ὦ φίλταθ᾽ Αἵμων, ὥς σ᾽ ἀτιμάζει πατήρ.
Antigone. Sophocles. Torino, Italy. 1978.
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Table of Contents
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Current edition Experimental
Greek (A. Colonna, 1978) (OCR draft) (Greek) (Greek (A. Colonna, 1978))
Provisional text from uncorrected OCR; expect errors.
Editions (11)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 572 focus
ᾍδης ὁ παύσων τούσδε τοὺς γάμους ἔφυ.
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 572 focus
ὁμοῖον ὥστε ποντίαις
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 572 focus
γυναῖκας εἶναι τάσδε, μηδ᾽ ἀνειμένας·
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 572 focus
ὦ φίλταθ' Αἷμον, ὥς σ᾽ ἀτιμάζει πατήρ.
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 572.mvp-line-569 focus
ὦ φίλταθ’ Αἵμων, ὥς σ’ ἀτιμάζει πατήρ.
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 572 focus
ὦ φίλταθ᾽ Αἵμων, ὥς σ᾽ ἀτιμάζει πατήρ.
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 572 focus
δεδογμέν᾽, ὡς ἔοικε, τήνδε κατθανεῖν.
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 572 focus
ὦ φίλταθ᾽ Αἷμον, ὥς σ᾽ ἀτιμάζει πατήρ.
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 572.mvp-line-569 focus
ὦ φίλταθ᾽ Αἷμον, ὥς σ᾽ ἀτιμάζει πατήρ.
Antigone (OCR draft) Experimental (Antigone) — 572 focus
ὦ φίλταθʼ Αἷμον, ὥς σʼ ἀτιμάζει πατήρ.
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 572 focus
ὦ φίλταθ᾽ Αἷμον, ὥς σ᾽ ἀτιμάζει πατήρ.
Translations (2)
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 583 focus
Ihr Seligen, deren Geschick kein Leid gekostet!
580
Wem sein Wohnhaus Götter erschütterten, niemals
Läßt der Fluch ihn, fort von Geschlecht zu Geschlecht sich wälzend:
Gleichwie das aufgeschwoll'ne Meer,
Wann, vom Thrakersturm erregt,
Es mächtig in die düstere Tiefe hinab sich wälzt,
585
Vom Abgrund auf den schwarzen Meersand
Wühlt und dumpf im stöhnenden
Orkan die flutgeschlag'nen Ufer tosen.
Erste Gegenstrophe.
Ihr Seligen, deren Geschick kein Leid gekostet!
580
Wem sein Wohnhaus Götter erschütterten, niemals
Läßt der Fluch ihn, fort von Geschlecht zu Geschlecht sich wälzend:
Gleichwie das aufgeschwoll'ne Meer,
Wann, vom Thrakersturm erregt,
Es mächtig in die düstere Tiefe hinab sich wälzt,
585
Vom Abgrund auf den schwarzen Meersand
Wühlt und dumpf im stöhnenden
Orkan die flutgeschlag'nen Ufer tosen.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 583-630 focus
Chorus
Blest are those whose days have not tasted of evil. For when a house has once been shaken by the gods,
no form of ruin is lacking, but it spreads over the bulk of the race, just as, when the surge is driven over the darkness of the deep by the fierce breath of Thracian sea-winds,
585
it rolls up the black sand from the depths, and the wind-beaten headlands that front the blows of the storm give out a mournful roar.
590
Blest are those whose days have not tasted of evil. For when a house has once been shaken by the gods,
no form of ruin is lacking, but it spreads over the bulk of the race, just as, when the surge is driven over the darkness of the deep by the fierce breath of Thracian sea-winds,
585
it rolls up the black sand from the depths, and the wind-beaten headlands that front the blows of the storm give out a mournful roar.
590
Chorus
I see that the ancient sorrows of the house of the Labdacids
are heaped upon the sorrows of the dead. Each generation does not set its race free, but some god hurls it down and the race has no release. For now that dazzling ray of hope that had been spread
595
over the last roots in the house of Oedipus—that hope, in its turn, the blood-stained dust of the gods infernal and mindlessness in speech and frenzy at the mind cuts down.
