Antigone. Sophocles. Leipzig. 1979.
Sponsored by Perseus Project, Tufts University.
Funding provided by Tufts University.
Antigone. Sophocles. Leipzig. 1979.
Sponsored by Perseus Project, Tufts University.
Funding provided by Tufts University.
Greek (R. D. Dawe, 1979) (OCR draft) (Greek) (Greek (R. D. Dawe, 1979))
Provisional text from uncorrected OCR; expect errors.
223-330. mvp-comment-136-1 The half-comic or rustic character of the watchman in this play is an extension of the common character of the messenger, whose natural rudeness of speech and thought brings into greater prominence the horror or pathos of the events he describes. The grotesqueness disappears when he speaks of the action of Antigone in 407-440. The employment of this artifice by Sophocles arises from the same motive to which Shakespeare gave a far wider range in such creations as the gravediggers in Hamlet, and the rural fellow in Antony and Cleopatra. The Messenger in the Trachiniae, the Corinthian in the Oedipus Tyrannus, Menelaus in the Ajax, the pretended Shipmaster in the Philoctetes, afford the same sort of contrast to the more tragic personages: and the superstition of the Coloniatae may be compared with the cowardice of the Phrygian slave in the Orestes of Euripides.
223-330.
mvp-comment-136-2
The vulgarity of the common-place Athenian of the fifth century в.с. takes the form of misplaced subtlety of wit. Cp.
Shak. Hamlet, 5. 1
,
223-224. mvp-comment-137-1 I am out of breath, but not with speed. It is not that I ran nimbly hither. Aristotle, Rhet. 3. 14. § 10, quotes 223 thus, Ἄναξ, ἐρῶ μὲν οὐχ ὅπως σπουδῆς ὕπο.., adding, as if from the reply of Creon, τί φροιμιάζῃ; But it is as unsafe to follow his authority in this line, as it would be to substitute τί φροιμιάζῃ for εὖ γε στοχάζει in l. 241. It is evident that he is quoting from memory: and, although it is curious that the Scholiast uses the same word in his explanation, οὐ τοῦτο λέγω, ὅτι μετὰ σπουδῆς ἀσθμαίνων πρὸς σὲ πορεύομαι, yet this does not amount to a proof that this is the right reading. σπουδῆς may be the word which would be more naturally used in prose, but it is less pointed than τάχους in this connection. κοῦφον ἐξάρας πόδα is added in explanation of τάχους ὕπο. ἐξάρας, having set forth from the point of departure, like αἴρειν στόλον.