Antigone. Sophocles. Torino, Italy. 1978.
Sponsored by Perseus Project, Tufts University.
Funding provided by Tufts University.
Antigone. Sophocles. Torino, Italy. 1978.
Sponsored by Perseus Project, Tufts University.
Funding provided by Tufts University.
Greek (A. Colonna, 1978) (OCR draft) (Greek) (Greek (A. Colonna, 1978))
Provisional text from uncorrected OCR; expect errors.
mvp-comment-623-1 θεοὺς μιαίνειν 1
mvp-comment-623-2
This view seems to do some injustice to the poet's dramatic psychology. I read the words quite differently. The most orthodox Greek piety held that ‘no mortal could pollute the gods.’ See, for example,
H. F. 1232. Heracles, having recovered sanity after slaying his children, has covered his face, to hide it from the holy light of the sun. Theseus —who is a type of normal
mvp-comment-623-3 ‘The sky-throne of Zeus is still more sacred than his altar on earth: if defilement cannot reach him there, much less here.’ The sophism is of the kind with which an honest but stubborn and wrongheaded man might seek to quiet his conscience. Creon reveres Zeus (304): he feels for the majesty of the gods, and refuses to believe that they can honour the wicked (284 ff.). But his religious sense is temporarily confused by his anger.
1044. mvp-comment-604-1 'There is no power in man to touch the gods with pollution.' Creon's scepticism (cp. Aesch. Ag. 369-372: Plat. Legg. B. 10) anticipates the Epicurean notion of the Divine Nature, which Nec bene promeritis capitur, neque tangitur ira. Cp. with this and with O. T. 964, foll., Hector's defiance of augury in Il. 12. 237, foll.