do not know. For there was no scar of a pickax to be seen there,

no earth thrown up by a mattock. The ground was hard and dry, unbroken, not rolled over by wheels. The doer was someone who left no trace. When the first day-watchman showed it to us, a discomforting amazement fell on us all.
250

The dead man was veiled from us—not shut within a tomb, but a light cover of dust was on him, as if put there by the hand of one who shunned a curse. And no sign was visible that any beast of prey or any dog had approached or torn him. Then evil words flew thick and loud among us,
255

guard accusing guard. It would even have come to blows in the end, nor was there anyone there to prevent it: every man was the culprit, and no one was plainly guilty, while all disclaimed knowledge of the act. We were ready to take red-hot iron in our hands,
260

to walk through fire and to swear oaths by the gods that we had neither done the deed, nor shared knowledge of the planning or the doing. At last, when our investigating got us nowhere, someone spoke up and made us all bend our faces
265

in fear towards the earth. For we did not know how we could argue with him, nor yet prosper, if we did what he said. His argument was that the deed must be reported to you and not hidden. This view prevailed, and so it was that
270

the lot doomed miserable me to win this prize. So here I stand, as unwelcome to you as I am unwilling, I well know. For no man delights in the bearer of bad news.
275

278

Chorus

My king, my thoughts have long been deliberating whether this deed is somehow the work of gods?

Creon

Quiet, before your words truly fill me with rage, so that you not be found at the same time foolish as well as old. You say what is intolerable when you claim that the gods have concern for that corpse. Was it in high esteem for his benefactions
280

that they sought to hide him, when he had come to burn their columned shrines, their sacred treasures and their land, and scatter its laws to the winds? Or do you see the gods honoring the wicked? It cannot be. No! From the very first
285

certain men of the city were chafing at this edict and muttering against me, tossing their heads in secret, and they did not keep their necks duly under the yoke in submission to me. By those men, I am certain, they were led astray and bribed to do this deed.
290

Nothing so evil as money ever grew to be current among men. This destroys cities, this drives men from their homes, this trains and warps honest minds to set themselves to works of shame,
295

this teaches people to practise villainies, and to know every act of unholiness. But all the men who did this job for hire have made sure that, sooner or later, they shall suffer the punishment. Now, as Zeus still has my reverence, know this well—
300

I tell you on my oath. If you do not find the very hand that made this burial, and reveal him before my eyes, mere death shall not suffice for you, not before, hung up alive, you have made this outrage plain,
305

so that hereafter you may thieve with better knowledge of where your money should be received from, and learn that it is best not to be fond of money-making from any and every source. For you will find that ill-gotten gains bring more men to ruin than to safety.
310

315

Guard

Will you allow me to speak? Or shall I just turn and go?
315

Creon

Do you not know even now how much your voice sickens me?

Guard

Is the pain in your ears, or in your soul?

Creon

And why would you define the seat of my pain?

Guard

He who did it hurts your heart, but I, your ears.

Creon

God! How plain it is that you are a born babbler.
320

Guard

Perhaps, but never the author of this action.

Creon

Yes, and what is more, you sold your life for silver.

Guard

Ah! It is truly sad when the judge judges wrong .

Creon

Expound on judgment as you will. But, if you fail to

show me the perpetrators of these crimes, you will avow that money basely earned wreaks sorrows. Exit Creon.
325

Guard

Well, may the man be found! That would be best. But, whether he be caught or not—for fortune must decide that—I assure you that you will not see me come here again.