600
I see that the ancient sorrows of the house of the Labdacids
are heaped upon the sorrows of the dead. Each generation does not set its race free, but some god hurls it down and the race has no release. For now that dazzling ray of hope that had been spread
595
over the last roots in the house of Oedipus—that hope, in its turn, the blood-stained dust of the gods infernal and mindlessness in speech and frenzy at the mind cuts down.
600
Chorus
Your power, great Zeus—what human overstepping can check it? Yours is power that neither Sleep, the all-ensnaring, nor the untiring months of the gods can defeat. Unaged through time,
605
you rule by your power and dwell thereby in the brilliant splendor of
Olympus
. And through the future, both near and distant, as through the past, shall this law prevail: nothing that is vast comes to the life of mortals without ruin.
610
Your power, great Zeus—what human overstepping can check it? Yours is power that neither Sleep, the all-ensnaring, nor the untiring months of the gods can defeat. Unaged through time,
605
you rule by your power and dwell thereby in the brilliant splendor of
Olympus
. And through the future, both near and distant, as through the past, shall this law prevail: nothing that is vast comes to the life of mortals without ruin.
610
Chorus
See how that hope whose wanderings are so wide truly is a benefit to many men, but to an equal number it is a false lure of light-headed desires. The deception comes to one who is wholly unawares until he burns his foot on a hot fire.
615
For with wisdom did someone once reveal the maxim, now famous, that evil at one time or another seems good, to him whose mind a god leads to ruin.
620
But for the briefest moment such a man fares free of destruction.
625
See how that hope whose wanderings are so wide truly is a benefit to many men, but to an equal number it is a false lure of light-headed desires. The deception comes to one who is wholly unawares until he burns his foot on a hot fire.
615
For with wisdom did someone once reveal the maxim, now famous, that evil at one time or another seems good, to him whose mind a god leads to ruin.
620
But for the briefest moment such a man fares free of destruction.
625
Enter Haemon.
Chorus
But here is Haemon, the last of your offspring. Does he come grieving for the doom of Antigone, his promised bride,
and bitter for the deceived hope of their marriage?
630
But here is Haemon, the last of your offspring. Does he come grieving for the doom of Antigone, his promised bride,
and bitter for the deceived hope of their marriage?
630
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
mvp-comment-334-1
It is not of much moment that L, like the later MSS., gives this verse to Ismene. Errors as to the persons occur not seldom in L (see, e.g., cr. n. to
O. C. 837
, and cp.
ib. 1737
); and here a mistake would have been peculiarly easy, as the dialogue from v. 561 onwards has been between Creon and Ismene. To me it seems certain that the verse is Antigone's, and that one of the finest touches in the play is effaced by giving it to Ismene. The taunt,
κακὰς γυναῖκας υἱέσι, moves Antigone to break the silence which she has kept since v. 560: in all this scene she has not spoken to Creon, nor does she now address him: she is thinking of Haemon,—of the dishonour to
him implied in the charge of having made such a choice, —
ὡς αἰεὶ τὸν ὁμοῖον ἄγει θεὸς ὡς τὸν ὁμοῖον. How little does his father know the heart which was in sympathy with her own. This solitary reference to her love heightens in a wonderful degree our sense of her unselfish devotion to a sacred duty. If Ismene speaks this verse, then
τὸ σὸν λέχος in 573 must be, ‘the marriage of which you talk’ (like
El. 1110
οὐκ οἶδα τὴν σὴν κλῄδον'), which certainly is not its natural sense.
mvp-comment-334-2 Αἷμον 1
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
572. mvp-comment-339-1 *AN. The MSS. have ΙΣ. But Böckh has given strong reasons for following Aldus in assigning the line to Antigone. The last speech of Creon might well move her to break silence, which she does naturally by resenting the words not for herself, but for Haemon. There is also greater bitterness in this line than in any speech of Ismene. Then, granting that τὸ σὸν λέχος, addressed to Ismene, might mean The marriage you prate of, the words express a much deeper feeling as addressed to Antigone. Outwardly a mere expression of impatience, they convey the only touch of natural feeling which Creon betrays. 574 and 576 are then most naturally given to the chorus. The act of Creon in sacrificing his son's happiness is more solemnly marked when his words are addressed to the coryphaeus. While adhering to this view I am bound to add that some of the best critics prefer the other arrangement of the persons.