Saved just now beyond hope and belief, I owe the gods great thanks. Exit the Guard.
330

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-574-1 Cleopatra is the third example. Her father was the wind-god, Boreas: her mother, the Athenian Oreithyia, whom he carried off to his wild home in Thrace. Cleopatra married Phineus, king of the Thracian Salmydessus, on the W. coast of the Euxine, not far from the entrance to the Bosporus. She bore him two sons. He afterwards put her away, and imprisoned her. Her imprisonment is not directly mentioned here: but cp. Diod. 4. 44 , who says of Heracles, when serving with the Argonauts,

τὴν Κλεοπάτραν ἐκ τῆς φυλακῆς προαγαγεῖν

. Phineus then married Eidothea, sister of Cadmus. Eidothea put out the eyes of Cleopatra's two sons, and caused them also to be imprisoned.

mvp-comment-574-2 It is the fate of Cleopatra herself which Soph. means to compare with Antigone's: this is plain from 986. The fate of the sons is made so prominent only because nothing else could give us so strong a sense of the savage hatred which pursued the mother.

mvp-comment-574-3 Soph. supposes the outline of the story to be familiar. Cleopatra has already been divorced and imprisoned. The poet chooses the moment at which Cleopatra's sons are being blinded by Eidothea, with the sharp shuttle in her blood-stained hands. Ares, the god of cruel bloodshed, beholds with joy a deed so worthy of his Thracian realm.

mvp-comment-574-4 The name of Cleopatra (like that of Capaneus, 133) is not mentioned. Two strophes are given to this theme, partly, perh., as having an Attic interest (982). Soph. wrote two plays called

Φινεύς

. We know only that Cleopatra's sons were there called

Ὄαρθος

Παρθένιος

H. Weil) and

Κράμβος

: and that the subsequent blindness of Phineus was represented as a punishment of his cruelty (schol. Apoll. Rhod. 2. 178). Eidothea was mentioned by Soph. in his

Τυμπανισταί

(schol. on 980),—a play which perh. concerned the Dionysiac worship, since the

τύμπανον

(kettle-drum) was used in his

ὄργια

as well as in those of Cybelè. Another version called her Idaea, daughter of Dardanus.

mvp-comment-574-5 παρὰ δὲ Κυανεᾶν πελάγει δ. ἁλός ¹ πετρῶν ²

mvp-comment-574-6 of

πελαγέων

into

σπιλάδων

is also erroneous.

mvp-comment-574-7 L's accent, πελάγεων ³ πελάγει ⁴ παρά ⁵ πελάγει ⁶ Κυανεᾶν ⁷

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

944-987. mvp-comment-537-1 The chorus, in the manner of Pindar, moralise on the fate of Antigone through examples drawn from the circle of mythology and legend; and thus suggest the same cold comfort as in their mention of Niobe. The effect of this ode is to repress the excitement and solemnize the thoughts of the spectator. 'Danaë, though of royal lineage, and entrusted with the golden shower, was bound by all-constraining destiny in her brazen cell. 'Bound, too, in a prison of rock, was Lycurgus, who provoked the God. He knew his madness when it was too late. And on the Thracian promontory Phineus sons, blinded by their father's wife (Idothea), bewailed their rejected mother Cleopatra's hapless lot, who, descended from an ancient line, and endowed with swiftness by her divine sire, was notwithstanding overtaken by the long-lived fates.' Danae and Cleopatra were, like Antigone, of royal birth, and, like Antigone, were bound in a living tomb. So also was the son of Dryas, himself a king: and this, in his case, was the penalty of an impetuous and defiant spirit. Sophocles seems to have followed one version of the obscure and variable legend of Phineus, according to which Cleopatra did not die, but was rejected by Phineus for Idothea, and imprisoned in a cave, from which she was afterwards released by Heracles. The sons were blinded by their step-mother. The first strophe and antistrophe are choriambic with an iambic close; the second, logaoedic. The choriambi here were probably chanted slowly, so as to have a weighty, solemn effect. The scheme is as follows: a'. First strophe and antistrophe. IILUCI LUCILー LUCILIITUCICートに IICClluclトー IIICCILUCIトに ICICICI KLCICICI CトートUICIK β'. Second strophe and antistrophe. UCCTCCICCI IICCICCII!یں ILU TUCI くいくいトCICIK Cトートしーーー ―トビトCICIK CÚCCICICICC

966-968. mvp-comment-555-1 And hard by Cyanean rocks that divide the seas, are the cliffs of the Bosphorus and the Thracian promontory of Salmydessus, where,' etc. The genitive gives indefiniteness to the notion of place, and παρά implies neighbouring extent.

966. mvp-comment-556-1 πελαγέων, see v. rr., although metrically allowable (πελᾶγεων), is condemned by the vagueness of the meaning and the tautology in πελαγέων .. ἁλός. The ingenious conjecture of Wieseler is therefore adopted. It is confirmed by the gloss πετρῶν. The 1st syllable of Ἄρης is long in arsi supr. 139.

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Current edition Experimental

TEIRESIAS. Ich werd' es lehren; und dem Seher folge du.

TIRESIAS ¡Huy! ¿Acaso sabe algún hombre, acaso piensa...

Creon Quidnam? qualem hanc communem sententiam crepas?

TI Yet thou art sick of that same pestilence.

Dir, Sohn Menökeus', Kreon, ist es so genehm Mit dieses Landes Gegner und mit seinem Freund. Denn jede Sazung anzuordnen steht dir frei, So für die Todten, wie für uns, die Lebenden.

Kreon. Seid ihr die Hüter dessen nun, was ich gebot! 215

Der Chor. Der Jüngern Einem lege dies zu tragen auf.

Kreon. Die, so den Leichnam hüten, steh'n ja schon bereit.

Der Chor. Warum denn einem Andern noch gebeutst du dies?

Kreon. Daß Keinem Nachsicht werde, der dawider thut.

Der Chor. Wer ist so thöricht, daß er sich zu sterben sehnt? 220

Kreon. Und dieses wäre, traun, der Lohn; doch Vielen ja Hat schon die Hoffnung auf Gewinn den Tod gebracht. Ein Wächter. Die Voriger.

Kreon.

Creon What meanst thou by that question ? Askst thou who ?

TIRESIAS Von dieser Krankheit aber bist du voll.

Teiresias How precious, above all wealth, is good counsel.

Chorus That is your will, Creon, towards this city’s enemy and its friend. And the power is yours, I believe, to make use of every law whatsoever, both concerning the dead and all us who live.

Creon See, then, that you be guardians of my commands. 215

Chorus Lay the weight of this task on some younger man.

Creon That is not what I meant—the guards for the corpse are already in place.

Chorus Then what is this other command that you would give?

Creon That you not give way to the breakers of my commands.

Chorus There is no one so foolish as to crave death. 220

Creon I assure you, that is the wage for disobedience. Yet by just the hope of it, money has many times corrupted men.

Creon And what is it that so disheartens you?

Guard I want to tell you first about myself—I did not do the deed, nor did I see the doer, so it would be wrong that I should come to any harm. 240

Creon Like a bowman you aim well at your target from a distance, and all around you hedge yourself off well from the deed. It is clear that you have some unheard-of thing to tell.

Guard That I do, for terrible news imposes great hesitation.

Creon Then tell it, will you, and so unburdened go away?

Guard Well, here it is. The corpse—some one has just given it burial and disappeared after sprinkling thirsty dust on the flesh and performing the other rites that piety demands. 245

Creon What are you saying? What man dared do this?

Chorus My king, my thoughts have long been deliberating whether this deed is somehow the work of gods?

Guard Will you allow me to speak? Or shall I just turn and go? 315

Creon Do you not know even now how much your voice sickens me?

Guard Is the pain in your ears, or in your soul?

Creon And why would you define the seat of my pain?

Guard He who did it hurts your heart, but I, your ears.

Creon God! How plain it is that you are a born babbler. 320

Guard Perhaps, but never the author of this action.

Creon Yes, and what is more, you sold your life for silver.

Guard Ah! It is truly sad when the judge judges wrong .

Creon Expound on judgment as you will. But, if you fail to show me the perpetrators of these crimes, you will avow that money basely earned wreaks sorrows. Exit Creon. 325

Guard Well, may the man be found! That would be best. But, whether he be caught or not—for fortune must decide that—I assure you that you will not see me come here again. Saved just now beyond hope and belief, I owe the gods great thanks. Exit the Guard. 330

Commentary

Stable identifiers

TEIRESIAS.

Ich werd' es lehren; und dem Seher folge du.

TIRESIAS

¡Huy! ¿Acaso sabe algún hombre, acaso piensa...

Creon

Quidnam? qualem hanc communem sententiam crepas?

TI

Yet thou art sick of that same pestilence.

Dir, Sohn Menökeus', Kreon, ist es so genehm

Mit dieses Landes Gegner und mit seinem Freund.

Denn jede Sazung anzuordnen steht dir frei,

So für die Todten, wie für uns, die Lebenden.

Kreon.

Seid ihr die Hüter dessen nun, was ich gebot!
215

Der Chor.

Der Jüngern Einem lege dies zu tragen auf.

Kreon.

Die, so den Leichnam hüten, steh'n ja schon bereit.

Der Chor.

Warum denn einem Andern noch gebeutst du dies?

Kreon.

Daß Keinem Nachsicht werde, der dawider thut.

Der Chor.

Wer ist so thöricht, daß er sich zu sterben sehnt?
220

Kreon.

Und dieses wäre, traun, der Lohn; doch Vielen ja

Hat schon die Hoffnung auf Gewinn den Tod gebracht.

Ein Wächter. Die Voriger.

Creon

What meanst thou by that question ? Askst

thou who ?

TIRESIAS

Von dieser Krankheit aber bist du voll.

Teiresias

How precious, above all wealth, is good counsel.

Chorus

That is your will, Creon, towards this city’s enemy and its friend. And the power is yours, I believe, to make use of every law whatsoever, both concerning the dead and all us who live.

Creon

See, then, that you be guardians of my commands.
215

Chorus

Lay the weight of this task on some younger man.

Creon

That is not what I meant—the guards for the corpse are already in place.

Chorus

Then what is this other command that you would give?

Creon

That you not give way to the breakers of my commands.

Chorus

There is no one so foolish as to crave death.
220

Creon

I assure you, that is the wage for disobedience. Yet by just the hope of it, money has many times corrupted men.

Creon

And what is it that so disheartens you?

Guard

I want to tell you first about myself—I did not do the deed, nor did I see the doer,

so it would be wrong that I should come to any harm.
240

Creon

Like a bowman you aim well at your target from a distance, and all around you hedge yourself off well from the deed. It is clear that you have some unheard-of thing to tell.

Guard

That I do, for terrible news imposes great hesitation.

Creon

Then tell it, will you, and so unburdened go away?

Guard

Well, here it is. The corpse—some one has just given it burial and disappeared after sprinkling thirsty dust on the flesh and performing the other rites that piety demands.
245

Creon

What are you saying? What man dared do this?

Chorus

My king, my thoughts have long been deliberating whether this deed is somehow the work of gods?

Guard

Will you allow me to speak? Or shall I just turn and go?
315

Creon

Do you not know even now how much your voice sickens me?

Guard

Is the pain in your ears, or in your soul?

Creon

And why would you define the seat of my pain?

Guard

He who did it hurts your heart, but I, your ears.

Creon

God! How plain it is that you are a born babbler.
320

Guard

Perhaps, but never the author of this action.

Creon

Yes, and what is more, you sold your life for silver.

Guard

Ah! It is truly sad when the judge judges wrong .

Creon

Expound on judgment as you will. But, if you fail to

show me the perpetrators of these crimes, you will avow that money basely earned wreaks sorrows. Exit Creon.
325

Guard

Well, may the man be found! That would be best. But, whether he be caught or not—for fortune must decide that—I assure you that you will not see me come here again.

Saved just now beyond hope and belief, I owe the gods great thanks. Exit the Guard.
330